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Unseemly Pictures

Unseemly Pictures
Author: Helen Pierce
Publisher: Yale University Press
Total Pages: 234
Release: 2008
Genre: Art
ISBN:

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This engaging book is the first full study of the satirical print in seventeenth-century England from the rule of James I to the Regicide. It considers graphic satire both as a particular pictorial category within the wider medium of print and as a vehicle for political agitation, criticism, and debate. Helen Pierce demonstrates that graphic satire formed an integral part of a wider culture of political propaganda and critique during this period, and she presents many witty and satirical prints in the context of such related media as manuscript verses, ballads, pamphlets, and plays. She also challenges the commonly held notion that a visual iconography of politics and satire in England originated during the 1640s, tracing the roots of this iconography back into native and European graphic cultures and traditions. Published for the Paul Mellon Centre for Studies in British Art


Printed Images in Early Modern Britain

Printed Images in Early Modern Britain
Author: Michael Hunter
Publisher: Routledge
Total Pages: 409
Release: 2016-12-05
Genre: History
ISBN: 1351908863

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Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.


Unseemly Pictures

Unseemly Pictures
Author:
Publisher:
Total Pages: 240
Release: 2004
Genre:
ISBN:

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'Unseemly Pictures'

'Unseemly Pictures'
Author:
Publisher:
Total Pages: 6
Release: 2005
Genre: Great Britain
ISBN:

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Stage and Picture in the English Renaissance

Stage and Picture in the English Renaissance
Author: John Astington
Publisher: Cambridge University Press
Total Pages: 295
Release: 2017-05-18
Genre: Art
ISBN: 1107121434

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This book demonstrates the pervading influence of visual art in the composition, production and reception of Renaissance English drama.


New Approaches to Religion and the Enlightenment

New Approaches to Religion and the Enlightenment
Author: Brett C. McInelly
Publisher: Rowman & Littlefield
Total Pages: 414
Release: 2018-11-09
Genre: Religion
ISBN: 1683931629

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The Enlightenment, an eighteenth-century philosophical and cultural movement that swept through Western Europe, has often been characterized as a mostly secular phenomenon that ultimately undermined religious authority and belief, and eventually gave way to the secularization of Western society and to modernity. To whatever extent the Enlightenment can be credited with giving birth to modern Western culture, historians in more recent years have aptly demonstrated that the Enlightenment hardly singled the death knell of religion. Not only did religion continue to occupy a central pace in political, social, and private life throughout the eighteenth century, but it shaped the Enlightenment project itself in significant and meaningful ways. The thinkers and philosophers normally associated with the Enlightenment, to be sure, challenged state-sponsored church authority and what they perceived as superstitious forms of belief and practice, but they did not mount a campaign to undermine religion generally. A more productive approach to understanding religion in the age of Enlightenment, then, is to examine the ways the Enlightenment informed religious belief and practice during the period as well as the ways religion influenced the Enlightenment and to do so from a range of disciplinary perspectives, which is the goal of this collection. The chapters document the intersections of religious and Enlightenment ideas in such areas as theology, the natural sciences, politics, the law, art, philosophy, and literature.


Making and unmaking in early modern English drama

Making and unmaking in early modern English drama
Author: Chloe Porter
Publisher: Manchester University Press
Total Pages: 332
Release: 2015-11-01
Genre: History
ISBN: 1526103281

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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Why are early modern English dramatists preoccupied with unfinished processes of ‘making’ and ‘unmaking’? And what did the terms ‘finished’ or ‘incomplete’ mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are ‘under construction’ in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to ‘begin’ or ‘end’ a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.


My First Exorcism

My First Exorcism
Author: Harold Ristau
Publisher: Wipf and Stock Publishers
Total Pages: 181
Release: 2016-04-14
Genre: Religion
ISBN: 1498225713

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What the scientific community dismisses as a mental disorder, Christians have often labeled "demon possession." While classifications may offer limited help in explanation, the Reverend Dr. Harold Ristau explores the nature and meaning of demonic activity by drawing from his own experiences with exorcism. Ristau shares life lessons, spiritual applications, and religious wisdom from his personal encounters with the dark realm. Primarily intended for clergy, his reflections offer a springboard intended to stimulate critical thinking, challenge metaphysical presuppositions, and inspire a belated conversation on a topic that has traditionally been avoided, not because of a lack of empirical evidence, but due to the fear that it incites inside of us. Yet if the claims of the historic Church are true--that demons do in fact exist and seek our destruction--then an honest examination of the phenomenon, and its impact on the ways in which we live and reason, is an essential endeavor for any practitioner of the ministry of deliverance.


The Quarterly Review

The Quarterly Review
Author: William Gifford
Publisher:
Total Pages: 624
Release: 1827
Genre: English literature
ISBN:

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Fashion and Popular Print in Early Modern England

Fashion and Popular Print in Early Modern England
Author: Clare Backhouse
Publisher: Bloomsbury Publishing
Total Pages: 379
Release: 2017-07-30
Genre: History
ISBN: 1786721961

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Fashion featured in black-letter broadside ballads over a hundred years before fashion magazines appeared in England. In the seventeenth century, these single-sheet prints contained rhyming song texts and woodcut pictures, accessible to almost everyone in the country. Dress was a popular subject for ballads, as well as being a commodity with close material and cultural connections to them.This book analyses how the distinctive words and images of these ballads made meaning, both in relation to each other on the ballad sheet and in response to contemporary national events, sumptuary legislation, religious practice, economic theory, the visual arts and literature. In this context, Clare Backhouse argues, seventeenth-century ballads increasingly celebrated the proliferation of print and fashionable dress, envisioning new roles for men and women in terms of fashion consumption and its importance to national prosperity. The book demonstrates how the hitherto overlooked but extensive source material that these ballads offer can enrich the histories of dress, art and culture in early modern England.