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| Author | : Joe Andrew |
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| Publisher | : BRILL |
| Total Pages | : 225 |
| Release | : 2021-12-28 |
| Genre | : Literary Criticism |
| ISBN | : 900448390X |
From his earliest publications onwards Pushkin has been the source of inspiration, and imitation, for other writers, as well as composers, painters and, more recently, film-makers. This book seeks to explore the different relationship his followers have sought with the ‘founding father’ of modern Russian culture. Pushkin’s Secret: Russian Writers Reread and Rewrite Pushkin takes a variety of approaches. Some contributors to the collection trace the way Pushkin’s works provided the template for the characters and stories which were produced in the first decades after his untimely death in 1837. Others reveal the impact the myths surrounding Pushkin’s tragic life were used (and abused) by followers, as well as governments of various hues. Yet other studies explore the very precise ways Pushkin’s successors used his texts as source material for their own works. ‘Pushkin’s Secret’: Russian Writers Reread and Rewrite Pushkin offers a series of fascinating insights into the impact that Alexander Pushkin has had on Russian culture over the last 200 years. Pushkin’s Secret: Russian Writers Reread and Rewrite Pushkin will be followed by two further volumes devoted to Pushkin within the SSLP series, Pushkin: Myth and Monument and Pushkin’s Legacy.
| Author | : Joe Andrew |
| Publisher | : Rodopi |
| Total Pages | : 242 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9789042009585 |
Pushkin's status as Russia's national poet rests as much on the breadth of his cultural influence as on the intrinsic quality of his works. Pushkin's Legacy reflects in various ways the areas in which this influence has been felt. Part I considers some of the key factors in defining Pushkin for posterity, in particular the crucial role played by the critic Belinskii and the problematics of periodising Pushkin. Part II examines the richness of Pushkin's poetics, including the ways in which his work challenged the established boundaries between poetry and prose. Part III examines Russian music's debt to Pushkin and vice versa: Russian music's role in popularising his works. Part IV examines Pushkin's influence abroad via studies of his influence on Mérimée and Henry James and, on a more personal level, through his descendants in England. Pushkin's Legacy offers a variety of approaches to Pushkin and his oeuvre and to the nature of his complex impact on Russian and European culture. Pushkin's Legacy is the third volume devoted to Pushkin to be published in the SSLP series, under the general title Two Hundred Years of Pushkin. It follows volume I, Pushkin's Secret: Russian Writers Reread and Rewrite Pushkin, and volume II, Alexander Pushkin: Myth and Monument.
| Author | : Joe Andrew |
| Publisher | : Brill/Rodopi |
| Total Pages | : 232 |
| Release | : 2003 |
| Genre | : 18.53 Russian literature |
| ISBN | : |
Pushkin's status as the founding father of Russian literature owes much to his stylistic and linguistic innovations across a wide range of literary genres. But equally important is the influence he exerted on his successors via his exploitation of myth in its widest sense. His poetry, prose and drama frequently draw upon myths of classical antiquity, myths of modern European culture - grand narratives such as the Don Juan legend and Dante's Inferno - as well as uniquely Russian myths, particularly those associated with St Petersburg and its founder Peter the Great. It was through the elaboration of such myths that Russia attained to a sense of both its cultural uniqueness and its inscription in the broader context of European culture. The contributors to Alexander Pushkin: Myth and Monument explore these myths from a variety of critical viewpoints and highlight the specific ways in which Pushkin uses myth - among these his recurrent emphasis on the symbolism of monuments and statuary, famously referred to by Roman Jakobson as Pushkin's 'sculptural myth'. Alexander Pushkin: Myth and Monument is the second volume devoted to Pushkin published in the SSLP series, the first being Pushkin's Secret: Russian Writers Reread and Rewrite Pushkin. A third volume - Pushkin's Legacy will follow.
