Underground Russia
Author | : S. Stepniak |
Publisher | : |
Total Pages | : 348 |
Release | : 1892 |
Genre | : Nihilism |
ISBN | : |
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Author | : S. Stepniak |
Publisher | : |
Total Pages | : 348 |
Release | : 1892 |
Genre | : Nihilism |
ISBN | : |
Author | : S. Stepniak |
Publisher | : |
Total Pages | : 300 |
Release | : 1883 |
Genre | : Nihilism |
ISBN | : |
Author | : S. Stepniak |
Publisher | : |
Total Pages | : 348 |
Release | : 1885 |
Genre | : Nihilism |
ISBN | : |
Author | : Stepniak |
Publisher | : |
Total Pages | : 320 |
Release | : 1883 |
Genre | : |
ISBN | : |
Author | : Sergej M. Stepnjak-Kravčinskij |
Publisher | : |
Total Pages | : 272 |
Release | : 1973 |
Genre | : |
ISBN | : |
Author | : Thomas Cushman |
Publisher | : SUNY Press |
Total Pages | : 436 |
Release | : 1995-07-06 |
Genre | : Social Science |
ISBN | : 9780791425442 |
Describes the Russian rock music counterculture and how it is changing in response to Russia's transition from a socialist to a capitalist society. It explores the lived experiences, the thoughts and feelings of the rock musicians as they meet the challenges of change.
Author | : Sergei Mikhailovich] 185 [Kravchinskii |
Publisher | : Sagwan Press |
Total Pages | : 290 |
Release | : 2015-08-27 |
Genre | : |
ISBN | : 9781340551032 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : S. Stepniak |
Publisher | : |
Total Pages | : 344 |
Release | : 2017-08-19 |
Genre | : History |
ISBN | : 9781375458719 |
Author | : Hamid Ismailov |
Publisher | : Restless Books |
Total Pages | : 318 |
Release | : 2014-01-10 |
Genre | : Fiction |
ISBN | : 0989983242 |
“I am Moscow’s underground son, the result of one too many nights on the town,” says Mbobo, the precocious twelve-year-old narrator of Hamid Ismailov’s The Underground. Born from a Siberian woman and an African athlete competing in the 1980 Moscow Olympics, Mbobo navigates the complexities of being a fatherless, mixed-raced boy in the Soviet Union in the years before its collapse, guided only by the Moscow subway system. Named one of the "ten best Russian novels of the 21st Century" (Continent Magazine), The Underground is Ismailov’s haunting tour of the Soviet capital, on the surface and beneath. Though deeply engaged with great Russian authors of the past—Dostoyevsky, Nabokov, and, above all, Pushkin—Ismailov is an emerging master of Russian writing that reflects the country’s diversity today. Reviews "Hamid Ismailov has the capacity of Salman Rushdie at his best to show the grotesque realization of history on the ground." —Literary Review "The dream of grandeur is more than justified by the artfulness of The Underground, which...create[s] the motifs of blackness, subterranean movement, and isolation that are the novel’s strongest effects." —Transitions Online Hamid Ismailov is an Uzbek journalist, writer, and translator who was forced to flee Uzbekistan in 1992 for the United Kingdom, where he now works for the BBC World Service. His works are still banned in Uzbekistan. His writing has been published in Uzbek, Russian, French, English, and other languages. He is the author of novels including Sobranie Utonchyonnyh, Le Vagabond Flamboyant, Two Lost to Life, The Railway, The Underground, A Poet and Bin-Laden and The Dead Lake; poetry collections including Sad (Garden) and Pustynya (Desert); and books of visual poetry Post Faustum and Kniga Otsutstvi. Carol Ermakova studied German and Russian language and literature and holds an MA in translation from Bath University. She first visited Russia in 1991. More recently, Ermakova spent two years in Moscow working as a teacher and translator. Carol currently lives in the North Pennines and works as a freelance translator.
Author | : Stepniak Stepniak |
Publisher | : Forgotten Books |
Total Pages | : 338 |
Release | : 2017-10-12 |
Genre | : Biography & Autobiography |
ISBN | : 9780265195338 |
Excerpt from Underground Russia: Revolutionary Profiles and Sketches From Life The Socialist and Revolutionary movement in Russia could not fail to attract the attention of Western Europe. It is only natural, therefore, that in every European language a somewhat extensive literature should be found upon this subject. The object of some of these works is simply to relate facts others seek to penetrate deeper, so as to discover the cause of the movement in question. I take no account of an entire branch of this literature, the novels, the romances, and the narratives, in which the authors, endeavouring to reproduce in an agreeable form the events and the types of the Nihilist world, strive to excite the imagination of the reader. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.