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Traditional Japanese Poetry

Traditional Japanese Poetry
Author: Steven D. Carter
Publisher: Stanford University Press
Total Pages: 544
Release: 1991
Genre: Literary Criticism
ISBN: 9780804722124

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This anthology brings together in convenient form a rich selection of Japanese poetry in traditional genres dating from the earliest times to the 20th century. With more than 1,100 poems, it is the most varied and comprehensive selection of traditional Japanese poetry now available in English. A romanized Japanese text accompanies each poem, and the book is illustrated with 20 line drawings.


Traditional Japanese Literature

Traditional Japanese Literature
Author: Haruo Shirane
Publisher: Columbia University Press
Total Pages: 601
Release: 2012
Genre: Fiction
ISBN: 0231157304

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Traditional Japanese Literature features a rich array of works dating from the very beginnings of the Japanese written language through the evolution of Japan's noted aristocratic court and warrior cultures. It contains stunning new translations of such canonical texts as The Tales of the Heike as well as works and genres previously ignored by scholars and unknown to general readers.


How to Read a Japanese Poem

How to Read a Japanese Poem
Author: Steven D. Carter
Publisher: Columbia University Press
Total Pages: 373
Release: 2019-06-11
Genre: Poetry
ISBN: 0231546858

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How to Read a Japanese Poem offers a comprehensive approach to making sense of traditional Japanese poetry of all genres and periods. Steven D. Carter explains to Anglophone students the methods of composition and literary interpretation used by Japanese poets, scholars, and critics from ancient times to the present, and adds commentary that will assist the modern reader. How to Read a Japanese Poem presents readings of poems by major figures such as Saigyō and Bashō as well as lesser known poets, with nearly two hundred examples that encompass all genres of Japanese poetry. The book gives attention to well-known forms such as haikai or haiku, as well as ancient songs, comic poems, and linked verse. Each chapter provides examples of a genre in chronological order, followed by notes about authorship and other contextual details, including the time of composition, physical setting, and social occasion. The commentaries focus on a central feature of Japanese poetic discourse: that poems are often occasional, written in specific situations, and are best read in light of their milieu. Carter elucidates key concepts useful in examining Japanese poetics as well as the technical vocabulary of Japanese poetic discourse, familiarizing students with critical terms and concepts. An appendix offers succinct definitions of technical terms and essays on aesthetic ideals and devices.


Utamakura, Allusion, and Intertextuality in Traditional Japanese Poetry

Utamakura, Allusion, and Intertextuality in Traditional Japanese Poetry
Author: Edward Kamens
Publisher: Yale University Press
Total Pages: 348
Release: 1997-01-01
Genre: Literary Criticism
ISBN: 9780300068085

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Kamens focuses especially on one figure, "the buried tree," which refers to fossilized wood associated in particular with an utamakura site, the Natori River, and is mentioned in poems that first appear in anthologies in the early tenth century. The figure surfaces again at many points in the history of traditional Japanese poetry, as do the buried trees themselves in the shallow waters that otherwise conceal them. After explaining and discussing the literary history of the concept of utamakura, Kamens traces the allusive and intertextual development of the figure of the buried tree and the use of the place-name Natorigawa in waka poetry through the late nineteenth-century. He investigates the relationship between utamakura and the collecting of fetishes and curios associated with utamakura sites by waka connoisseurs.


One Hundred Poems from the Chinese

One Hundred Poems from the Chinese
Author: Kenneth Rexroth
Publisher: New Directions Publishing
Total Pages: 164
Release: 1971-01-17
Genre: Poetry
ISBN: 0811223868

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The lyrical world of Chinese poetry in faithful translations by Kenneth Rexroth. The lyric poetry of Tu Fu ranks with the greatest in all world literature. Across the centuries—Tu Fu lived in the T'ang Dynasty (731-770)—his poems come through to us with an immediacy that is breathtaking in Kenneth Rexroth's English versions. They are as simple as they are profound, as delicate as they are beautiful. Thirty-five poems by Tu Fu make up the first part of this volume. The translator then moves on to the Sung Dynasty (10th-12th centuries) to give us a number of poets of that period, much of whose work was not previously available in English. Mei Yao Ch'en, Su Tung P'o, Lu Yu, Chu Hsi, Hsu Chao, and the poetesses Li Ch'iang Chao and Chu Shu Chen. There is a general introduction, biographical and explanatory notes on the poets and poems, and a bibliography of other translations of Chinese poetry.


