Turner - malarz żywiołów
Author | : Joseph Mallord William Turner |
Publisher | : |
Total Pages | : 253 |
Release | : 2011 |
Genre | : Four elements (Philosophy) in art |
ISBN | : 9788375810776 |
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Author | : Joseph Mallord William Turner |
Publisher | : |
Total Pages | : 253 |
Release | : 2011 |
Genre | : Four elements (Philosophy) in art |
ISBN | : 9788375810776 |
Author | : Joseph Mallord William Turner |
Publisher | : Hirmer Verlag GmbH |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Four elements (Philosophy) in art |
ISBN | : 9783777440019 |
A painter of the elements, J. M. W. Turner depicted in his landscapes natural forces such as wind, fire, and water with an emphasis on their considerable destructive power and man's raw vulnerability in the face of it. And be they storm scenes, avalanches, or disasters at sea, Turner's oil paintings and watercolors were also informed by contemporary research in the natural sciences. Conceived by the Bucerius Kunst Forum in Hamburg and edited by leading Turner experts, this volume comprises eighty-five masterpieces from the Tate Gallery in London that are also scheduled for the National Museum in Krakow and the UK's newly opened Turner Contemporary. The works presented here exemplify Turner's extensive knowledge of nature and the impact of its forces, garnered from a lifelong fascination, and show that important developments in the artist's technique over the course of several decades mirrored the many new scientific insights of the time. Especially significant is Turner's stunningly realistic depiction of light, which made many of his canvases seem to actually glow. With 150 lush, full-color illustrations, this volume shows how Turner's ever-deepening understanding of the natural world--and of light in particular--earned him his place in the pantheon of great European artists.
Author | : Magdalena Czubińska |
Publisher | : |
Total Pages | : 71 |
Release | : 2011 |
Genre | : |
ISBN | : 9788375810783 |
Author | : Saul Williams |
Publisher | : MTV Books |
Total Pages | : 194 |
Release | : 2003-09-01 |
Genre | : Poetry |
ISBN | : 9780743470797 |
The greatest Americans Have not been born yet They are waiting quietly For their past to die please give blood Here is the account of a man so ravished by a kiss that it distorts his highest and lowest frequencies of understanding into an Incongruent mean of babble and brilliance...
Author | : Michael Leverson Meyer |
Publisher | : Random House (NY) |
Total Pages | : 712 |
Release | : 1985 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Eugene Thacker |
Publisher | : MIT Press |
Total Pages | : 450 |
Release | : 2006-09-08 |
Genre | : Science |
ISBN | : 9780262250306 |
How global biotechnology is redefining "life itself." In the age of global biotechnology, DNA can exist as biological material in a test tube, as a sequence in a computer database, and as economically valuable information in a patent. In The Global Genome, Eugene Thacker asks us to consider the relationship of these three entities and argues that—by their existence and their interrelationships—they are fundamentally redefining the notion of biological life itself. Biological science and the biotech industry are increasingly organized at a global level, in large part because of the use of the Internet in exchanging biological data. International genome sequencing efforts, genomic databases, the development of World Intellectual Property policies, and the "borderless" business of biotech are all evidence of the global intersections of biology and informatics—of genetic codes and computer codes. Thacker points out the internal tension in the very concept of biotechnology: the products are more "tech" than "bio," but the technology itself is fully biological, composed of the biomaterial labor of genes, proteins, cells, and tissues. Is biotechnology a technology at all, he asks, or is it a notion of "life itself" that is inseparable from its use in the biotech industry? The three sections of the book cover the three primary activities of biotechnology today: the encoding of biological materials into digital form—as in bioinformatics and genomics; its recoding in various ways—including the "biocolonialism" of mapping genetically isolated ethnic populations and the newly pervasive concern over "biological security"; and its decoding back into biological materiality—as in tissue engineering and regenerative medicine. Thacker moves easily from science to philosophy to political economics, enlivening his account with ideas from such thinkers as Georges Bataille, Georges Canguilhem, Michel Foucault, Antonio Negri, and Paul Virilio. The "global genome," says Thacker, makes it impossible to consider biotechnology without the context of globalism.
Author | : Christa Sommerer |
Publisher | : Springer |
Total Pages | : 340 |
Release | : 1998-02-16 |
Genre | : Art |
ISBN | : |
The Arts and Sciences have long been regarded as separated disciplines. In this era of rapidly developing computer technologies a novel interdisciplinary spirit has emerged that promises a new collaboration between research and art. Computer Graphics, Interactive Arts, Scientific Visualization, Artificial Life, Chaos and Complexity, newly emerging Media Museums and Media Centers as well as Telecommunications are areas where artistic thinking influences science and where scientific methodology reaches into the arts.
Author | : Ian Warrell |
Publisher | : National Gallery London |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Landscape painting |
ISBN | : 9781857095371 |
This title examines the ways in which Turner consistently strove to confront Claude's achievement and legacy.
Author | : David Anfam |
Publisher | : Skira Editore |
Total Pages | : 0 |
Release | : 2022-06-23 |
Genre | : Art |
ISBN | : 9788857244822 |
In paintings from Stefan Gierowski's first, figurative creative stage, one can notice traces of a post-cubist rhythmisation of a form and simplifications borrowed from the naïve art. Around 1957, the artist stepped into non-figurative painting, which became his main area of interest. He started painting abstract compositions, in which the intellectual factor, manifesting itself in a clear composition, was dominated by emotions. Already at that time, his paintings included an announcement of the issues related to light, space, and movement, which eventually reigned in his practice. Around 1960, Gierowski's works started demonstrating an inclination towards a geometric structuring of paintings. The artist was gradually discarding the emotional and intimate atmosphere. He started using a more simplified language, narrowed down the colour range, and applied the colour accents on the borders of a canvas. Through colour, Gierowski implies a certain spatial order in his paintings. The colours are arranged into stripes with a different hue and lucidity, which conjures the matter of the space. Lines split the painting into areas, while light connotations carry a tension. In the 1970s, Gierowski organised his canvas compositions exclusively through colour gradients to later counterpose large areas of differently toned colour. In his paintings from the 80s, the emotional impact of colour became prominent, while Gierowski began expressing himself in a more subjective, or even spiritual manner. Skira is publishing his first international monograph in conjunction with the Foundation Stefan Gierowski. The monograph features essays by David Anfam (writer, curator and leading authority on American modern art), Michel Gauthier (curator at Centre Pompidou) and Stach Szablowski (independent curator, art critic and columnist).
Author | : Gyorgy Kepes |
Publisher | : |
Total Pages | : 383 |
Release | : 1967 |
Genre | : Art |
ISBN | : |