Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Unframing The Bad Woman PDF full book. Access full book title Unframing The Bad Woman.
| Author | : Alicia Gaspar de Alba |
| Publisher | : University of Texas Press |
| Total Pages | : 401 |
| Release | : 2014-07-15 |
| Genre | : Social Science |
| ISBN | : 0292758502 |
One of America's leading interpreters of the Chicana experience dismantles the discourses that "frame" women who rebel against patriarchal strictures as "bad women" and offers empowering models of struggle, resistance, and rebirth.
| Author | : Alicia Gaspar de Alba |
| Publisher | : University of Texas Press |
| Total Pages | : 401 |
| Release | : 2014-07-15 |
| Genre | : Social Science |
| ISBN | : 0292757638 |
“What the women I write about have in common is that they are all rebels with a cause, and I see myself represented in their mirror,” asserts Alicia Gaspar de Alba. Looking back across a career in which she has written novels, poems, and scholarly works about Sor Juana Inés de la Cruz, la Malinche, Coyolxauhqui, the murdered women of Juárez, the Salem witches, and Chicana lesbian feminists, Gaspar de Alba realized that what links these historically and socially diverse figures is that they all fall into the category of “bad women,” as defined by their place, culture, and time, and all have been punished as well as remembered for rebelling against the “frames” imposed on them by capitalist patriarchal discourses. In [Un]Framing the “Bad Woman,” Gaspar de Alba revisits and expands several of her published articles and presents three new essays to analyze how specific brown/female bodies have been framed by racial, social, cultural, sexual, national/regional, historical, and religious discourses of identity—as well as how Chicanas can be liberated from these frames. Employing interdisciplinary methodologies of activist scholarship that draw from art, literature, history, politics, popular culture, and feminist theory, she shows how the “bad women” who interest her are transgressive bodies that refuse to cooperate with patriarchal dictates about what constitutes a “good woman” and that queer/alter the male-centric and heteronormative history, politics, and consciousness of Chicano/Mexicano culture. By “unframing” these bad women and rewriting their stories within a revolutionary frame, Gaspar de Alba offers her compañeras and fellow luchadoras empowering models of struggle, resistance, and rebirth.
| Author | : Alicia Gaspar de Alba |
| Publisher | : Arte Publico Press |
| Total Pages | : 356 |
| Release | : 2005-03-31 |
| Genre | : Fiction |
| ISBN | : 9781611921168 |
It's the summer of 1998 and for five years over a hundred mangled and desecrated bodies have been found dumped in the Chihuahua desert outside of Juárez, México, just across the river from El Paso, Texas. The perpetrators of the ever-rising number of violent deaths target poor young women, terrifying inhabitants on both sides of the border. El Paso native Ivon Villa has returned to her hometown to adopt the baby of Cecilia, a pregnant maquiladora worker in Juárez. When Cecilia turns up strangled and disemboweled in the desert, Ivon is thrown into the churning chaos of abuse and murder. Even as the rapes and killings of "girls from the south" continue, their tragic stories written in desert blood, a conspiracy covers up the crimes that implicate everyone from the Maquiladora Association to the Border Patrol. When Ivon's younger sister gets kidnapped in Juárez, Ivon knows that it's up to her to find her sister, whatever it takes. Despite the sharp warnings she gets from family, friends, and nervous officials, Ivon's investigation moves her deeper and deeper into the labyrinth of silence. From acclaimed poet and prose-writer Alicia Gaspar de Alba, Desert Blood is a gripping thriller that ponders the effects of patriarchy, gender identity, border culture, transnationalism, and globalization on an international crisis.
| Author | : Alicia Gaspar de Alba |
| Publisher | : University of Texas Press |
| Total Pages | : 329 |
| Release | : 2010-11-01 |
| Genre | : True Crime |
| ISBN | : 029272277X |
Since 1993, more than five hundred women and girls have been murdered in Ciudad Juárez across the border from El Paso, Texas. At least a third have been sexually violated and mutilated as well. Thousands more have been reported missing and remain unaccounted for. The crimes have been poorly investigated and have gone unpunished and unresolved by Mexican authorities, thus creating an epidemic of misogynist violence on an increasingly globalized U.S.-Mexico border. This book, the first anthology to focus exclusively on the Juárez femicides, as the crimes have come to be known, compiles several different scholarly "interventions" from diverse perspectives, including feminism, Marxism, critical race theory, semiotics, and textual analysis. Editor Alicia Gaspar de Alba shapes a multidisciplinary analytical framework for considering the interconnections between gender, violence, and the U.S.-Mexico border. The essays examine the social and cultural conditions that have led to the heinous victimization of women on the border—from globalization, free trade agreements, exploitative maquiladora working conditions, and border politics, to the sexist attitudes that pervade the social discourse about the victims. The book also explores the evolving social movement that has been created by NGOs, mothers' organizing efforts, and other grassroots forms of activism related to the crimes. Contributors include U.S. and Mexican scholars and activists, as well as personal testimonies of two mothers of femicide victims.
