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| Author | : Michael Stephen Silk |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023 |
| Genre | : Greek drama (Tragedy) |
| ISBN | : 9781383005462 |
This volume contains a series of essays focusing on the question: what makes tragedy, especially Greek tragedy, tragic? The contributors include many of the world's foremost names in the field of Greek drama. The book is accessible to readers with no knowledge of the ancient Greek language.
| Author | : Dana LaCourse Munteanu |
| Publisher | : Cambridge University Press |
| Total Pages | : 293 |
| Release | : 2011-11-10 |
| Genre | : Literary Collections |
| ISBN | : 1139502344 |
Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes for the two emotions a different purpose, mode of presentation and, to a degree, understanding. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions.
| Author | : Rana Saadi Liebert |
| Publisher | : Cambridge University Press |
| Total Pages | : 229 |
| Release | : 2017-04-07 |
| Genre | : Literary Collections |
| ISBN | : 1316885615 |
This book offers a resolution of the paradox posed by the pleasure of tragedy by returning to its earliest articulations in archaic Greek poetry and its subsequent emergence as a philosophical problem in Plato's Republic. Socrates' claim that tragic poetry satisfies our 'hunger for tears' hearkens back to archaic conceptions of both poetry and mourning that suggest a common source of pleasure in the human appetite for heightened forms of emotional distress. By unearthing a psychosomatic model of aesthetic engagement implicit in archaic poetry and philosophically elaborated by Plato, this volume not only sheds new light on the Republic's notorious indictment of poetry, but also identifies rationally and ethically disinterested sources of value in our pursuit of aesthetic states. In doing so the book resolves an intractable paradox in aesthetic theory and human psychology: the appeal of painful emotions.
| Author | : Hal Brands |
| Publisher | : Yale University Press |
| Total Pages | : 183 |
| Release | : 2019-02-26 |
| Genre | : Political Science |
| ISBN | : 0300244924 |
A “brilliant” examination of American complacency and how it puts the nation’s—and the world’s—security at risk (The Wall Street Journal). The ancient Greeks hard-wired a tragic sensibility into their culture. By looking disaster squarely in the face, by understanding just how badly things could spiral out of control, they sought to create a communal sense of responsibility and courage—to spur citizens and their leaders to take the difficult actions necessary to avert such a fate. Today, after more than seventy years of great-power peace and a quarter-century of unrivaled global leadership, Americans have lost their sense of tragedy. They have forgotten that the descent into violence and war has been all too common throughout human history. This amnesia has become most pronounced just as Americans and the global order they created are coming under graver threat than at any time in decades. In a forceful argument that brims with historical sensibility and policy insights, two distinguished historians argue that a tragic sensibility is necessary if America and its allies are to address the dangers that menace the international order today. Tragedy may be commonplace, Brands and Edel argue, but it is not inevitable—so long as we regain an appreciation of the world’s tragic nature before it is too late. “Literate and lucid—sure to interest to readers of Fukuyama, Huntington, and similar authors as well as students of modern realpolitik.” —Kirkus Reviews
| Author | : Richard H. Palmer |
| Publisher | : Greenwood |
| Total Pages | : 262 |
| Release | : 1992-06-30 |
| Genre | : Literary Criticism |
| ISBN | : |
Comprehending tragedy has been a major philosophical and critical preoccupation in Western thought. Whether concerned with the generic problem of definition or with tragedy in the context of specific writers or periods, books with multiple and often conflicting perspectives abound. In an effort to bring order to the explanations over two millennia, Tragedy and Tragic Theory lucidly analyzes the principal ideas about tragedy from Plato to the present. Critically surveying the similarities and differences among major theories, Palmer analyzes features associated with tragedy, such as the tragic hero, katharsis, and self-recognition; develops a working definition of tragedy; and applies these ideas to a sampling of plays that present special interpretive problems. He incorporates and explores the ideas of such eminent thinkers as Aristotle, Hegel, Nietzche, Schopenhauer, Schiller, Kierkegaard, and Freud, as well as contemporary theorists, who also appear with biographical blurbs in an appendix to the volume along with an extensive bibliography. By examining both tragedy and the theoretical responses to tragedy, this study demonstrates that the definition of tragedy depends on the meaning perceived by an audience rather than on a structured stimulus independent of response; yet, it does not abandon the possibility of isolating fixed defining characteristics. The audience response approach provides a framework for analyzing earlier theories. Systematically developed, the study is equally valuable as a text in drama and criticism or as a convenient reference tool to drama theory and theorists.
| Author | : Peter Szondi |
| Publisher | : Stanford University Press |
| Total Pages | : 132 |
| Release | : 2002 |
| Genre | : Literary Criticism |
| ISBN | : 9780804743952 |
This is a succinct and elegant argument for the specificity of a philosophy of tragedy, as opposed to a poetics of tragedy espoused by Aristotle.
| Author | : Miriam Leonard |
| Publisher | : Harvard University Press |
| Total Pages | : 221 |
| Release | : 2015-06-08 |
| Genre | : Education |
| ISBN | : 0674743938 |
Under the microscope of recent scholarship the universality of Greek tragedy has started to fade, as particularities of Athenian culture have come into focus. Miriam Leonard contests the idea of the death of tragedy and argues powerfully for the continued vitality and viability of Greek tragic theater in the central debates of contemporary culture.
| Author | : Joshua Billings |
| Publisher | : Princeton University Press |
| Total Pages | : 279 |
| Release | : 2017-03-14 |
| Genre | : Philosophy |
| ISBN | : 0691176361 |
Why did Greek tragedy and "the tragic" come to be seen as essential to conceptions of modernity? And how has this belief affected modern understandings of Greek drama? In Genealogy of the Tragic, Joshua Billings answers these and related questions by tracing the emergence of the modern theory of the tragic, which was first developed around 1800 by thinkers associated with German Idealism. The book argues that the idea of the tragic arose in response to a new consciousness of history in the late eighteenth century, which spurred theorists to see Greek tragedy as both a unique, historically remote form and a timeless literary genre full of meaning for the present. The book offers a new interpretation of the theories of Schiller, Schelling, Hegel, Hölderlin, and others, as mediations between these historicizing and universalizing impulses, and shows the roots of their approaches in earlier discussions of Greek tragedy in Germany, France, and England. By examining eighteenth-century readings of tragedy and the interactions between idealist thinkers in detail, Genealogy of the Tragic offers the most comprehensive historical account of the tragic to date, as well as the fullest explanation of why and how the idea was used to make sense of modernity. The book argues that idealist theories remain fundamental to contemporary interpretations of Greek tragedy, and calls for a renewed engagement with philosophical questions in criticism of tragedy.
| Author | : John Von Szeliski |
| Publisher | : Chapel Hill : University of North Carolina Press |
| Total Pages | : 280 |
| Release | : 1971 |
| Genre | : Literary Criticism |
| ISBN | : |
This study of the relationship between the world-view in modern serious playwriting and the effectiveness of modern attempts at tragic drama is also an examination of the perennial problem of tragic spirit: is tragedy optimistic or pessimistic? This provocative and stimulating book is the first detailed analysis of whether tragedy hints at hope or acts out dread. Originally published in 1971. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
| Author | : Raymond R. MacCurdy |
| Publisher | : Unc Department of Romance Studies |
| Total Pages | : 268 |
| Release | : 1978 |
| Genre | : Literary Criticism |
| ISBN | : |
Volume 197 in the North Carolina Studies in the Romance Languages and Literatures series.
