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Unruly Audience

Unruly Audience
Author: Greg Kelley
Publisher: University Press of Colorado
Total Pages: 253
Release: 2020-09-01
Genre: Social Science
ISBN: 1607329905

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Unruly Audience explores grassroots appropriations of familiar media texts from film, television, stand-up comedy, popular music, advertising, and tourism. Case studies probe the complex relationship between folklore and media, with particular attention to the dynamics of production and reception. Greg Kelley examines how “folk interventions” challenge institutional media with active—often public—social engagement. Drawing on a diverse range of examples—popular music parodies of “The Colonel Bogey March,” jokes about Disney’s Snow White and the Seven Dwarfs, touristic performance at Jamaica’s haunted Rose Hall, internet memes about NBC’s The Office, children’s parodies of commercials, and jokes about joking—Kelley demonstrates how active audiences mobilize folklore to disrupt dominant modes of media discourse. With materials both historical and contemporary and compiled from print, internet archives, and original fieldwork, Kelley’s audience-centered analysis demonstrates that producers of media are not the sole arbiters of meaning. With folklore as an important tool, unruly audiences refashion mediated expression so that the material becomes more relevant to their own circumstances. Unruly Audience foregrounds the fluid interplay between media production and audience reception and between forces of cultural domination and cultural resistance, bringing new analytical insights to familiar folk practices. This carefully crafted book will speak to students and scholars in folklore, popular culture, and media studies in multidisciplinary ways.


Unruly Audiences and the Theater of Control in Early Modern London

Unruly Audiences and the Theater of Control in Early Modern London
Author: Eric Dunnum
Publisher: Routledge
Total Pages: 498
Release: 2019-09-18
Genre: Performing Arts
ISBN: 1351252631

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Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience. This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama. Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.


Argument and Audience

Argument and Audience
Author: Kenneth T. Broda-Bahm
Publisher: IDEA
Total Pages: 388
Release: 2004
Genre: Language Arts & Disciplines
ISBN: 9780972054133

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This book is a complete guide for the public debater, debate organizer coach or consultant.


Studying Audiences

Studying Audiences
Author: Virginia Nightingale
Publisher: Psychology Press
Total Pages: 188
Release: 1996
Genre: Performing Arts
ISBN: 9780415143981

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"A critical overview of two decades of research into the television audience" -- [i].


Routledge Companion to Audiences and the Performing Arts

Routledge Companion to Audiences and the Performing Arts
Author: Matthew Reason
Publisher: Routledge
Total Pages: 774
Release: 2022-04-05
Genre: Performing Arts
ISBN: 1000537986

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The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities.


Grindhouse

Grindhouse
Author: Austin Fisher
Publisher: Bloomsbury Publishing USA
Total Pages: 281
Release: 2016-09-22
Genre: Performing Arts
ISBN: 162892747X

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Examines, with historically informed nuance, the myriad routes of cultural influence that converged in the American ‘grindhouse’ phenomenon and its aftermath.


The Roman Theatre and Its Audience

The Roman Theatre and Its Audience
Author: Richard C. Beacham
Publisher: Harvard University Press
Total Pages: 290
Release: 1991
Genre: History
ISBN: 9780674779143

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Provides a general account of the Roman theater and its audience, and records some of the results of the author's experiments in constructing a full-scale replica stage based upon the wall paintings at Pompeii and Herculaneum, and producing Roman plays upon it.


The Citizen Audience

The Citizen Audience
Author: Richard Butsch
Publisher: Routledge
Total Pages: 197
Release: 2008-02-15
Genre: Art
ISBN: 1135867461

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In The Citizen Audience, Richard Butsch explores the cultural and political history of audiences in the United States from the nineteenth century to the present. He demonstrates that, while attitudes toward audiences have shifted over time, Americans have always judged audiences against standards of good citizenship. From descriptions of tightly packed crowds in early American theaters to the contemporary reports of distant, anonymous Internet audiences, Butsch examines how audiences were represented in contemporary discourse. He explores a broad range of sources on theater, movies, propaganda, advertising, broadcast journalism, and much more. Butsch discovers that audiences were characterized according to three recurrent motifs: as crowds and as isolated individuals in a mass, both of which were considered bad, and as publics which were considered ideal audiences. These images were based on and reinforced class and other social hierarchies. At times though, subordinate groups challenged their negative characterization in these images, and countered with their own interpretations. A remarkable work of cultural criticism and media history, this book is essential reading for anyone seeking an historical understanding of how audiences, media and entertainment function in the American cultural and political imagination.


Meanings of Audiences

Meanings of Audiences
Author: Richard Butsch
Publisher: Routledge
Total Pages: 379
Release: 2013-08-15
Genre: Social Science
ISBN: 1135043043

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In today’s thoroughly mediated societies people spend many hours in the role of audiences, while powerful organizations, including governments, corporations and schools, reach people via the media. Consequently, how people think about, and organizations treat, audiences has considerable significance. This ground-breaking collection offers original, empirical studies of discourses about audiences by bringing together a genuinely international range of work. With essays on audiences in ancient Greece, early modern Germany, Soviet and post-Soviet Russia, Zimbabwe, contemporary Egypt, Bengali India, China, Taiwan, and immigrant diaspora in Belgium, each chapter examines the ways in which audiences are embedded in discourses of power, representation, and regulation in different yet overlapping ways according to specific socio-historical contexts. Suitable for both undergraduate and postgraduate students, this book is a valuable and original contribution to media and communication studies. It will be particularly useful to those studying audiences and international media.