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| Author | : William J. Lederer |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 294 |
| Release | : 1999-01-05 |
| Genre | : Fiction |
| ISBN | : 9780393318678 |
The ineffectual Ambassador is just one of the handicaps facing the Americans as Southeast Asia becomes increasingly involved with Communism.
| Author | : Ben Mezrich |
| Publisher | : Harper Collins |
| Total Pages | : 289 |
| Release | : 2009-10-13 |
| Genre | : Business & Economics |
| ISBN | : 0061754900 |
Ben Mezrich, author of the New York Times bestseller Bringing Down the House, returns with an astonishing story of Ivy League hedge-fund cowboys, high stakes, and the Asian underworld. John Malcolm was the ultimate gunslinger in the Wild East, prepared to take on any level of risk in making mind-boggling sums of money. He and his friends were hedge-fund cowboys, living life on the adrenaline-, sex-, and drugs-fueled edge—kids running billion-dollar portfolios, trading information in the back rooms of high-class brothels and at VIP tables in nightclubs across the Far East. Malcolm and his Ivy League-schooled twenty-something colleagues, with their warped sense of morality, created their own economic theory that would culminate in a single deal the likes of which had never been seen before—or since. Ugly Americans is a story of extremes, charged with wealth, nerve, excess, and glamour. A real-life mixture of Liar's Poker and Wall Street, brimming with intense action, romance, underground sex, vivid locales, and exotic characters, Ugly Americans is the untold true story that rocked the financial community.
| Author | : Peter Strupp |
| Publisher | : Simon and Schuster |
| Total Pages | : 166 |
| Release | : 2010-06-15 |
| Genre | : Humor |
| ISBN | : 1451603908 |
The world's lone superpower...supreme guardian of democracy...and home of the blithely uninformed and epidemically obese. Welcome to America -- pull up a chair, click on the tube, and grab a donut. Concerned Citizen Peter Strupp is shocked and bothered by what he sees. It seems we're not as thin, smart, and good-looking as we like to think. Packed with real facts and statistics, Fat, Dumb, and Ugly takes readers on an eye-opening, laugh-out-loud, and at times horrifying tour of the numbers that shape our country: • Percentage of adults in the United States who are overweight: 64.5 • Percentage of Americans who believe they have actually spoken with Satan: 5 • Percentage of voters for whom Saturday Night Live and MTV are primary sources of information about presidential candidates: 16 • Average number of pink lawn flamingos sold annually in America: 250,000 A wickedly hilarious and addictive cultural snapshot of our nation of conspicuous consumers, fast-food fanatics, and dumbed-down dolts, Fat, Dumb, and Ugly casts a revealing spotlight on John Q. Public, the average American -- and it's not always pretty.
| Author | : Graham Greene |
| Publisher | : Open Road Media |
| Total Pages | : 200 |
| Release | : 2018-03-13 |
| Genre | : Fiction |
| ISBN | : 1504052544 |
A “masterful . . . brilliantly constructed novel” of love and chaos in 1950s Vietnam (Zadie Smith, The Guardian). It’s 1955 and British journalist Thomas Fowler has been in Vietnam for two years covering the insurgency against French colonial rule. But it’s not just a political tangle that’s kept him tethered to the country. There’s also his lover, Phuong, a young Vietnamese woman who clings to Fowler for protection. Then comes Alden Pyle, an idealistic American working in service of the CIA. Devotedly, disastrously patriotic, he believes neither communism nor colonialism is what’s best for Southeast Asia, but rather a “Third Force”: American democracy by any means necessary. His ideas of conquest include Phuong, to whom he promises a sweet life in the states. But as Pyle’s blind moral conviction wreaks havoc upon innocent lives, it’s ultimately his romantic compulsions that will play a role in his own undoing. Although criticized upon publication as anti-American, Graham Greene’s “complex but compelling story of intrigue and counter-intrigue” would, in a few short years, prove prescient in its own condemnation of American interventionism (The New York Times).
