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Tragic Pleasure from Homer to Plato

Tragic Pleasure from Homer to Plato
Author: Rana Saadi Liebert
Publisher: Cambridge University Press
Total Pages: 229
Release: 2017-04-07
Genre: Literary Collections
ISBN: 1316885615

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This book offers a resolution of the paradox posed by the pleasure of tragedy by returning to its earliest articulations in archaic Greek poetry and its subsequent emergence as a philosophical problem in Plato's Republic. Socrates' claim that tragic poetry satisfies our 'hunger for tears' hearkens back to archaic conceptions of both poetry and mourning that suggest a common source of pleasure in the human appetite for heightened forms of emotional distress. By unearthing a psychosomatic model of aesthetic engagement implicit in archaic poetry and philosophically elaborated by Plato, this volume not only sheds new light on the Republic's notorious indictment of poetry, but also identifies rationally and ethically disinterested sources of value in our pursuit of aesthetic states. In doing so the book resolves an intractable paradox in aesthetic theory and human psychology: the appeal of painful emotions.


Tragic Pleasure from Homer to Plato

Tragic Pleasure from Homer to Plato
Author: Rana Saadi Liebert
Publisher: Cambridge University Press
Total Pages: 229
Release: 2017-04-07
Genre: Literary Collections
ISBN: 1107184444

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This book uses Greek poetry and Plato's philosophy to explain the appeal of tragedy and explore the non-cognitive value of aesthetic engagement.


Tragic Pleasures

Tragic Pleasures
Author: Elizabeth S. Belfiore
Publisher: Princeton University Press
Total Pages: 429
Release: 2014-07-14
Genre: Performing Arts
ISBN: 1400862574

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Elizabeth Belfiore offers a striking new interpretation of Aristotle's Poetics by situating the work within the Aristotelian corpus and in the context of Greek culture in general. In Aristotle's Rhetoric, the Politics, and the ethical, psychological, logical, physical, and biological works, Belfiore finds extremely important but largely neglected sources for understanding the elliptical statements in the Poetics. The author argues that these Aristotelian texts, and those of other ancient writers, call into question the traditional view that katharsis in the Poetics is a homeopathic process--one in which pity and fear affect emotions like themselves. She maintains, instead, that Aristotle considered katharsis to be an allopathic process in which pity and fear purge the soul of shameless, antisocial, and aggressive emotions. While exploring katharsis, Tragic Pleasures analyzes the closely related question of how the Poetics treats the issue of plot structure. In fact, Belfiore's wide-ranging work eventually discusses every central concept in the Poetics, including imitation, pity and fear, necessity and probability, character, and kinship relations. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Poetics of Aristotle

The Poetics of Aristotle
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
Total Pages: 82
Release: 2017-03-07
Genre:
ISBN: 9781544217574

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In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."


The Cambridge Companion to Plato

The Cambridge Companion to Plato
Author: Richard Kraut
Publisher: Cambridge University Press
Total Pages: 580
Release: 1992-10-30
Genre: Philosophy
ISBN: 9780521436106

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Fourteen new essays discuss Plato's views about knowledge, reality, mathematics, politics, ethics, love, poetry, and religion in a convenient, accessible guide that analyzes the intellectual and social background of his thought as well.


Tragic Pathos

Tragic Pathos
Author: Dana LaCourse Munteanu
Publisher: Cambridge University Press
Total Pages: 293
Release: 2011-11-10
Genre: Literary Collections
ISBN: 1139502344

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Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes for the two emotions a different purpose, mode of presentation and, to a degree, understanding. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions.


Between Ecstasy and Truth

Between Ecstasy and Truth
Author: Stephen Halliwell
Publisher: Oxford University Press on Demand
Total Pages: 432
Release: 2011
Genre: History
ISBN: 0199570566

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As well as producing one of the finest of all poetic traditions, ancient Greek culture produced a major tradition of poetic theory and criticism. Halliwell's volume offers a series of detailed and challenging interpretations of some of the defining authors and texts in the history of ancient Greek poetics: the Homeric epics, Aristophanes' Frogs, Plato's Republic, Aristotle's Poetics, Gorgias's Helen, Isocrates' treatises, Philodemus' On Poems, and Longinus On the Sublime. The volume's fundamental concern is with how the Greeks conceptualized the experience of poetry and debated the values of that experience. The book's organizing theme is a recurrent Greek dialectic between ideas of poetry as, on the one hand, a powerfully enthralling experience in its own right (a kind of 'ecstasy') and, on the other, a medium for the expression of truths which can exercise lasting influence on its audiences' views of the world. Citing a wide range of modern scholarship, and making frequent connections with later periods of literary theory and aesthetics, Halliwell questions many orthodoxies and received opinions about the texts analysed. The resulting perspective casts new light on ways in which the Greeks attempted to make sense of the psychology of poetic experience - including the roles of emotion, ethics, imagination, and knowledge - in the life of their culture.


The Poetics of Aristotle

The Poetics of Aristotle
Author: Aristotle
Publisher:
Total Pages: 280
Release: 1907
Genre: Aesthetics
ISBN:

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Aristotle's Poetics

Aristotle's Poetics
Author: Humphry House
Publisher: Praeger
Total Pages: 136
Release: 1978
Genre: Language Arts & Disciplines
ISBN:

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Eight lectures exploring all facets of Aristotle's criticism and its relationship to Plato's Republic.


Aristotle's Poetics

Aristotle's Poetics
Author: Stephen Halliwell
Publisher: University of Chicago Press
Total Pages: 388
Release: 1998-12
Genre: Literary Criticism
ISBN: 9780226313948

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In this, the fullest, sustained interpretation of Aristotle's Poetics available in English, Stephen Halliwell demonstrates that the Poetics, despite its laconic brevity, is a coherent statement of a challenging theory of poetic art, and it hints towards a theory of mimetic art in general. Assessing this theory against the background of earlier Greek views on poetry and art, particularly Plato's, Halliwell goes further than any previous author in setting Aristotle's ideas in the wider context of his philosophical system. The core of the book is a fresh appraisal of Aristotle's view of tragic drama, in which Halliwell contends that at the heart of the Poetics lies a philosophical urge to instill a secularized understanding of Greek tragedy. "Essential reading not only for all serious students of the Poetics . . . but also for those—the great majority—who have prudently fought shy of it altogether."—B. R. Rees, Classical Review "A splendid work of scholarship and analysis . . . a brilliant interpretation."—Alexander Nehamas, Times Literary Supplement