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| Author | : Mari Hvattum |
| Publisher | : Routledge |
| Total Pages | : 359 |
| Release | : 2004-08-02 |
| Genre | : Architecture |
| ISBN | : 1134406398 |
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Mari Hvattum |
| Publisher | : Psychology Press |
| Total Pages | : 368 |
| Release | : 2004 |
| Genre | : Architecture |
| ISBN | : 9780415305112 |
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Matei Călinescu |
| Publisher | : Duke University Press |
| Total Pages | : 416 |
| Release | : 1987 |
| Genre | : Avant-Garde (Aesthetics) |
| ISBN | : 9780822307679 |
Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: modernity, avant-garde, decadence, kitsch, and postmodernism. The concept of modernity--the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours--is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise. Five Faces of Modernity attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as classicism, baroque, romanticism, realism, or symbolism and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.
| Author | : Joshua Barker |
| Publisher | : University of Hawaii Press |
| Total Pages | : 322 |
| Release | : 2013-07-31 |
| Genre | : Social Science |
| ISBN | : 0824837797 |
We live in a world populated not just by individuals but by figures, those larger-than-life people who in some way express and challenge our conventional understandings of social types. This innovative and collaborative work takes up the wide range of figures that populate the social and cultural imaginaries of contemporary Southeast Asia—some familiar only in specific places, others recognizable across the region and even globally. It puts forward a series of ethnographic portraits of figures that represent and give voice to something larger than themselves, offering a view into social life that is at once highly particular and general. They include the Muslim Television Preacher in Indonesia, Miss Beer Lao, the Rural DJ in Thailand, the Korean Soap Opera Junkie in Burma, the Filipino Seaman, and the Photo Retoucher in Vietnam. Figures of Southeast Asian Modernity brings together the fieldwork of over eighty scholars and covers the nine major countries of the region: Burma (Myanmar), Cambodia, Indonesia, Laos, Malaysia, the Philippines, Singapore, Thailand, and Vietnam. An introduction outlines important social transformations in Southeast Asia and key theoretical and methodological innovations that result from ethnographic attention to the study of key figures. Each section begins with an introduction by a country editor followed by short essays offering vivid and intimate portraits set against the background of contemporary Southeast Asia. The result is a volume that combines scholarly rigor with a meaningful, up-to-date portrayal of a region of the world undergoing rapid change. A reference bibliography offers suggestions for further reading. Figures of Southeast Asia Modernity is an ideal teaching tool for introductory classes to Southeast Asia studies, anthropology, and geography.
| Author | : Russell Shaw |
| Publisher | : Ignatius Press |
| Total Pages | : 152 |
| Release | : 2020-05-06 |
| Genre | : Religion |
| ISBN | : 1642291129 |
Assaults on the dignity and rights of the human person have been central to the ongoing crisis of the modern era in the last hundred years. This book takes a searching look at the roots of this problem and the various approaches to it by the eight men who led the Catholic Church in the twentieth century, from Pope St. Pius X and his crusade against "Modernism" to Pope St. John Paul II and his appeal for a renewed rapprochement between faith and reason. Thus it offers a distinctive, illuminating interpretation of recent world events viewed through the lens of an ancient institution, the papacy, a key champion of human rights under attack in modern times. The fascinating story is told through short profiles of the eight popes combining crucial, often little known, facts about each by an author who is a veteran observer of Church affairs, a former top official of the conference of bishops of the USA, and consultant to the Vatican. It is written clearly and simply, but with carefully documented precision. A special feature are the substantial excerpts from the writ- ings of the popes that give important insights into their personalities and thinking. It also includes a useful overview of the Second Vatican Council (1962-65) and its pivotal role in reshaping the Catholic Church. Eight Popes and the Crisis of Modernity contains judgments that will be challenged by partisans of both liberal and conservative ideological persuasions. But serious and open-minded readers, Catholics and non-Catholics alike, will find it an informative, timely, and inspiring guide to understanding many central events and issues of our times, while students of Church history will find it indispensable.
| Author | : Maha Habib |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 424 |
| Release | : 2016-03-16 |
| Genre | : Literary Collections |
| ISBN | : 0857729985 |
What have the concepts of modernity and secularization meant for Islamic tradition, culture and society? How have the discourses which surround all of these issues influenced Muslim self-perception and individual identity? There have been many attempts to describe and analyse the encounter between Islam and modernity in the Middle East, but few have been able so effectively to explore the impact this has on the idea and reality of religious identity and individual religiosity. Maha F. Habib examines modernity from this angle, offering socio-cultural, philosophical and literary perspectives. She assesses how this is played out in Egypt, analysing cultural changes in the country through its intellectual thought and literature, from the nineteenth century to the present day. Her references to the works of Muhammad Abdu, Muhammad Husayn Haykal, 'Abbas Mahmud al-'Aqqad, Naguib Mahfouz, Alaa al-Aswany and Salwa Bakr reveal contemporary issues and concerns which will interest those researching the cultural and social milieu of modern Egypt.