| Author | : Jeff Dondero |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 297 |
| Release | : 2019-03-15 |
| Genre | : Self-Help |
| ISBN | : 1538110334 |
Americans are burying ourselves in our own waste. It’s befouling our air, land, waters, food, and bodies. The US tosses out enough foodstuff to feed the rest of the world. America is the largest buyer of fashion and cosmetics, the second dirtiest industry in the world. We lead the planet in transportation usage and waste, and we’re now polluting outer space. Throwaway Nation takes a look at the pileup of waste in the US, including the problem of plastic, the industry of overmedication, e-waste products, everyday garbage, fast fashion trash, space waste, and other forms of profligacy that serve to make our nation the biggest waster on the planet. Looking at the environmental impact of so much garbage, Dondero explores not just how we got here and where we’re headed, but ways in which we might be able to curb the tide. From what you do and don’t eat, what and how your products are packaged, the rampant production of clothes, the space and waste in which you work, live, what you breath, eat, drink, the tools you use to work and play, the energy overproduced and ill-used for a pleasant lifestyle, the waste you generate, and how humans are beginning to clutter the cosmos—all and more are profiled in the Throwaway Nation—and what we ought to do to prohibit and mitigate the flow of our garbage and to use it productively.
| Author | : Susan M. Schweik |
| Publisher | : NYU Press |
| Total Pages | : 446 |
| Release | : 2010-08-30 |
| Genre | : History |
| ISBN | : 0814783619 |
In the culture of the modern West, we see ourselves as thinking subjects, defined by our conscious thought, autonomous and separate from each other and the world we survey. Current research in neurology and cognitive science shows that this picture is false. We think with our bodies, and in interaction with others, and our thought is never completed. The Fiction of a Thinkable World is a wide-ranging exploration of the meaning of this insight for our understanding of history, ethics, and politics Ambitious but never overwhelming, carrying its immense learning lightly, The Fiction of a Thinkable World shows how the Western conception of the human subject came to be formed historically, how it contrasts with that of Eastern thought, and how it provides the basic justification for the institutions of liberal capitalism. The fiction of a world separated from each of us as we are separated from each other, from which we make our choices in solitary thought, is enacted by the voter in the voting booth and the consumer at the supermarket shelf. The structure of daily experience in capitalist society reinforces the fictions of the Western intellectual tradition, stunt human creativity, and create the illusion that the capitalist order is natural and unsurpassable. Steinberg’s critique of the intellectual world of Western capitalism at the same time illuminates the paths that have been closed off in that world. It draws on Chinese ethics to show how our actions can be brought in accord with the world as it is, in its ever-changing interaction and mutual transformation, and sketches a radical political perspective that sheds the illusions of the Western model. Beautifully conceived and written, The Fiction of a Thinkable World provides new ways of thinking and opens new horizons.
