Two woodwind quintets: in F major
Author | : Franz Lachner |
Publisher | : |
Total Pages | : 180 |
Release | : 2004 |
Genre | : Wind quintets (Bassoon, clarinet, flute, horn, oboe) |
ISBN | : |
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Author | : Franz Lachner |
Publisher | : |
Total Pages | : 180 |
Release | : 2004 |
Genre | : Wind quintets (Bassoon, clarinet, flute, horn, oboe) |
ISBN | : |
Author | : Henri Brod |
Publisher | : A-R Editions, Inc. |
Total Pages | : 204 |
Release | : 2008-01-01 |
Genre | : Music |
ISBN | : 9780895796325 |
N50ISBN 0-89579-632-5(2008) xii + 182 pp.$165.00 ISBN 978-0-89579-632-5 (13-digit) N50P1Parts (fl., ob., cl., hn., bn.) Quintet no. 1 $25.00N50P2Parts (fl., ob., cl., hn., bn.) Quintet no. 2 $22.00N50P3Parts (fl., ob., cl., hn., bn.) Quintet no. 3.$22.00Henri Brod (1799-1839) was a French oboist, instrument-maker, and composer active throughout the early nineteenth century. He studied oboe under Gustave Vogt at the Paris Conservatory, ultimately becoming teacher there himself in 1832. He also played second oboe next to Vogt at the Paris Opéra, where Fétis found Brod¿s tone sweeter than that of his teacher. Brod became interested in the construction of the oboe and was perhaps the first builder to add octave keys to the instrument. His Méthode pour le hautbois (Paris, 1835-36) provides valuable technical information concerning the oboe and remains a useful resource for modern players. Brod¿s three woodwind quintets most likely date from the second decade of the nineteenth century and were printed by two separate publishers, Pacini and Schonenberger, both of Paris. All three quintets feature a four-movement format: a longer first movement in sonata form, a slow movement, a minuet, and a quick-tempo finale. As a whole, the quintets form a nice complement to those of Danzi, Reicha, and somewhat later, Franz Lachner. Brod remains the only actual woodwind player among these early composers of wind quintets. While not very well known today, Brod¿s contributions to the wind quintet literature are significant and worthy of greater attention; this is particularly true in view of the paucity of wind quintets throughout the nineteenth century. It is to be hoped that through this critical edition, Brod¿s importance to the early development of the wind quintet will be recognized and his beautiful works heard more often..ContentsWoodwind Quintet No. 1 in E-flat Major[I] Introduction: Adagio; Allegro vivace[II] Andante[III] Minuetto: Allegro[IV] PrestoWoodwind Quintet No. 2 in F Major[I] Introduction: Lento; Allegro[II] Andante[III] Minuetto[IV] Finale: PrestoWoodwind Quintet No. 3 in C Major[I] Allegretto[II] Andante non troppo[III] Minuetto: Allegro[IV] Allegro
Author | : Franz Lachner |
Publisher | : A-R Editions, Inc. |
Total Pages | : 170 |
Release | : 2004-01-01 |
Genre | : Wind quintets (Bassoon, clarinet, flute, horn, oboe) |
ISBN | : 0895795469 |
Enthält: Bläserquintette Nr. 1 in F-Dur ; Nr. 2 in Es-Dur.
Author | : Franz Lachner |
Publisher | : A-R Editions, Inc. |
Total Pages | : 94 |
Release | : 2004 |
Genre | : Music |
ISBN | : |
xiii + 146 pp.Performance parts available
Author | : Barbera Secrist-Schmedes |
Publisher | : |
Total Pages | : 216 |
Release | : 1996 |
Genre | : Music |
ISBN | : |
An invaluable reference work for music teachers, professional and amateur musicians, and music students. This guide lists works in print for woodwind quintet and piano with two to five wind instruments-- flute, oboe, clarinet, bassoon, or horn. Each entry provides composer birth and death dates, composition date, publisher, nationality, recording availability, instrumentation, length, and general description of the compositional style.
Author | : Alastair Mitchell |
Publisher | : Routledge |
Total Pages | : 798 |
Release | : 2019-06-04 |
Genre | : Music |
ISBN | : 1351791257 |
First published in 2001, this work provides detailed information taken from the ’Programmes-as-Broadcast’ daily log of output held at the BBC Written Archives Centre in Caversham. Arranged in chronological order, entries are given for broadcasts of first performances of musical works in the United Kingdom, and include details of: the date of the broadcast, the composer, the title of the work, performers and conductor. In addition to its usefulness as a reference tool, the Chronicle enables us to gauge the trends in twentieth-century British musical life, and the role of the BBC in their promotion.
Author | : George Barrere |
Publisher | : |
Total Pages | : 0 |
Release | : 2013-12 |
Genre | : Music |
ISBN | : 9781581061703 |
(Southern Music). Antonin Dvorak composed the quartet in F Major, op. 96 "The American" in the summer of 1893 during his summer vacation in Spillvale, Iowa. From 1892-1895, Dvorak served as director of the National Conservatory of Music in NYC. He had been interested in "American Music" and felt that Native American and Afro-American music could inspire an "American Music" distinct from European influences. He was inspired by (Henry Thacker) Harry Burleigh, his student in New York and one of the first Afro-American composers. While it is impossible to know why Georges Barrere chose Dvorak's F Major Quartet to transcribe for Woodwind Quintet, we may easily hazard several guesses. Firstly, it was a work much beloved by the public and very respected by professional musicians. As an immigrant himself, Barrere could easily sympathize with Dvorak's desire to create a distinctly American work. A work in the key of F Major, it lent itself easily to wind transcription. While known as the Barrere transcription, it turns out that Samuel Baron, one of Barrere's most famous students and a long time member of the New York Woodwind Quintet, who has to his credit a long list of wonderful transcriptions for woodwind quintet, played a significant role in the transcription.
Author | : |
Publisher | : |
Total Pages | : 188 |
Release | : 1970 |
Genre | : |
ISBN | : |
Author | : Sterling E. Murray |
Publisher | : Boydell & Brewer |
Total Pages | : 486 |
Release | : 2014 |
Genre | : Biography & Autobiography |
ISBN | : 158046467X |
A unique look at the career of a little-known contemporary of Haydn and Mozart, presented against a fascinating background of court musical life in late eighteenth-century Germany.
Author | : University Interscholastic League (Tex.) |
Publisher | : |
Total Pages | : 192 |
Release | : 1971 |
Genre | : Music |
ISBN | : |