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Twentieth Century American Literature: Margaret Atwood

Twentieth Century American Literature: Margaret Atwood
Author: Harold Bloom
Publisher: Infobase Holdings, Inc
Total Pages: 34
Release: 2022-02-01
Genre: Literary Criticism
ISBN: 1685661289

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The landmark Chelsea House Library of Literary Criticism, first published in the 1980s, is one of the most impressive collections of literary criticism ever produced. It is now available in digital format for the first time. This volume of the series provides excerpts and full-length critical essays on the Canadian novelist and poet Margaret Atwood.


The Handmaid's Tale

The Handmaid's Tale
Author: Margaret Atwood
Publisher: Thorndike Press Large Print
Total Pages:
Release: 2017
Genre: Fiction
ISBN: 9781432838478

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The Handmaid's Tale

The Handmaid's Tale
Author: Margaret Atwood
Publisher: McClelland & Stewart
Total Pages: 370
Release: 2011-09-06
Genre: Fiction
ISBN: 0771008791

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An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.


Margaret Atwood

Margaret Atwood
Author: Reingard M. Nischik
Publisher: Camden House
Total Pages: 372
Release: 2000
Genre: Biography & Autobiography
ISBN: 9781571131393

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Novelist, poet, cultural critic, Margaret Atwood is one of the most fascinating, versatile, and productive authors of our time, a superb writer in any genre she chooses to tackle. This book was prepared on the occasion of Atwood's sixtieth birthday in November 1999. Its first aim is therefore to take stock of Atwood's multifarious works and international impact at the height of her creative powers. Secondly, the book serves as a wide-ranging introduction to the writer and her works. Fifteen informative articles written specifically for this volume by Atwood specialists from Canada, the USA, the UK, Germany, and France treat her life and status, her works (up-to-date survey articles on Atwood's novels, short fiction, poetry, and literary and cultural criticism), and important approaches to her works (from the standpoints of gender politics, mythology, ecology, popular culture, constructivism, and Canadian nationalism). A final section on creativity, transmission, and reception includes an interview with Atwood on creativity, statements by some of Atwood's important transmitters, including publishers, editors, literary agents, and translators, and some 15 statements by Atwood's fellow writers, in which they explore her importance for them. A number of photographs of Atwood, several cartoons drawn by her, an up-to-date bibliography of works by and about Atwood, and an index round out the volume. Reingard M. Nischik is Professor of American literature at the University of Konstanz, Germany.


Surfacing

Surfacing
Author: Margaret Atwood
Publisher: Hachette UK
Total Pages: 172
Release: 2012-06-28
Genre: Fiction
ISBN: 1405520035

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By the author of The Handmaid's Tale, The Testaments and Alias Grace 'One of the most important novels of the 20th century . . . utterly remarkable' New York Times 'I feel it will be different if I look myself. Probably when we get there my father will have returned from wherever he has been, he will be sitting in the cabin waiting for us.' A young woman returns to northern Quebec, to the remote island of her childhood, with her lover and her two friends to investigate the mysterious disappearance of her father. Flooded with memories, she begins to realise that going home means entering not only another place but another time. As the wild island exerts its elemental hold and she is submerged in the language of the wilderness, she sees that what she is really looking for is her own past. 'A stunning and satisfying book' Time Out 'Utterly absorbing' Sunday Times 'Atwood has undertaken a serious and complex task. . . . She shows the depths that must be explored if one attempts to live an examined life' New York Times Book Review 'Margaret Atwood is one of the most intelligent and talented writers to set herself the task of deciphering life in the late twentieth century' Vogue


Desire and Empathy in Twentieth-Century Dystopian Fiction

Desire and Empathy in Twentieth-Century Dystopian Fiction
Author: Thomas Horan
Publisher: Springer
Total Pages: 220
Release: 2018-02-13
Genre: Literary Criticism
ISBN: 3319706756