| Author | : Joe Andrew |
| Publisher | : |
| Total Pages | : |
| Release | : 2004 |
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| ISBN | : 9789004484054 |
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| Publisher | : BRILL |
| Total Pages | : 221 |
| Release | : 2021-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 9004484043 |
Pushkin’s status as the founding father of Russian literature owes much to his stylistic and linguistic innovations across a wide range of literary genres. But equally important is the influence he exerted on his successors via his exploitation of myth in its widest sense. His poetry, prose and drama frequently draw upon myths of classical antiquity, myths of modern European culture – grand narratives such as the Don Juan legend and Dante’s Inferno – as well as uniquely Russian myths, particularly those associated with St Petersburg and its founder Peter the Great. It was through the elaboration of such myths that Russia attained to a sense of both its cultural uniqueness and its inscription in the broader context of European culture. The contributors to Alexander Pushkin: Myth and Monument explore these myths from a variety of critical viewpoints and highlight the specific ways in which Pushkin uses myth – among these his recurrent emphasis on the symbolism of monuments and statuary, famously referred to by Roman Jakobson as Pushkin’s ‘sculptural myth’. Alexander Pushkin: Myth and Monument is the second volume devoted to Pushkin published in the SSLP series, the first being Pushkin’s Secret: Russian Writers Reread and Rewrite Pushkin. A third volume – Pushkin’s Legacy will follow.
| Author | : Joe Andrew |
| Publisher | : |
| Total Pages | : 213 |
| Release | : 2003 |
| Genre | : Russian literature |
| ISBN | : 9789042008847 |
| Author | : Joe Andrew |
| Publisher | : Rodopi |
| Total Pages | : 228 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9789042011359 |
Puskin's poetry, prose and drama frequently draw upon myths of classical antiquity, myths of modern European culture - grand narratives such as the Don Juan legend and Dante's Inferno - as well as uniquely Russian myths. The contributors to this volume explore these myths from a variety of critical viewpoints and highlight the specific ways in which Pushkin uses myth - among these his recurrent emphasis on the symbolism of monuments and statuary.
| Author | : Bruce Grant |
| Publisher | : Cornell University Press |
| Total Pages | : 213 |
| Release | : 2016-05-15 |
| Genre | : History |
| ISBN | : 1501702866 |
The Caucasus region of Eurasia, wedged in between the Black and Caspian Seas, encompasses the modern territories of Armenia, Azerbaijan, and Georgia, as well as the troubled republic of Chechnya in southern Russia. A site of invasion, conquest, and resistance since the onset of historical record, it has earned a reputation for fearsome violence and isolated mountain redoubts closed to outsiders. Over extended efforts to control the Caucasus area, Russians have long mythologized stories of their countrymen taken captive by bands of mountain brigands.In The Captive and the Gift, the anthropologist Bruce Grant explores the long relationship between Russia and the Caucasus and the means by which sovereignty has been exercised in this contested area. Taking his lead from Aleksandr Pushkin's 1822 poem "Prisoner of the Caucasus," Grant explores the extraordinary resonances of the themes of violence, captivity, and empire in the Caucasus through mythology, poetry, short stories, ballet, opera, and film. Grant argues that while the recurring Russian captivity narrative reflected a wide range of political positions, it most often and compellingly suggested a vision of Caucasus peoples as thankless, lawless subjects of empire who were unwilling to acknowledge and accept the gifts of civilization and protection extended by Russian leaders.Drawing on years of field and archival research, Grant moves beyond myth and mass culture to suggest how real-life Caucasus practices of exchange, by contrast, aimed to control and diminish rather than unleash and increase violence. The result is a historical anthropology of sovereign forms that underscores how enduring popular narratives and close readings of ritual practices can shed light on the management of pluralism in long-fraught world areas.
| Author | : Kathryn L. Ambrose |
| Publisher | : BRILL |
| Total Pages | : 245 |
| Release | : 2015-09-29 |
| Genre | : Literary Criticism |
| ISBN | : 9004304843 |
Kathryn Ambrose offers a new approach to the Woman Question in mid- to late-nineteenth-century English, German and Russian literature. Using a methodological framework based on feminist theory and post-structuralism, she provides a re-vision of canonical texts (such as Jane Eyre, Wuthering Heights, Middlemarch, Effi Briest, Fathers and Children and Anna Karenina) alongside lesser-known works by Emily and Charlotte Brontë, George Eliot, Theodor Storm, Theodor Fontane, Ivan Turgenev and Leo Tolstoy. Her exploration of the semiotics of barriers – as opposed to the established approach of the semiotics of space – makes for a rewarding reading of this period of literature and establishes new cross-cultural and literary connections between the three countries.