| Author | : Christopher B.R. Smith |
| Publisher | : Routledge |
| Total Pages | : 252 |
| Release | : 2015-11-19 |
| Genre | : Social Science |
| ISBN | : 131763439X |
Examining the interdependent nature of substance, space, and subjectivity, this book constitutes an interdisciplinary analysis of the intoxication indigenous to what has been termed "our narcotic modernity." The first section – Drug/Culture – demonstrates how the body of the addict and the social body of the city are both inscribed by "controlled" substance. Positing addiction as a "pathology (out) of place" that is specific to the (late-)capitalist urban landscape, the second section – Dope/Sick – conducts a critique of the prevailing pathology paradigm of addiction, proposing in its place a theoretical reconceptualization of drug dependence in the terms of "p/re/in-scription." Remapping the successive stages or phases of our narcotic modernity, the third section – Narco/State – delineates three primary eras of narcotic modernity, including the contemporary city of "safe"/"supervised" consumption. Employing an experimental, "intra-textual" format, the fourth section – Brain/Disease – mimics the sense, state or scape of intoxication accompanying each permutation of narcotic modernity in the interchangeable terms of drug, dream and/or disease. Tracing the parallel evolution of "addiction," the (late-)capitalist cityscape, and the pathological project of modernity, the four parts of this book thus together constitute a users’ guide to urban space.
| Author | : Matthew Vest |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 275 |
| Release | : 2023-07-21 |
| Genre | : Philosophy |
| ISBN | : 1666747181 |
Ethics Lost in Modernity: Reflections on Wittgenstein and Bioethics turns to the philosopher Ludwig Wittgenstein as a guide to understand the immense success—yet great danger—of bioethics. Matthew Vest traces the story of bioethics since its inception in the late 1960s as a way to uncover a number of hidden assumptions within modern ethics that relies upon scientific theorizing as the fundamental way of thinking. Autonomy and utilitarianism, in particular, are two nearly unquestioned goals of scientific theorizing that are easily accessible, but at what cost? Vest argues that such an ethics enacts a thin moral calculation that runs the risk of enslaving ethics to scientism. Far from the depth of religious ethos and practices of virtue, modern ethics is lost amidst thin ethical theories, enacting a language game that instrumentalizes ethics in service of technological, bureaucratic, and professional end goals. He proposes that true moral living is far from anti–science, but rather is envisioned best when ethics and science are balanced with keen insights from ancient sacred cosmology.
| Author | : Chandra Mukerji |
| Publisher | : Taylor & Francis |
| Total Pages | : 227 |
| Release | : 2016-12-19 |
| Genre | : Social Science |
| ISBN | : 1317578848 |
Winner of the American Sociological Association’s Distinguished Book Award in 2012, Chandra Mukerji offers with this remarkable new book an explanation of the birth and subsequent proliferation of the many strands in the braid of modernity. The journey she takes us on is dedicated to teasing those strands apart, using forms of cultural analysis from the social sciences to approach history with fresh eyes. Faced with the problem of trying to understand what is hardest to see: the familiar, she gains analytic distance and clarity by juxtaposing cultural analysis with history, asking how modernity began and how people conjured into existence the world we now recognize as modern. Part I describes the genesis of key modern social forms: the modern self, communities of strangers, the modern state, and the industrial world economy. Part II focuses on modern social types: races, genders, and childhood. Part III focuses on some of the cultural artifacts and activities of the contemporary world that people have invented and used to cope with the burdens of self-making and to react against the broken promises of modern discourse and the silent injuries of material modernism. Beautifully illustrated with over 100 color photographs in its 10 chapters, MODERNITY REIMAGINED is not just an explanation, an analysis of how modern life came to be, it is also a model for how to do cultural thinking about today’s world.
| Author | : Sumanyu Satpathy |
| Publisher | : Taylor & Francis |
| Total Pages | : 282 |
| Release | : 2023-09-28 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1000932079 |
The advent of print heralded a significant chapter in the history of colonial modernity in South Asia. This book narrates the story of the emergence of a new literary culture, Utkal sahitya or Odia literature, in the context of similar but conflicting linguistic-territorial cultures of Eastern India. The book is the first cross-cultural study of the emergence of a new literary culture in Eastern India with diverse, yet cognate languages in the years between 1866 and 1919. By researching a large corpus of archival material, it traces the emergence of a new literary culture that marked significant departures from traditional practices and understanding of the “literary,” and that was subsequently called, adhunik sahitya and argues that this was facilitated mainly by the formation of a public sphere in tandem with the rapid growth of educated print-public. While the phenomenon was by no means unique to Odia, the study identifies several local factors that were distinctive about its literary sphere by looking at its imbrication with sister linguistic cultures. It traces how, under political compulsions, a new intellectual class of Odias used agents of modernity such as print, education, new sciences, travel and communication etc. to forge a new aesthetic without completely breaking with the past. It examines the role that the Odia periodical press played, and traces the course it took from the time of its emergence from local political compulsions to the defining and broadening of the scope and limits of the question of the literary. It investigates the shifting and mutating dispositions of the newly emerged Odia print culture and public sphere while highlighting major concerns such as linguistic identity, historiography, literary histories, and canon formation as well as pioneering and consolidating new aesthetic forms. This book will be an important addition to the growing body of scholarship on literary cultures of multilingual India. Rich in archival work, this book will be of interest to students and researchers of literary history, cultural history, cultural studies, literature, literary history, literary and critical theory, and languages of Asia.
