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| Author | : Rosemary A. King |
| Publisher | : University of Arizona Press |
| Total Pages | : 190 |
| Release | : 2004-02 |
| Genre | : History |
| ISBN | : 0816523355 |
Border Confluences examines how the theme of cultural difference influences the ways that writers construct narrative space and the ways their characters negotiate those spaces, from domestic sphere to national territory, public school to utopia."--BOOK JACKET.
| Author | : Rosemary A. King |
| Publisher | : |
| Total Pages | : 270 |
| Release | : 2000 |
| Genre | : Political Science |
| ISBN | : |
For over 150 years, borderland authors from both Mexico and the United States have developed novels which owe their narrative power to compelling relationships between literary constructions of space and artistic expressions of conflicts, characters, and cultural encounter. This study explores those relationships by analyzing representations of the spaces in which characters function-whether barrio, ballroom, or border city as well as the places characters inhabit relative to the border-occupying native or foreign territory, traveling temporarily, or settling permanently. Concomitant with close attention to the conceptualization of space in border literature is a foregrounding of the genres that border writers employ, such as historical romance and the Hispanic bildungsroman, as well as the literary traditions from which they draw, such as travel narratives or utopian literature. Assessing geopoetics in border writing from the Mexican American War to the present, including writers such as Helen Hunt Jackson, Jovita Gonzalez, Ernesto Galarza, Americo Paredes, Harriet Doerr, Cormac McCarthy, Leslie Marmon Silko, and Miguel Mendez provides a paradigm for tracing the development and changes in individual responses to this space as well as a broad range of responses based on class and gender. This corpus of literature demonstrates that the various ways in which characters respond to cultural encounter-adapting, resisting, challenging, sympathizing-depends on artistic rendering of spaces and places around them. Thus, the central argument of this project is that character responses to cultural encounters arise out of geopoetics-the artistic expression of space and place-from the earliest to the most recent border narratives.
| Author | : Pablo Vila |
| Publisher | : University of Texas Press |
| Total Pages | : 313 |
| Release | : 2009-06-03 |
| Genre | : Social Science |
| ISBN | : 0292773838 |
From poets to sociologists, many people who write about life on the U.S.-Mexico border use terms such as "border crossing" and "hybridity" which suggest that a unified culture—neither Mexican nor American, but an amalgamation of both—has arisen in the borderlands. But talking to people who actually live on either side of the border reveals no single commonly shared sense of identity, as Pablo Vila demonstrated in his book Crossing Borders, Reinforcing Borders: Social Categories, Metaphors, and Narrative Identities on the U.S.-Mexico Frontier. Instead, people living near the border, like people everywhere, base their sense of identity on a constellation of interacting factors that includes regional identity, but also nationality, ethnicity, and race. In this book, Vila continues the exploration of identities he began in Crossing Borders, Reinforcing Borders by looking at how religion, gender, and class also affect people's identifications of self and "others" among Mexican nationals, Mexican immigrants, Mexican Americans, Anglos, and African Americans in the Cuidad Juárez-El Paso area. Among the many fascinating issues he raises are how the perception that "all Mexicans are Catholic" affects Mexican Protestants and Pentecostals; how the discourse about proper gender roles may feed the violence against women that has made Juárez the "women's murder capital of the world"; and why class consciousness is paradoxically absent in a region with great disparities of wealth. His research underscores the complexity of the process of social identification and confirms that the idealized notion of "hybridity" is only partially adequate to define people's identity on the U.S.-Mexico border.
| Author | : Donna M Kabalen de Bichara |
| Publisher | : Texas A&M University Press |
| Total Pages | : 250 |
| Release | : 2013-05-21 |
| Genre | : Literary Criticism |
| ISBN | : 1603448047 |
Voices from the borderlands push against boundaries in more ways than one, as Donna M. Kabalen de Bichara ably demonstrates in this investigation into the twentieth-century autobiographical writing of four women of Mexican origin who lived in the American Southwest. Until recently, little attention has been paid to the writing of the women included in this study. As Kabalen de Bichara notes, it is precisely such historical exclusion of texts written by Mexican American women that gives particular significance to the reexamination of the five autobiographical works that provide the focus for this in-depth study. “Early Life and Education” and Dew on the Thorn by Jovita González (1904–83), deal with life experiences in Texas and were likely written between 1926 and the 1940s; both texts were published in 1997. Romance of a Little Village Girl, first published in 1955, focuses on life in New Mexico, and was written by Cleofas Jaramillo (1878–1956) when the author was in her seventies. A Beautiful, Cruel Country, by Eva Antonio Wilbur-Cruce (1904–98), introduces the reader to history and a way of life that developed in the cultural space of Arizona. Created over a ten-year period, this text was published in 1987, just eleven years before the author’s death. Hoyt Street, by Mary Helen Ponce (b. 1938), began as a research paper during the period of the autobiographer’s undergraduate studies (1974–80), and was published in its present form in 1993. These border autobiographies can be understood as attempts on the part of the Mexican American female autobiographers to put themselves into the text and thus write their experiences into existence.
