Trial by Woman
Author | : Courtney Rowley |
Publisher | : |
Total Pages | : |
Release | : 2018-10-15 |
Genre | : |
ISBN | : 9781941007815 |
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Author | : Courtney Rowley |
Publisher | : |
Total Pages | : |
Release | : 2018-10-15 |
Genre | : |
ISBN | : 9781941007815 |
Author | : Lawrencia Bembenek |
Publisher | : HarperPrism |
Total Pages | : 380 |
Release | : 1992 |
Genre | : Convicts |
ISBN | : 9780061006005 |
Lawerencia Bembeck is charged and convicted of murder. But she claims she is innocent -- framed.
Author | : Nicholas Rowley |
Publisher | : |
Total Pages | : 350 |
Release | : 2013-01-01 |
Genre | : Trial practice |
ISBN | : 9781934833810 |
Author | : D. Basham |
Publisher | : Springer |
Total Pages | : 271 |
Release | : 1992-01-14 |
Genre | : History |
ISBN | : 0230374018 |
The Trial of Woman examines the impact of the nineteenth-century 'Occult Revival' on the Victorian Women's Movement, both in the lives of individual women and in the literature surrounding 'the Woman Question'. The book explores the Victorian Myth of Occult Womanhood and argues that the notion of female occult power was deeply influenced by the advent of Mesmerism, Spiritualism and Theosophy. This myth was itself a determining factor in women's struggle for legal and political rights.
Author | : Janine N. Warsaw |
Publisher | : Prentice Hall |
Total Pages | : 312 |
Release | : 1987 |
Genre | : Trial practice |
ISBN | : |
Author | : Cynthia Lucia |
Publisher | : University of Texas Press |
Total Pages | : 405 |
Release | : 2010-01-01 |
Genre | : Performing Arts |
ISBN | : 0292778244 |
As real women increasingly entered the professions from the 1970s onward, their cinematic counterparts followed suit. Women lawyers, in particular, were the protagonists of many Hollywood films of the Reagan-Bush era, serving as a kind of shorthand reference any time a script needed a powerful career woman. Yet a close viewing of these films reveals contradictions and anxieties that belie the films' apparent acceptance of women's professional roles. In film after film, the woman lawyer herself effectively ends up "on trial" for violating norms of femininity and patriarchal authority. In this book, Cynthia Lucia offers a sustained analysis of women lawyer films as a genre and as a site where other genres including film noir, maternal melodrama, thrillers, action romance, and romantic comedy intersect. She traces Hollywood representations of female lawyers through close readings of films from the 1949 Adam's Rib through films of the 1980s and 1990s, including Jagged Edge, The Accused, and The Client, among others. She also examines several key male lawyer films and two independent films, Lizzie Borden's Love Crimes and Susan Streitfeld's Female Perversions. Lucia convincingly demonstrates that making movies about women lawyers and the law provides unusually fertile ground for exploring patriarchy in crisis. This, she argues, is the cultural stimulus that prompts filmmakers to create stories about powerful women that simultaneously question and undermine women's right to wield authority.
Author | : Barbara Babcock |
Publisher | : Stanford University Press |
Total Pages | : 624 |
Release | : 2011-01-05 |
Genre | : Law |
ISBN | : 080477935X |
Woman Lawyer tells the story of Clara Foltz, the first woman admitted to the California Bar. Famous in her time as a public intellectual, leader of the women's movement, and legal reformer, Foltz faced terrific prejudice and well-organized opposition to women lawyers as she tried cases in front of all-male juries, raised five children as a single mother, and stumped for political candidates. She was the first to propose the creation of a public defender to balance the public prosecutor. Woman Lawyer uncovers the legal reforms and societal contributions of a woman celebrated in her day, but lost to history until now. It casts new light on the turbulent history and politics of California in a period of phenomenal growth and highlights the interconnection of the suffragists and other movements for civil rights and legal reforms.