| Author | : Carrie Tirado Bramen |
| Publisher | : Harvard University Press |
| Total Pages | : 381 |
| Release | : 2017-08-14 |
| Genre | : History |
| ISBN | : 0674976495 |
Cover -- Title Page -- Copyright -- Dedication -- Epigraphs -- Contents -- Introduction: American Niceness and the Democratic Personality -- 1. Indian Giving and the Dangers of Hospitality -- 2. Southern Niceness and the Slave's Smile -- 3. The Christology of Niceness -- 4. Feminine Niceness -- 5. The Likable Empire from Plymouth Rock to the Philippines -- Notes -- Acknowledgments -- Index
| Author | : Kirker Butler |
| Publisher | : Macmillan |
| Total Pages | : 303 |
| Release | : 2015-03-31 |
| Genre | : Fiction |
| ISBN | : 146685068X |
From a writer/producer of Family Guy, a satirical look at a dysfunctional southern family complete with an overbearing stage mom, a 9 year-old pageant queen, a cheating husband, his teenage girlfriend, a crazy grandmother, and Jesus. After eight-and-a-half years and three hundred twenty-three pageants, Miranda Miller has become the ultimate stage mother. Her mission in life is to see that her nine-year-old daughter, Bailey, continues to be one of the most successful child pageant contestants in the southern United States. But lately, that mission has become increasingly difficult. Bailey wants to retire and has been secretly binge eating to make herself "unpageantable;" and the reality show Miranda has spent years trying to set up just went to their biggest rival. But Miranda has a plan. She's seven months pregnant with her fourth child, a girl (thank God), and she is going to make damn sure this one is even more successful than Bailey, even if the new girl is a little different. Miranda's husband, Ray, however, doesn't have time for pageants. A full-time nurse, Ray spends his days at the hospital where he has developed a habit of taking whatever pills happen to be lying around. His nights are spent working hospice and dealing with Courtney, the seventeen-year-old orphan granddaughter of one of his hospice patients who he has, regrettably, knocked up. With a pregnant wife, a pregnant teenage mistress, two jobs, a drug hobby, and a mountain of debt, Ray is starting to take desperate measures to find some peace. Meanwhile, the Millers' two sons are being homeschooled by Miranda's mother, Joan (pronounced Jo-Ann), a God-fearing widow who spends her free time playing cards and planning a murder with Jesus. Yes, Jesus. A bright new voice in satirical literature, Kirker Butler pulls no punches as he dissects our culture's current state of affairs. It's really funny, but it's also pretty ugly.
| Author | : Robert D. Kaplan |
| Publisher | : Random House Trade Paperbacks |
| Total Pages | : 545 |
| Release | : 2022-02-15 |
| Genre | : History |
| ISBN | : 0525512314 |
From the New York Times bestselling author of The Revenge of Geography comes a sweeping yet intimate story of the most influential humanitarian you’ve never heard of—Bob Gersony, who spent four decades in crisis zones around the world. “One of the best accounts examining American humanitarian pursuits over the past fifty years . . . With still greater challenges on the horizon, we will need to find and empower more people like Bob Gersony—both idealistic and pragmatic—who can help make the world a more secure place.”—The Washington Post In his long career as an acclaimed journalist covering the “hot” moments of the Cold War and its aftermath, bestselling author Robert D. Kaplan often found himself crossing paths with Bob Gersony, a consultant for the U.S. State Department whose quiet dedication and consequential work made a deep impression on Kaplan. Gersony, a high school dropout later awarded a Bronze Star for his service in Vietnam, conducted on-the-ground research for the U.S. government in virtually every war and natural-disaster zone in the world. In Thailand, Central and South America, Sudan, Chad, Mozambique, Rwanda, Gaza, Bosnia, North Korea, Iraq, and beyond, Gersony never flinched from entering dangerous areas that diplomats could not reach, sometimes risking his own life. Gersony’s behind-the scenes fact-finding, which included interviews with hundreds of refugees and displaced persons from each war zone and natural-disaster area, often challenged the assumptions and received wisdom of the powers that be, on both the left and the right. In nearly every case, his advice and recommendations made American policy at once smarter and more humane—often dramatically so. In Gersony, Kaplan saw a powerful example of how American diplomacy should be conducted. In a work that exhibits Kaplan’s signature talent for combining travel and geography with sharp political analysis, The Good American tells Gersony’s powerful life story. Set during the State Department’s golden age, this is a story about the loneliness, sweat, and tears and the genuine courage that characterized Gersony’s work in far-flung places. It is also a celebration of ground-level reporting: a page-turning demonstration, by one of our finest geopolitical thinkers, of how getting an up-close, worm’s-eye view of crises and applying sound reason can elicit world-changing results.
| Author | : Sianne Ngai |
| Publisher | : Harvard University Press |
| Total Pages | : 433 |
| Release | : 2009-07-01 |
| Genre | : Literary Criticism |
| ISBN | : 0674041526 |
Envy, irritation, paranoia—in contrast to powerful and dynamic negative emotions like anger, these non-cathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity. Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening. Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.