| Author | : Glenn Sheldon |
| Publisher | : McFarland |
| Total Pages | : 204 |
| Release | : 2004-03-17 |
| Genre | : Literary Criticism |
| ISBN | : 9780786417469 |
This study examines the work of six American poets who visited Mexico in the 1950s, discussing the complex relationships between location, writing, society, history and dislocation. By interacting with Mexican culture and writing about the experience, these poets had to come to terms with the foreign as well as explore their own identities as Americans. Experiencing Mexico inspired these poets to use many different voices in their poetry, a style in opposition to the hegemony of 1950s American culture. This study compares and contrasts the poets, particularly in terms of class, race, sexual orientation, and gender, and which strategies of "going foreign" each uses. Each chapter examines a poem or series of poems based upon a trip to Mexico. Analyzed in detail are Williams' The Desert Music, Kerouac's Mexico City Blues, Corso's "Mexican Impressions" and "Puma in Chapultepec Zoo," Ginsberg's Siesta in Xbalba, Levertov's "Tomatlan" and others, and Hayden's An Inference of Mexico.
| Author | : Johan Schimanski |
| Publisher | : Manchester University Press |
| Total Pages | : 295 |
| Release | : 2021-02-02 |
| Genre | : Social Science |
| ISBN | : 1526146258 |
This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.
| Author | : Samuel Truett |
| Publisher | : Duke University Press |
| Total Pages | : 378 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : 9780822333890 |
Focuses on the modern Mexican-American borderlands, where a boundary line seems to separate two dissimilar cultures and economies.
| Author | : Tyche Hendricks |
| Publisher | : Univ of California Press |
| Total Pages | : 260 |
| Release | : 2010 |
| Genre | : Family & Relationships |
| ISBN | : 0520269802 |
"There are other books dealing with life at the border, but none as intelligent, searching, objective or encompassing as Tyche Hendricks' vivid evocation of this region--its people, its landscape, its industry, its problems and its unique culture."—Peter Schrag, author of Not Fit for Society: Immigration and Nativism in America "This vivid, evocative book made me think of the Robert Frost line, 'Something there is that doesn't love a wall.' Tyche Hendricks' multilayered portrait of the human communities that transcend the U.S.-Mexico border should remind us all of what an artificial thing barriers, fences and checkpoints are. Maybe, just maybe, someday we, like so much of western Europe, can do without them."—Adam Hochschild, author of Bury the Chains "This is an ambitious undertaking and Hendricks excels, finding stories along the way that illustrate the clash between, within and along that nearly 2,000-mile stretch of territory. Her reporting illustrates that for many U.S.-Mexico border residents, the international bridge is something you cross on your way to visit family, shop for groceries, get to a doctor or work."—Macarena Del Rocio Hernandez, University of Houston "Dear President Obama, next time you are at Camp David spend a couple of hours reading The Wind Doesn't Need a Passport. While the Health Care overhaul may well come to define your presidency, immigration will define the future of our country. In this marvelous book—rigorously grounded, smartly argued, beautifully crafted, Tyche Hendricks captures, in stories of biblical proportion, the contours of the magical line that at once unites us and divides us as Americans and as neighbors of our indispensable partner in the South. Ms. Hendricks's book, Mr. President, will remind you just what is at stake in getting immigration reform right. All Californians, Texans, and Arizonians, who think they know the border, should read this book. It is essential reading for our times."—Marcelo M. Suárez-Orozco, Fisher Membership Fellow, Institute for Advanced Study, and co-author of Latinos: Remaking America
| Author | : Samuel Truett |
| Publisher | : Yale University Press |
| Total Pages | : 271 |
| Release | : 2008-10-01 |
| Genre | : History |
| ISBN | : 0300135327 |
Published in Cooperation with the William P. Clements Center for Southwest StudiesIn the nineteenth and early twentieth centuries, Mexicans and Americans joined together to transform the U.S.–Mexico borderlands into a crossroads of modern economic development. This book reveals the forgotten story of their ambitious dreams and their ultimate failure to control this fugitive terrain. Focusing on a mining region that spilled across the Arizona–Sonora border, this book shows how entrepreneurs, corporations, and statesmen tried to domesticate nature and society within a transnational context. Efforts to tame a “wild” frontier were stymied by labor struggles, social conflict, and revolution. Fugitive Landscapes explores the making and unmaking of the U.S.–Mexico border, telling how ordinary people resisted the domination of empires, nations, and corporations to shape transnational history on their own terms. By moving beyond traditional national narratives, it offers new lessons for our own border-crossing age.
| Author | : Robert R. Alvarez |
| Publisher | : |
| Total Pages | : 48 |
| Release | : 1998 |
| Genre | : Lemon Grove (Calif.) |
| ISBN | : |
