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| Author | : University of Oregon. Museum of Natural History |
| Publisher | : |
| Total Pages | : 16 |
| Release | : 1967* |
| Genre | : Natural history museums |
| ISBN | : |
| Author | : University of Oregon. Museum of Natural History |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1965 |
| Genre | : Anthropology |
| ISBN | : |
| Author | : Faith d' Aluisio |
| Publisher | : Material World |
| Total Pages | : 292 |
| Release | : 2007-09 |
| Genre | : Photography |
| ISBN | : 9781580088695 |
Provides an overview of what families around the world eat by featuring portraits of thirty families from twenty-four countries with a week's supply of food.
| Author | : C. Melvin Aikens |
| Publisher | : |
| Total Pages | : 496 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 9780870716065 |
Oregon Archaeology tells the story of Oregon's cultural history beginning more than 14,000 years ago with the earliest evidence of human occupation and continuing into the twentieth century.
| Author | : National Geographic |
| Publisher | : National Geographic Books |
| Total Pages | : 404 |
| Release | : 2015 |
| Genre | : Photography |
| ISBN | : 1426215614 |
Collects the work of National Geographic's best photographers, featuring striking images of places, events, natural phenomena, and manmade heirlooms seldom seen by human eyes, including ancient cave art and volcanic lightning.
| Author | : University of Oregon. Museum of Natural History |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 1977 |
| Genre | : Anthropology |
| ISBN | : |
| Author | : Formations Inc |
| Publisher | : |
| Total Pages | : 23 |
| Release | : 2002 |
| Genre | : College museums |
| ISBN | : |
| Author | : Nina Amstutz |
| Publisher | : Yale University Press |
| Total Pages | : 281 |
| Release | : 2020-01-01 |
| Genre | : Art |
| ISBN | : 0300246161 |
A revelatory look at how the mature work of Caspar David Friedrich engaged with concurrent developments in natural science and philosophy Best known for his atmospheric landscapes featuring contemplative figures silhouetted against night skies and morning mists, Caspar David Friedrich (1774–1840) came of age alongside a German Romantic philosophical movement that saw nature as an organic and interconnected whole. The naturalists in his circle believed that observations about the animal, vegetable, and mineral kingdoms could lead to conclusions about human life. Many of Friedrich’s often-overlooked later paintings reflect his engagement with these philosophical ideas through a focus on isolated shrubs, trees, and rocks. Others revisit earlier compositions or iconographic motifs but subtly metamorphose the previously distinct human figures into the natural landscape. In this revelatory book, Nina Amstutz combines fresh visual analysis with broad interdisciplinary research to investigate the intersection of landscape painting, self-exploration, and the life sciences in Friedrich’s mature work. Drawing connections between the artist’s anthropomorphic landscape forms and contemporary discussions of biology, anatomy, morphology, death, and decomposition, Amstutz brings Friedrich’s work into the larger discourse surrounding art, nature, and life in the 19th century.
| Author | : Jon Erlandson |
| Publisher | : |
| Total Pages | : 99 |
| Release | : 2011-09-01 |
| Genre | : Footwear |
| ISBN | : 9780983912002 |
"In the summer of 2008 ... the Museum of Natural and Cultural History (MNCH) opened a special exhibition called Walk a Mile in These Shoes: The Stories They Tell ... with the goals of highlighting the MNCH's collections of hundreds of shoes from the Pacific Northwest and around the world, to educate and entertain the public about the diversity and deep history of shoes, and to inspire people to think about what the incredible variety of shoes created by humans through the millennia can tell us about ourselves, our cultures, human ingenuity and art, and human nature itself ... Brian Lanker ... wanted to photograph the shoes in our exhibits and collections, creating a book that would document the exhibition, highlight an important part of the museum's collections, and help promote its mission to preserve, study, and interpret the history of Oregon, the Pacific Northwest, and the world"--P. xv-xvii.
| Author | : Nam Lee |
| Publisher | : Rutgers University Press |
| Total Pages | : 230 |
| Release | : 2020-09-29 |
| Genre | : Performing Arts |
| ISBN | : 1978818920 |
Bong Joon Ho won the Oscar® for Best Director for Parasite (2019), which also won Best Picture, the first foreign film to do so, and two other Academy Awards. Parasite was the first Korean film to win the Palme d’Or at Cannes. These achievements mark a new career peak for the director, who first achieved wide international acclaim with 2006’s monster movie The Host and whose forays into English-language film with Snowpiercer (2013) and Okja (2017) brought him further recognition. As this timely book reveals, even as Bong Joon Ho has emerged as an internationally known director, his films still engage with distinctly Korean social and political contexts that may elude many Western viewers. The Films of Bong Joon Ho demonstrates how he hybridizes Hollywood conventions with local realities in order to create a cinema that foregrounds the absurd cultural anomie Koreans have experienced in tandem with their rapid economic development. Film critic and scholar Nam Lee explores how Bong subverts the structures of the genres he works within, from the crime thriller to the sci-fi film, in order to be truthful to Korean realities that often deny the reassurances of the happy Hollywood ending. With detailed readings of Bong’s films from Barking Dogs Never Bite (2000) through Parasite (2019), the book will give readers a new appreciation of this world-class cinematic talent.