Author | : A. Cheree Carlson |
Publisher | : University of Illinois Press |
Total Pages | : 202 |
Release | : 2010-10-01 |
Genre | : Social Science |
ISBN | : 0252090764 |
Cultural views of femininity exerted a powerful influence on the courtroom arguments used to defend or condemn notable women on trial in nineteenth-century and early-twentieth-century America. By examining the colorful rhetorical strategies employed by lawyers and reporters of women's trials in newspaper articles, trial transcriptions, and popular accounts, A. Cheree Carlson argues that the men in charge of these communication avenues were able to transform their own values and morals into believable narratives that persuaded judges, juries, and the general public of a woman's guilt or innocence. Carlson analyzes the situations of several women of varying historical stature, from the insanity trials of Mary Todd Lincoln and Lizzie Borden's trial for the brutal slaying of her father and stepmother, to lesser-known trials involving insanity, infidelity, murder, abortion, and interracial marriage. The insanity trial of Elizabeth Parsons Ware Packard, the wife of a minister, resulted from her attempts to change her own religion, while a jury acquitted Mary Harris for killing her married lover, suggesting that loss of virginity to an adulterous man was justifiable grounds for homicide. The popular conception of abortion as a "woman's crime" came to the fore in the case of Ann Loman (also known as Madame Restell), who performed abortions in New York both before and after it became a crime. Finally, Alice Rhinelander was sued for fraud by her new husband Leonard for "passing" as white, but the jury was more moved by the notion of Alice being betrayed as a woman by her litigious husband than by the supposed defrauding of Leonard as a white male. Alice won the case, but the image of womanhood as in need of sympathy and protection won out as well. At the heart of these cases, Carlson reveals clearly just how narrow was the line that women had to walk, since the same womanly virtues that were expected of them--passivity, frailty, and purity--could be turned against them at any time. These trials of popular status are especially significant because they reflect the attitudes of the broad audience, indicate which forms of knowledge are easily manipulated, and allow us to analyze how the verdict is argued outside the courtroom in the public and press. With gripping retellings and incisive analysis of these scandalous criminal and civil cases, this book will appeal to historians, rhetoricians, feminist researchers, and anyone who enjoys courtroom drama.
Author | : Janice E. Schuetz |
Publisher | : SIU Press |
Total Pages | : 276 |
Release | : 1994 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780809318698 |
Janice Schuetz investigates the felony trials of nine American women from colonial Salem to the present: Rebecca Nurse, tried for witchcraft in 1692; Mary E. Surratt, tried in 1865 for assisting John Wilkes Booth in the assassination of Abraham Lincoln; Lizzie Andrew Borden, tried in 1892 for the ax murder of her father and stepmother; Margaret Sanger, tried in 1915, 1917, and 1929 for her actions in support of birth control; Ethel Rosenberg, tried in 1951 for aiding the disclosure of secrets of the atom bomb to the Soviets; Yvonne Wanrow, tried in 1974 for killing a man who molested her neighbor's daughter; Patricia Campbell Hearst, tried in 1975 for bank robbery as a member of the Symbionese Liberation Army; Jean Harris, tried in 1982 for killing Herman Tarnower, the Diet Doctor; and Darci Kayleen Pierce, tried in 1988 for kidnapping and brutally murdering a pregnant woman, then removing the baby from the woman's womb. In her analysis, Schuetz is careful to define these trials as popular trials. Characteristically, popular trials involve persons, issues, or crimes of social interest that attract extensive public interest and involvement. Such trials make a contribution to the ongoing historical dialogue about the meaning of justice and the legal system, while reflecting the values of the time and place in which they occur. Schuetz examines the kinds of communication that transpired and the importance of gender in the trials by applying a different current rhetorical theory to each trial text. In every chapter, she explains her chosen interpretive theory, compares that framework with the discourse of the trial, and makes judgments about the meaning of the trial texts based on the interpretive theory.
Author | : Abbe F. Fletman |
Publisher | : American Bar Association |
Total Pages | : 314 |
Release | : 2010 |
Genre | : Women lawyers |
ISBN | : 9781604427233 |
The Woman Advocate is by women advocates for woman advocates. It contains first-hand accounts by successful women lawyers of their experiences at all stages of career development. In the four parts of the book- Where We Are; How We Got There; What Our Environment Is Like; and Where We're Going-the contributors provide reflections, advice, guidance, and, of course, war stories in lively, entertaining and insightful prose.