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This book assesses key works of twentieth-century dystopian fiction, including Katharine Burdekin’s Swastika Night, George Orwell’s Nineteen Eighty-Four, and Margaret Atwood’s The Handmaid’s Tale, to demonstrate that the major authors of this genre locate empathy and morality in eroticism. Taken together, these books delineate a subset of politically conscious speculative literature, which can be understood collectively as projected political fiction. While Thomas Horan addresses problematic aspects of this subgenre, particularly sexist and racist stereotypes, he also highlights how some of these texts locate social responsibility in queer and other non-heteronormative sexual relationships. In these novels, even when the illicit relationship itself is truncated, sexual desire fosters hope and community.


Margaret Atwood

Margaret Atwood
Author: Helene Greven
Publisher: Didier-Erudition
Total Pages: 122
Release: 1999
Genre: History
ISBN:

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The Handmaid's Tale (1985), by Canadian writer Margaret Atwood, revisits the Anglo-American utopian/dystopian tradition. Appealing to imaginative fiction and the novel of ideas, the construction of perfect - or nightmarish - worlds rouses the reader's socio-political awareness of the present and invites questions on the shape of the near furure. The Handmaid's Tale deconstructs the utopian narrative by breaking the chronological order of the female protagonist's experience into a time-shifting testimony, a quest for meaning and an exploration of self versus the other. The intricate play on word and symbol can be read against the historical background of seventeenth-century New England Puritanism, as well as the twentieth-century New Right and women's rights movements, while inviting reference to the postmodernist outlook. This volume includes a bibliography, a study of the book's context, as well as essays and commentaries ; the approach has been adapted to the needs of Capes and Agregation students.


Authority and the Historical Document in Late Twentieth-Century Literature

Authority and the Historical Document in Late Twentieth-Century Literature
Author: Elizabeth Rich
Publisher: Rowman & Littlefield
Total Pages: 243
Release: 2021-08-23
Genre: Literary Criticism
ISBN: 1793644845

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After the Fact: Authority and the Historical Document in Late Twentieth-Century Literature examines historiographic metafiction’s epistemological concern with the historical document. The six texts herein recover official and neglected documents, viewing history from marginal perspectives endeavoring an ethical reconsideration of dominant historical narratives. Thematically paired chapters focus on eye-witness narratives, legal and official government documents, and news publications. The first two chapters, D.M. Thomas’ The White Hotel with Toni Morrison’s Beloved, explore the writers’ reconsideration of eye-witness accounts, specifically the Holocaust survivor narrative and the slave narrative. The second pair reviews mythologies of the nation in the United States. Susan Howe’s Singularities rewrites the Indian captivity narrative. Hannah Weiner’s Spoke revises the 1868 Black Hills treaty to focus on how popular and official texts promote the colonial imaginary and function to justify colonial expansion. The final two chapters examine Margaret Atwood’s Alias Grace and Robert Coover’s The Public Burning, which critique the press’s authority by questioning its claim to objectivity.


Women Writers at Work

Women Writers at Work
Author: George Plimpton
Publisher: Harvill Press
Total Pages: 381
Release: 1999
Genre: Authorship
ISBN: 9781860465864

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In this collection of interviews taken from The Paris Review, sixteen of the world's great women writers speak about their work, their colleagues and their lives. Women Writers at Work revisits classic interviews with Rebecca West and Simone de Beauvoir along with exchanges with Toni Morrison, Maya Angelou and Nadine Gordimer, showing how different generations have found their voices. They talk about where they write.They talk about how they write. Most importantly they discuss why and what they write. As Margaret Atwood points out in her bracing introduction, the 'Women Writers' here cannot be put into a box, neatly labelled WW. The label should probably read WWAAW, 'Writers Who Are Also Women.' What unites them is less their gender than their commitment to the craft of writing and to life. Each interview is accompanied by a biographical and critical profile, a photograph of the writer and a facsimile manuscript page.