Modern Japanese Tanka

Modern Japanese Tanka
Author: Makoto Ueda
Publisher: Columbia University Press
Total Pages: 316
Release: 1996
Genre: Education
ISBN: 9780231104333

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His introduction gives an excellent overview of the development of tanka in the last one hundred years.


Forest of Eyes

Forest of Eyes
Author: Chimako Tada
Publisher: University of California Press
Total Pages: 176
Release: 2010-08-17
Genre: Poetry
ISBN: 0520260511

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One of Japan’s most important modern poets, Tada Chimako (1930–2003) gained prominence in her native country for her sensual, frequently surreal poetry and fantastic imagery. Although Tada’s writing is an essential part of postwar Japanese poetry, her use of themes and motifs from European, Near Eastern, and Mediterranean history, mythology, and literature, as well as her sensitive explorations of women’s inner lives make her very much a poet of the world. Forest of Eyes offers English-language readers their first opportunity to read a wide selection from Tada’s extraordinary oeuvre, including nontraditional free verse, poems in the traditional forms of tanka and haiku, and prose poems. Translator Jeffrey Angles introduces this collection with an incisive essay that situates Tada as a poet, explores her unique style, and analyzes her contribution to the representation of women in postwar Japanese literature.


Only Companion

Only Companion
Author:
Publisher: Shambhala Publications
Total Pages: 140
Release: 2006-11-14
Genre: Poetry
ISBN: 0834824973

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Written by court princesses, exiled officials, Zen priests, and recluses, the 150 poems translated here represent the rich diversity of Japan’s poetic tradition. Varying in tone from the sensuous and erotic to the profoundly spiritual, each poem captures a sense of the poignant beauty and longing known only in the fleeting experience of the moment. The translator has selected these five-line tanka—one of the great traditional verse forms of Japanese literature—from sources ranging from the classical imperial anthologies of the eighth and tenth centuries to works of the early twentieth century.


Teika

Teika
Author: Paul S. Atkins
Publisher: University of Hawaii Press
Total Pages: 281
Release: 2017-02-28
Genre: Literary Criticism
ISBN: 0824858700

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Fujiwara no Teika (1162–1241) was born into an illustrious lineage of poets just as Japan’s ancien régime was ceding authority to a new political order dominated by military power. Overcoming personal and political setbacks, Teika and his allies championed a new style of poetry that managed to innovate conceptually and linguistically within the narrow confines of the waka tradition and the limits of its thirty-one syllable form. Backed by powerful patrons, Teika emerged finally as the supreme arbiter of poetry in his time, serving as co-compiler of the eighth imperial anthology of waka, Shin Kokinshū (ca. 1210) and as solo compiler of the ninth. This first book-length study of Teika in English covers the most important and intriguing aspects of Teika’s achievements and career, seeking the reasons behind Teika’s fame and offering distinctive arguments about his oeuvre. A documentary biography sets the stage with valuable context about his fascinating life and times, followed by an exploration of his “Bodhidharma style,” as Teika’s critics pejoratively termed the new style of poetry. His beliefs about poetry are systematically elaborated through a thorough overview of his writing about waka. Teika’s understanding of classical Chinese history, literature, and language is the focus of a separate chapter that examines the selective use of kana, the Japanese phonetic syllabary, in Teika’s diary, which was written mainly in kanbun, a Japanese version of classical Chinese. The final chapter surveys the reception history of Teika’s biography and literary works, from his own time into the modern period. Sometimes venerated as demigod of poetry, other times denigrated as an arrogant, inscrutable poet, Teika seldom inspired lukewarm reactions in his readers. Courtier, waka poet, compiler, copyist, editor, diarist, and critic, Teika is recognized today as one of the most influential poets in the history of Japanese literature. His oeuvre includes over four thousand waka poems, his diary, Meigetsuki, which he kept for over fifty years, and a fictional tale set in Tang-dynasty China. Over fifteen years in the making, Teika is essential reading for anyone interested in Japanese poetry, the history of Japan, and traditional Japanese culture.


Bashō's Haiku

Bashō's Haiku
Author: Matsuo Bashō
Publisher: State University of New York Press
Total Pages: 346
Release: 2012-02-01
Genre: Religion
ISBN: 0791484653

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2005 CHOICE Outstanding Academic Title Basho's Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashō (1644–1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashō is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashō rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world. David Landis Barnhill's brilliant book strives for literal translations of Bashō's work, arranged chronologically in order to show Bashō's development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashō to contemporary American literature and environmental thought.