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| Author | : M. Wolfe |
| Publisher | : Springer |
| Total Pages | : 266 |
| Release | : 2009-08-31 |
| Genre | : History |
| ISBN | : 0230101127 |
This book focuses on the development of towns in France, taking into account military technology, physical geography, shifting regional networks tying urban communities together, and the emergence of new forms of public authority and civic life.
| Author | : Don Montague |
| Publisher | : Taylor & Francis |
| Total Pages | : 472 |
| Release | : 1996 |
| Genre | : Architecture |
| ISBN | : 9780419199106 |
This dual-language dictionary lists over 20,000 specialist terms in both French and English, covering architecture, building, engineering and property terms. It meets the needs of all building professionals working on projects overseas. It has been comprehensively researched and compiled to provide an invaluable reference source in an increasingly European marketplace.
| Author | : David Bellos |
| Publisher | : Random House |
| Total Pages | : 866 |
| Release | : 2010-11-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 1409019268 |
"It's hard to see how anyone is ever going to better this User's Manual to the life of Georges Perec" - Gilbert Adair, Sunday Times Winner of the Prix Goncourt for Biography, 1994 George Perec (1936-82) was one of the most significant European writers of the twentieth century and undoubtedly the most versatile and innovative writer of his generation. David Bellos's comprehensive biography - which also provides the first full survey of Perec's irreverent, polymathic oeuvre - explores the life of an anguished, comical and endearingly modest man, who worked quietly as an archivist in a medical research library. The French son of Jewish immigrants from Poland, he remained haunted all of his life by his father's death in the war, fighting to defend France, and his mother's in Auschwitz-Birkenau. His acclaimed novel A Void (1969) - written without using the letter "e" - has been seen as an attempt to escape from the words "père", "mere", and even "George Perec". His career made an auspicious start with Things: A Story of the Sixties (1965), which won the Prix Renaudot. He then pursued an idiosyncratic and ambitious literary itinerary through the intellectual ferment of Paris in the 1960s and 1970s.He belonged to the Ouvrior de Littérature Potentielle (OuLiPo), a radically inventive group of writers whose members included Raymond Queneau and Italo Calvino. Perec achieved international celebrity with Life A User's Manual (1978), which won the Prix Medicis and was voted Novel of the Decade by the Salon du Livre. He died in his mid-forties after a short illness, leaving a truly puzzling detective novel, 53 Days, incomplete. "Professor Bellos's book enables us at once to relish the most wilfully bizarre aspects of Perec's oeuvre and to understand the whys and wherefores of his protean nature" - Jonathan Romney, Literary Review
| Author | : Leonard Forrer |
| Publisher | : |
| Total Pages | : 760 |
| Release | : 1916 |
| Genre | : Medalists |
| ISBN | : |
| Author | : W. Teignmouth 1865-1932 Shore |
| Publisher | : Palala Press |
| Total Pages | : 362 |
| Release | : 2016-05-03 |
| Genre | : |
| ISBN | : 9781355301899 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Sharon Kinoshita |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 323 |
| Release | : 2006-04-10 |
| Genre | : Literary Criticism |
| ISBN | : 0812239199 |
In Medieval Boundaries, Sharon Kinoshita examines the role of cross-cultural contact in twelfth- and early thirteenth-century French literature. Starting from the observation that many of the earliest and best-known works of the French literary tradition are set on or beyond the borders of the French-speaking world, she reads the Chanson de Roland, the lais of Marie de France, and a variety of other texts in an expanded geographical frame that includes the Iberian peninsula, the Welsh marches, and the eastern Mediterranean. In Kinoshita's reconceptualization of the geographical and cultural boundaries of the medieval West, such places become significant not only as sites of conflict but also as spaces of intense political, economic, and cultural negotiation. An important contribution to the emerging field of medieval postcolonialism, Kinoshita's work explores the limitations of reading the literature of the French Middle Ages as an inevitable link in the historical construction of modern discourses of Orientalism, colonialism, race, and Christian-Muslim conflict. Rather, drawing on recent historical and art historical scholarship, Kinoshita uncovers a vernacular culture at odds with official discourses of crusade and conquest. Situating each work in its specific context, she brings to light the lived experiences of the knights and nobles for whom this literature was first composed and—in a series of close readings informed by postcolonial and feminist theory—demonstrates that literary representations of cultural encounters often provided the pretext for questioning the most basic categories of medieval identity. Awarded honorable mention for the 2007 Modern Language Association Aldo and Jeanne Scaglione Prize for French and Francophone Studies
| Author | : Dana Celeste Robinson |
| Publisher | : Dynasties of the Crusades |
| Total Pages | : 278 |
| Release | : 2017-09-12 |
| Genre | : History |
| ISBN | : 9781911261292 |
A History of the Counts of Brienne traces the origins of the Brienne dynasty from the tenth century, as counts of a small, minor county in the Champagne region of France, to prominent crusaders in the eleventh, twelfth and thirteenth centuries, one of whom would go on to become king of Jerusalem and emperor of Constantinople. In the late 1090s, impelled by the words of Pope Urban II, thousands of Europeans took up arms and set out from Western Europe to reclaim Jerusalem from the Saracens. Jerusalem was recaptured, and the ruling classes of the Latin East were formed by nobles, predominantly French, who established themselves as kings, princes and magnates. After the success of the First Crusade, word of the defeat of the Saracens and the opportunity for upward mobility in the Holy Land began to spread rapidly across the West and additional waves of crusaders and settlers made their way to the Levant. French dynasties, usually titled, landed families of some sway, such as the Lusignan, the Montlhery, the Montfort, and the Brienne, amongst others, were attracted to the Holy Land for various reasons: some due to religiosity, others for the opportunity to further increase their landholdings and wealth. In A History of the Counts of Brienne, Dana Celeste Robinson brings into focus the importance of family, tradition of crusading and pilgrimage, and political advancement through marriage in the Latin East to the Brienne and other families at a time when the seeds of geo-political unrest were planted: its fruit an unfortunate legacy as the struggle for peace in the Holy Land continues today. In a panoramic assessment using archival research, this comprehensive history of the counts of Brienne and their origins serves as an original work of scholarship on the preeminence of localized power in Medieval France and the ascendancy of dynastic influence in the Holy Land during the age of the crusades.
| Author | : Jennifer Speake |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 512 |
| Release | : 2005 |
| Genre | : Reference |
| ISBN | : 9780198610519 |
Entries provide definitions and information on the origins, history, and usage of terms of foreign origin in English, including words in common use and artistic and scientific vocabulary.
| Author | : Maria Rosa Menocal |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 203 |
| Release | : 2010-08-03 |
| Genre | : Literary Criticism |
| ISBN | : 0812200713 |
Arabic culture was a central and shaping phenomenon in medieval Europe, yet its influence on medieval literature has been ignored or marginalized for the last two centuries. In this ground-breaking book, now returned to print with a new afterword by the author, María Rosa Menocal argues that major modifications of the medieval canon and its literary history are necessary. Menocal reviews the Arabic cultural presence in a variety of key settings, including the courts of William of Aquitaine and Frederick II, the universities in London, Paris, and Bologna, and Cluny under Peter the Venerable, and she examines how our perception of specific texts including the courtly love lyric and the works of Dante and Boccaccio would be altered by an acknowledgment of the Arabic cultural component.
| Author | : Julie Singer |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 251 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 1843842726 |
An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoraltheory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis.
