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Exploring Twentieth-Century Vocal Music

Exploring Twentieth-Century Vocal Music
Author: Sharon Mabry
Publisher: Oxford University Press
Total Pages: 218
Release: 2002-07-25
Genre: Music
ISBN: 9780195349610

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The vocal repertoire of the twentieth century--including works by Schoenberg, Boulez, Berio, Larsen, and Vercoe--presents exciting opportunities for singers to stretch their talents and demonstrate their vocal flexibility. Contemporary composers can be very demanding of vocalists, requiring them to recite, trill, and whisper, or to read non-traditional scores. For singers just beginning to explore the novelties of the contemporary repertoire, Exploring Twentieth-Century Vocal Music is an ideal guide. Drawing on over thirty years of experience teaching and performing the twentieth century repertoire, Sharon Mabry has written a cogent and insightful book for singers and voice teachers who are just discovering the innovative music of the twentieth century. The book familiarizes readers with the new and unusual notation systems employed by some contemporary composers. It suggests rehearsal techniques and vocal exercises that help singers prepare to tackle the repertoire. And the book offers a list of the most important and interesting works to emerge in the twentieth century, along with suggested recital programs that will introduce audiences as well as singers to this under-explored body of music.


Twentieth-Century Countertenor Repertoire

Twentieth-Century Countertenor Repertoire
Author: Steven L. Rickards
Publisher: Scarecrow Press
Total Pages: 416
Release: 2008-08-11
Genre: Music
ISBN: 9780810861039

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This significant reference of over 600 entries compiles and catalogues information about repertoire composed specifically for the countertenor from 1950 to 2000. Representing more than 350 composers, it provides a resource for countertenors and voice teachers to identify and become more familiar with contemporary works for countertenor.


Real Repertoire Studies for Piano Grades 4-6

Real Repertoire Studies for Piano Grades 4-6
Author: Christine Brown
Publisher: Alfred Music Publishing
Total Pages: 36
Release: 2007-10
Genre: Music
ISBN: 9780571526048

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This volume of studies is specifically selected and edited for the intermediate pianist (Grade 4-6 level / Early to Late Intermediate), to provide a wide range of technical challenges in pieces which also provide musical interest. Includes classic studies by Heller, Czerny, Schumann and Bartok.


Real Repertoire Studies for Piano Grades 2-4

Real Repertoire Studies for Piano Grades 2-4
Author: Christine Brown
Publisher: Alfred Music Publishing
Total Pages: 36
Release: 2008-10
Genre: Music
ISBN: 9780571531394

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An introduction to the wealth of original works by the great study writers, from Clementi to Bartok for elementary to intermediate pianists (Grades 2-4). These studies have been selected by the renowned teacher and pedagogue Christine Brown to provide technical training and plenty of musical interest and they will be ideal performance pieces for concerts or festivals.


Performing Knowledge

Performing Knowledge
Author: Daphne Leong
Publisher: Oxford University Press, USA
Total Pages: 433
Release: 2019
Genre: Music
ISBN: 019065354X

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How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bart�k, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and--to round out the viewpoints of theorist and performers with those of composer and listeners--the role of structure in audience reception. Each exploration engages deeply with musical structure, redefined to encompass the creative activity of composers, performers, analysts, and listeners. Performances, demonstrations, and interviews online complement the book's written text; practical application and pedagogical guidance round out theoretical and analytical content. The collaborations themselves demonstrate different dimensions of knowledge at the intersection of analysis and performance, and illustrate Leong's theory of the things and people that facilitate cross-disciplinary collaboration in music. They also exemplify the antagonisms and synergies that emerge when theorists and performers meet. Both flexibly and rigorously conceived, Performing Knowledge is a brave crossing of disciplinary divides between scholarship and practice, a work of analysis shaped by the voices of performers.


Choral Music in the Twentieth Century

Choral Music in the Twentieth Century
Author: Nick Strimple
Publisher: Hal Leonard Corporation
Total Pages: 396
Release: 2005
Genre: Music
ISBN: 9781574671223

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Musical works for chorus are among the great masterpieces of 20th-century art. This guide, the first truly comprehensive volume on the choral music of the last century, covers the spectacular range of music for vocal ensembles, from Saint-Saens to Tan Dun. The book will be essential to every choral conductor and a valuable resource for choir members, choral societies and choruses.


Twentieth-Century Chamber Music

Twentieth-Century Chamber Music
Author: James McCalla
Publisher: Routledge
Total Pages: 289
Release: 2004-03
Genre: Art
ISBN: 1135887063

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.


Twentieth-century Piano Music

Twentieth-century Piano Music
Author: David Burge
Publisher: Schirmer G Books
Total Pages: 312
Release: 1990
Genre: Music
ISBN:

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Divided into four sections, each covering a key histo rical period, this trenchant examination of the development of different styles and compositional techniques integrates historical and artistic details with a sophisticated and generally accessible approach to the music. Burge (piano, Eastman School of Music) offers cogent suggestions for the performance of Copland, Stockhausen, Boulez, Berio, Cage, Crumb, and others. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com)


A Guide to the Latin American Art Song Repertoire

A Guide to the Latin American Art Song Repertoire
Author: Maya Hoover
Publisher: Indiana University Press
Total Pages: 369
Release: 2010-04-29
Genre: Music
ISBN: 0253003962

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A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.


Concert Music of the Twentieth Century

Concert Music of the Twentieth Century
Author: Mark A. Radice
Publisher: Pearson
Total Pages: 350
Release: 2003
Genre: Music
ISBN:

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Concert Music of the Twentieth Century is about "concert music"--music for contemplation rather than for atmosphere. The repertoire discussed in these pages was written by composers with something important to say and with skills to do so. Many of the works discussed tie in with a long-standing, Western European tradition of art music, but an equal voice is given to culturally and ethnically diverse composers active during the past several decades. Radice provides data about the pieces, the composers who wrote them, and the contexts in which they originated. Our understanding and evaluation of music is a dynamic process and one that is subject to change. Music only has meaning within its social contexts, and these are expanding daily. Many non-Western nations have long-standing musical traditions and practices that have entered into the Western mainstream just as Western practices and traditions have influenced the musical cultures of the world to produce new and exciting possibilities for music making. Diversity has been a key element in the selection of topics for discussion, and the examples included here can serve as gateways for other investigations by interested readers. This book is a survey presenting a broad array of representative works. The personalities explored include composers, performers, theorists, teachers, and organizations. In many cases, the information comes directly from composers whom the author has interviewed. The discussions in this book demonstrate that the world of contemporary music is a fascinating one that offers rich rewards to those interested in understanding the vibrant dynamics of concert music.