| Author | : Alicia Gaspar de Alba |
| Publisher | : University of Texas Press |
| Total Pages | : 349 |
| Release | : 2010-07-05 |
| Genre | : Art |
| ISBN | : 0292788983 |
In the early 1990s, a major exhibition Chicano Art: Resistance and Affirmation, 1965-1985 toured major museums around the United States. As a first attempt to define and represent Chicano/a art for a national audience, the exhibit attracted both praise and controversy, while raising fundamental questions about the nature of multiculturalism in the U.S. This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de Alba looks at the exhibit as a cultural text in which the Chicano/a community affirmed itself not as a "subculture" within the U.S. but as an "alter-Native" culture in opposition to the exclusionary and homogenizing practices of mainstream institutions. She also shows how the exhibit reflected the cultural and sexual politics of the Chicano Movement and how it serves as a model of Chicano/a popular culture more generally. Drawing insights from cultural studies, feminist theory, anthropology, and semiotics, this book constitutes a wide-ranging analysis of Chicano/a art, popular culture, and mainstream cultural politics. It will appeal to a diverse audience in all of these fields.
| Author | : Jennifer Vija Pietz |
| Publisher | : Lexington Books |
| Total Pages | : 253 |
| Release | : 2022-11-08 |
| Genre | : Religion |
| ISBN | : 1978712553 |
By comparing the intersecting histories of interpretation of Mary Magdalene, a first-century disciple of Jesus, and La Malinche, a sixteenth-century Mesoamerican woman enslaved by the Spanish conquistadores, Jennifer Vija Pietz critically evaluates the use of past lives to address contemporaneous concerns. She demonstrates how the earliest sources portray each woman as an agent in the foundation of a new community: Magdalene’s proclamation of Jesus’s resurrection helped form the first Christian community, while La Malinche’s role as interpreter between Spanish and native people during the Conquest helped establish modern Mexico. Pietz then argues that over time, various interpreters turn these real women into malleable icons that they use to negotiate changing conceptions of communal identity and norms. Strikingly, popular portraits develop of both women as archetypal whores who represent transgression—portraits that some women have experienced as harmful. Although other interpreters present contrary portraits of Magdalene and La Malinche as admirable emblems of female empowerment, Pietz argues that the tendency to turn real people into icons risks producing stereotypes that can obscure past lives and negatively affect people in the present. In response, she posits strategies for developing historically plausible and ethically responsible interpretations of people of the past.
| Author | : Alicia Gaspar de Alba |
| Publisher | : Arte Publico Press |
| Total Pages | : 450 |
| Release | : 2012-09-30 |
| Genre | : Fiction |
| ISBN | : 1558857532 |
After being captured by pirates, Concepciâon Benavidez, a young Spanish girl who has been impregnated by the pirate captain, is sold as a slave to a prominent Puritan and finds herself accused of witchcraft by the residents of Salem Village.
| Author | : Alicia Gaspar de Alba |
| Publisher | : Bilingual Review Press (AZ) |
| Total Pages | : 120 |
| Release | : 1993 |
| Genre | : Fiction |
| ISBN | : |
These are stories about strong women: survivors that include professionals or professional whores, writers, educators, counselors and curanderas, the bewitched and the bewitchers. The title story and its description of the sexual abuse of a young girl by her stepfather will make it clear that this work treats outrages as well as mysteries, and the reader will come to learn that a part of surviving is to begin to understand outrageous humanity.
| Author | : Alicia Gaspar de Alba |
| Publisher | : UNM Press |
| Total Pages | : 484 |
| Release | : 1999 |
| Genre | : Fiction |
| ISBN | : 9780826320926 |
This historically accurate and beautifully written novel explores the secret inclinations, subjective desires, and political struggles of the 17th-century Mexican nun and poet.
| Author | : Alicia Gaspar de Alba |
| Publisher | : Arte Publico Press |
| Total Pages | : 132 |
| Release | : 2003-09-30 |
| Genre | : Poetry |
| ISBN | : 9781611921960 |
In this collection of poetry and essays, Gaspar de Alba incorporates the Mexican archetypal wailing woman who wanders in search of her lost children. La Llorona is more than an archetype: she is a tour guide through the ruins of love and family and the constant presence of the poet's voice. She transcends time, place, and gender. The lines of the poems breathe that haunted spirit as they describe her movidas, both geographic and figurative, in search of the lost mother, the absent father, the abandoned child, the lover, the self. These essays track other movements of thought: reflections on identity, sexuality, and resistance. As a leading interpreter of border life and culture, poet, storyteller, and essayist Gaspar de Alba explores the borders and limits of place, body, and language through a painful series of moves and losses. She prevails and becomes the forger of her own destiny, her own image on the landscape, the interpreter of her own dreams and history. These vibrant poems and essays of self-creation, even to the basic task of choosing her own name, are a testament to the phoenix-like quality of art: the poet can create beauty out of destruction and desolation.
