Unidentified Human Remains And The True Nature Of Love PDF Download

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Unidentified Human Remains and the True Nature of Love

Unidentified Human Remains and the True Nature of Love
Author: Brad Fraser
Publisher:
Total Pages: 116
Release: 1990
Genre: Canadian drama
ISBN:

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Set in Edmonton, Alberta, the comedy-drama follows the lives of several sexually frustrated "thirty-somethings" who try to learn the meaning of love -- during a time in which a serial killer is terrorizing the city


Love and Human Remains

Love and Human Remains
Author: Brad Fraser
Publisher: NeWest Publishers Ltd.
Total Pages: 0
Release: 1996
Genre: Canadian drama
ISBN: 9781896300047

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A flip book with Fraserrsquo;s critically accalaimed play Unidentified Human Remains and the True Nature of Love, as well as the screenplay, Love and Human Remains.


Canadian Cultural Poesis

Canadian Cultural Poesis
Author: Garry Sherbert
Publisher: Wilfrid Laurier Univ. Press
Total Pages: 541
Release: 2006-02-03
Genre: Political Science
ISBN: 0889204861

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Annotation Examining culture as social identity, this collection explores issues such as gender, technology, cultural ethnicity, and regionalism in four general areas: the media, individual and national identity, languages, and cultural dissent.


Love and Human Remains

Love and Human Remains
Author: Brad Fraser
Publisher:
Total Pages:
Release: 2008
Genre: Canadian drama
ISBN:

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Denys Arcand's Le Declin de l'empire americain and Les Invasions barbares

Denys Arcand's Le Declin de l'empire americain and Les Invasions barbares
Author: Andrê Loiselle
Publisher: University of Toronto Press
Total Pages: 201
Release: 2008-11-01
Genre: Performing Arts
ISBN: 1442693320

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The release of Denys Arcand's Le Déclin de l'empire américain (The Decline of the American Empire) in 1986 marked a major turning point in Quebec cinema. It was the first Québécois film that enjoyed huge critical and commercial success at home and abroad. Arcand's tragicomedy about eight intellectuals gathered around a dinner table relating sexy anecdotes became the top-grossing film of all time in Quebec and was the first Canadian feature to be nominated for an Oscar in the foreign-language category. Seventeen years later, Arcand won an Academy Award for the sequel, Les Invasions barbares (The Barbarian Invasions), where the amusing insouciance of the thirty-somethings talking dirty in Le Déclin is replaced by a sense of moral responsibility and serene resignation. In this engrossing study, André Loiselle presents the first in-depth analysis of both films within the context of Quebec culture. Through close readings and concise cultural analysis of two of the most important films in the history of Quebec cinema, Loiselle demonstrates the ways in which Arcand's work represents a snapshot of the evolution of the French Canadian film industry since 1980. The companion films trace the decline of Quebec's national dream and the Québécois' attempts to cling to their identity against the forces of barbaric globalization. The second title in the new Canadian Cinema series, Denys Arcand's "Le Déclin de l'empire américain" and "Les Invasions barbares" is essential reading for cinephiles, film critics, and anyone with an interest in cultural studies and Canadian and Quebec history.


Gothic Canada

Gothic Canada
Author: Justin D. Edwards
Publisher: University of Alberta
Total Pages: 232
Release: 2010-02-02
Genre: Literary Criticism
ISBN: 0888647603

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Canadians have always been obsessed with the idea of their own identities. Stories that tell us who we are provide a reassuring sense of identity for the individual and the nation. Hockey. Maple Leaves. Beavers. But collective stories tend to be haunted by a fear that a shared narrative might be nothing more than an elaborate artifice. This fear has long been a source of gothic inspiration for Canadian writers. A haunted Canadian self returns again and again. Polite. Friendly. Not American. With examples of gothic discourse from Canadian fiction, autobiography, film, poetry, and drama, Justin Edwards analyzes the ghost at the heart of the nation. A major contribution to cultural and literary studies, Gothic Canada unearths two centuries of Canadian gothic writings to reveal uncanny traditions of trauma, repression, and monstrosity.


Stage-Bound

Stage-Bound
Author: André Loiselle
Publisher: McGill-Queen's Press - MQUP
Total Pages: 240
Release: 2003-10-16
Genre: Performing Arts
ISBN: 0773571469

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This acknowledgement of their dramatic origins has often led to criticism that these movies remain too rigidly anchored to the stage; too "stage-bound." Stage-Bound, the first extensive study of feature film adaptations of English Canadian and Québécois drama, challenges this reductive interpretation. André Loiselle demonstrates that theatricality is central to the meaning of these works. In the process, he reclaims these stage-bound films, which have generally been ignored by scholars.


In a Queer Country

In a Queer Country
Author: Terry Goldie
Publisher: arsenal pulp press
Total Pages: 246
Release: 2002-07-01
Genre: Social Science
ISBN: 1551523981

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A groundbreaking collection of fourteen essays on the struggles, pleasures, and contradictions of queer culture and public life in Canada. Versed in queer social history as well as leading-edge gay and lesbian studies, queer theory, and post-colonial studies, In a Queer Country confronts queer culture from various perspectives relevant to international audiences. Topics range from the politics of the family and spousal rights to queer black identity, from pride parade fashions to lesbian park rangers.


HIV in World Cultures

HIV in World Cultures
Author: Gustavo Subero
Publisher: Routledge
Total Pages: 314
Release: 2016-04-22
Genre: Social Science
ISBN: 1317121538

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This book analyses the way that HIV/AIDS is often narrativised and represented in contemporary world cultures, as well as the different strategies of remembrance deployed by different (sub)cultural groups affected by the illness. Through a close study of a variety of cultural texts; including cinema, literature, theatre, art and photography amongst others, it demonstrates the trajectory that such narratives and representations have undergone since the advent of the ’discovery’ of the disease in the 1980s. Acknowledging the central - yet often overlooked - role that cultural products have played in the construction of public opinion towards the condition itself and those who suffer it, this ground-breaking volume focuses on a variety of narratives, as well as strategies of coping with HIV/AIDS that have emerged across the globe. Bringing together research on the UK, North and South America, Africa and China, it provides rich textual analyses of the ways in which the HIV positive body has been portrayed in contemporary culture, with attention to the differences between specific national contexts, whilst keeping in view a space of commonality amongst the different experiences reflected in such texts. As such, it will be of interest to social scientists and scholars of cultural and media studies, concerned with cultural production and representations of the body and sickness.