Twentieth Century Harmony
| Author | : Vincent Persichetti |
| Publisher | : London : Faber & Faber |
| Total Pages | : 287 |
| Release | : 1961 |
| Genre | : Harmony |
| ISBN | : 9780571112166 |
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Tonal Harmony, with an Introduction to Twentieth-century Music
| Author | : Stefan M. Kostka |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2000 |
| Genre | : Harmony |
| ISBN | : 9780072419962 |
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Tonal Harmony with an Introduction to 20th-Century Music is intended for a two-year course in music theory/harmony. It offers a clear and thorough introduction to the resources and practice of Western music from the 17th century to the present day. Its concise, one-volume format and flexible approach make the book usable in a broad range of theory curricula. The text provides students with a comprehensive but accessible and highly practical set of tools for the understanding of music. Actual musical practice is emphasized more than rules or prohibitions. Principles are explained and illustrated, and exceptions are noted. In its presentation of harmonic procedures, the text introduces students to the most common vocal and instrumental textures encountered in tonal music. Traditional four-part chorale settings are used to introduce many concepts, but three-part instrumental and vocal textures are also presented in illustrations and drill work, along with a variety of keyboard styles. To encourage the correlation of writing and performing skills, we have included musical examples in score and reduced-score formats as well as charts on instrumental ranges and transpositions. Some of the assignments ask the student to write for small ensembles suitable for performance in class. Instructors may modify these assignments to make them most appropriate for their particular situations. - Preface.
Chaos and Harmony
| Author | : Xuan Thuan Trinh |
| Publisher | : |
| Total Pages | : 366 |
| Release | : 2006 |
| Genre | : Science |
| ISBN | : 9781932031973 |
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From the subatomic world to the vast realm of quasars and galaxies, from the nature of mathematics to the fractal characteristics of the human circulatory system, an astronomer takes us on a breathtaking tour of the universe. 22 halftones. Line illustrations.
Music and Technology in the Twentieth Century
| Author | : Hans-Joachim Braun |
| Publisher | : JHU Press |
| Total Pages | : 268 |
| Release | : 2002-09-16 |
| Genre | : Music |
| ISBN | : 9780801868856 |
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Braun (Universitat der Bundeswehr) presents 13 contributions by scholars in two fields of history--musicology and technology. Topics include the role of Yamaha in Japan's musical development, the social construction of the synthesizer, the player piano as a precursor of computer music, the musical role of airplanes and locomotives, the origins of the 45-RPM record, violin vibrato and the phonograph, Jimi Hendrix, the aesthetic challenge of sound sampling, and others. Originally published in 2000 as I Sing the Body Electric: Music and Technology in the 20th Century. Annotation copyrighted by Book News, Inc., Portland, OR.
Harmonic Experience
| Author | : W. A. Mathieu |
| Publisher | : Simon and Schuster |
| Total Pages | : 576 |
| Release | : 1997-08-01 |
| Genre | : Music |
| ISBN | : 1620554011 |
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An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
Music of the Twentieth Century
| Author | : Ton de Leeuw |
| Publisher | : Amsterdam University Press |
| Total Pages | : 223 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : 9053567658 |
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Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.
A Theory of Harmony
| Author | : Ernst Levy |
| Publisher | : State University of New York Press |
| Total Pages | : 144 |
| Release | : 2024-01-01 |
| Genre | : Music |
| ISBN | : 143849632X |
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Ernst Levy was a visionary Swiss pianist, composer, and teacher who developed an approach to music theory that has come to be known as "negative harmony." Levy's theories have had a wide influence, from young British performer/composer Jacob Collier to jazz musicians like Steve Coleman. His posthumous text, A Theory of Harmony, summarizes his innovative ideas. A Theory of Harmony is a highly original explanation of the harmonic language of the modern era, illuminating the approaches of diverse styles of music. By breaking through age-old conceptions, Levy was able to reorient the way we experience musical harmony. British composer/music pedagogue Paul Wilkinson has written a new introduction that offers multiple points of entry to Levy’s work to make this text more accessible for a new generation of students, performers, and theorists. He relates Levy's work to innovations in improvisation, jazz, twentieth-century classical music, and the theoretical writings of a wide range of musical mavericks, including Harry Partch, Hugo Riemann, and David Lewin. Wilkinson shows how A Theory of Harmony continues to inspire original musical expression across multiple musical genres.
Twentieth-century Music Theory and Practice
| Author | : Edward Pearsall |
| Publisher | : Routledge |
| Total Pages | : 314 |
| Release | : 2012 |
| Genre | : Music |
| ISBN | : 0415888956 |
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Twentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles. This text capitalizes on this idea by using the theoretical devices associated with atonality to explore music inclusive of a large number of schools and contains examples by such stylistically diverse composers as Paul Hindemith, George Crumb, Ellen Taffe Zwilich, Steve Reich, Michael Torke, Philip Glass, Alexander Scriabin, Ernest Bloch, Igor Stravinsky, Béla Bartók, Sergei Prokofiev, Arnold Schoenberg, Claude Debussy, György Ligeti, and Leonard Bernstein. This textbook also provides a number of analytical, compositional, and written exercises. The aural skills supplement and online aural skills trainer on the companion website allow students to use theoretical concepts as the foundation for analytical listening. Access additional resources and online material here: http: //www.twentiethcenturymusictheoryandpractice.net and https: //www.motivichearing.com/.
Desire in Chromatic Harmony
| Author | : Kenneth M. Smith |
| Publisher | : Oxford University Press |
| Total Pages | : 361 |
| Release | : 2020-04-15 |
| Genre | : Music |
| ISBN | : 019092344X |
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How does musical harmony engage listeners in relations of desire? Where does this desire come from? Author Kenneth Smith seeks to answer these questions by analyzing works from the turn of the twentieth- century that are both harmonically enriched and psychologically complex. Desire in Chromatic Harmony yields a new theory of how chromatic chord progressions direct the listener on intricate journeys through harmonic space, mirroring the tensions of the psyche found in Schopenhauer, Freud, Lacan, Lyotard, and Deleuze. Smith extends this mode of enquiry into sophisticated music theory, while exploring philosophically engaged European and American composers such as Richard Strauss, Alexander Skryabin, Josef Suk, Charles Ives, and Aaron Copland. Focusing on harmony and chord progression, the book drills down into the diatonic undercurrent beneath densely chromatic and dissonant surfaces. From the obsession with death and mourning in Suk's asrael Symphony to an exploration of "perversion" in Strauss's elektra; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Copland's The Tender Land, Desire in Chromatic Harmony cuts a path through the dense forests of chromatic complexity, revealing the psychological make-up of post-Wagnerian psychodynamic music.
Aspects of Twentieth-century Music
| Author | : Richard DeLone |
| Publisher | : Prentice Hall |
| Total Pages | : 504 |
| Release | : 1975 |
| Genre | : Music |
| ISBN | : |
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The twentieth century has seen a revolution in art music, with the great variety of conceptually opposed musical developments existing side by side. This book presents a study of this century's music from the point of view of its structure, without addressing collective styles, the mechanisms or techniques for sound manipulation, or the literature of the period. Rather, the essays in this book address questions of how form, timbre and texture, rhythm, line, chord, and ordering procedures are dealt with by twentieth-century composers in a wide variety of musical works from early to very recent examples.
