Twentieth-century Italian Art
Author | : James Thrall Soby |
Publisher | : Arno Press |
Total Pages | : 170 |
Release | : 1972 |
Genre | : Art |
ISBN | : |
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Author | : James Thrall Soby |
Publisher | : Arno Press |
Total Pages | : 170 |
Release | : 1972 |
Genre | : Art |
ISBN | : |
Author | : Alberto Asor Rosa |
Publisher | : Prestel Publishing |
Total Pages | : 478 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
Third volume to appear in conjunction with series of exhibitions of twentieth century art organised by the Royal Academy of Arts, London.
Author | : Ralph Jentsch |
Publisher | : Allemandi |
Total Pages | : 346 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
Author | : James Thrall Soby |
Publisher | : |
Total Pages | : 144 |
Release | : 1949 |
Genre | : |
ISBN | : |
Author | : Antonello Negri |
Publisher | : Silvana Editoriale |
Total Pages | : 420 |
Release | : 2019 |
Genre | : Art |
ISBN | : 9788836641178 |
Italian Drawing of the 20th Century brings together works from the Ramo Collection, the only collection in the world exclusively dedicated to drawing in Italy during the 20th century, from the great masters to lesser-known figures. The collection--and this book--presents drawing in Italy as a fundamental part of 20th-century art history. Including a wide range of techniques on paper (from watercolor to collage, crayon to felt-tip pen), this volume presents drawing as the skeleton of 20th-century art because it represents the first visualization of an idea. As an essential early step in art making, drawing is an expressive means shared by artists in working in different mediums, opening up to realization in a wide range of art practices. Italian Drawing of the 20th Century presents a specific national history for this unique, wide-ranging medium of creative thought. Among the artists featured are Balla, Baruchello, Boccioni, Crippa, de Chirico, Depero, Fabro, Fontana, Kounellis, Licini, Manzoni, Melotti, Morandi, Munari, Penone, Pistoletto, Rama, Rosso, Rotella and Severini.
Author | : Achille Bonito Oliva |
Publisher | : Mondadori Electa |
Total Pages | : 324 |
Release | : 1999 |
Genre | : Art |
ISBN | : |
Author | : Roberta J.M. Olson |
Publisher | : Philip Wilson Publishers |
Total Pages | : 0 |
Release | : 2001-12-11 |
Genre | : Art |
ISBN | : 9780812232073 |
This is the first major book to present a panorama of Italian painting from 1797 to 1900, placing it firmly in the mainstream of art history of the nineteenth century. Ottocento reveals the historical context for nineteenth-century Italian painting and presents major works by important Italian artists who are little known outside their native land.
Author | : Michael Baxandall |
Publisher | : Oxford Paperbacks |
Total Pages | : 200 |
Release | : 1988 |
Genre | : Art |
ISBN | : 9780192821447 |
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
Author | : Mario Tedeschi |
Publisher | : |
Total Pages | : 36 |
Release | : 2011-06-01 |
Genre | : |
ISBN | : 9781258048914 |
Author | : Raffaele Bedarida |
Publisher | : Taylor & Francis |
Total Pages | : 320 |
Release | : 2022-06-28 |
Genre | : Art |
ISBN | : 1000595803 |
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.