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Towards a Poetics of Postmodern Drama

Towards a Poetics of Postmodern Drama
Author: Mufti Mudasir
Publisher: Cambridge Scholars Publishing
Total Pages: 135
Release: 2014-06-26
Genre: Performing Arts
ISBN: 1443862932

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The book is a study of Harold Pinter and Tom Stoppard, arguably the two most eminent British playwrights of the past sixty years or so, from a perspective of what it describes as a poetics of postmodern drama. Arguing for the application of Linda Hutcheon’s model of postmodernism to the study of drama, Towards a Poetics of Postmodern Drama shows that postmodern drama should be seen as a self-consciously contradictory and double-coded phenomenon, one which simultaneously inscribes and subverts the conventional categories of dramatic representation. In spite of its indebtedness to Beckett’s Absurdist and Brecht’s Epic theaters, postmodern drama should not be conflated with either. This is primarily because postmodern drama retains a critical edge towards contemporary reality in a manner which Hutcheon very aptly terms as a ‘complicitous critique’. The book demonstrates that both Pinter and Stoppard are pre-eminently postmodern in their treatment of issues such as the human subject, the notion of truth, historical verifiability and linguistic reference. Pinter’s preoccupation with non-referential modes of language-use, the role of power in the construction of the subject, and unreliable memories is as potent a way of disrupting the representational status of drama as Stoppard’s repeated recourse to devices such as parody, theater-within-theater and the fictional treatment of history.


A Poetics of Postmodernism

A Poetics of Postmodernism
Author: Linda Hutcheon
Publisher: Routledge
Total Pages: 288
Release: 2003-09-02
Genre: Literary Criticism
ISBN: 1134986270

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First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.


The Late Harold Pinter

The Late Harold Pinter
Author: Basil Chiasson
Publisher: Springer
Total Pages: 248
Release: 2017-08-09
Genre: Performing Arts
ISBN: 1137508167

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This volume is the first to provide a book-length study of Pinter’s overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter’s later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinter’s later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics.


W.H. Auden

W.H. Auden
Author: R. Emig
Publisher: Springer
Total Pages: 237
Release: 1999-10-28
Genre: Literary Criticism
ISBN: 0230286976

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This study reads Auden's poetry and plays through the shifts from modernism to postmodernism. It analyses the experiments in Auden's writings for their engagement with crucial contemporary problems: that of the individual in relation to others, loved ones, community, society, but also transcendental truths. It shows that rather than providing firm answers, Auden's poetry emphasises the absence of certainties. Yet far from becoming nihilistic, it generates hope, affection, and most importantly an ethical challenge of responsibility out of its discoveries.


Eroding the Language of Freedom

Eroding the Language of Freedom
Author: Farah Ali
Publisher: Routledge
Total Pages: 263
Release: 2017-09-18
Genre: Performing Arts
ISBN: 1351625551

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Let down by the uncertainties of memory, language, and their own family units, the characters in Harold Pinter’s plays endure persistent struggles to establish their own identities. Eroding the Language of Freedom re-examines how identity is shaped in these plays, arguing that the characters’ failure to function as active members of society speaks volumes to Pinter’s ideological preoccupation with society’s own inadequacies. Pinter described himself as addressing the state of the world through his plays, and in the linguistic games, emotional balancing acts, and recurring scenarios through which he put his characters, readers and audiences can see how he perceived that world.


Edward Albee and Absurdism

Edward Albee and Absurdism
Author:
Publisher: BRILL
Total Pages: 244
Release: 2017-01-05
Genre: Literary Criticism
ISBN: 9004324968

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In Edward Albee and Absurdism, Michael Y. Bennett has assembled an outstanding team of Edward Albee scholars to address Albee’s affiliation with Martin Esslin’s label, “Theatre of the Absurd,” examining whether or not this label is appropriate.


Thornton Wilder in Collaboration

Thornton Wilder in Collaboration
Author: Jackson R. Bryer
Publisher: Cambridge Scholars Publishing
Total Pages: 389
Release: 2018-12-17
Genre: Literary Criticism
ISBN: 1527523640

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The essays in this volume evolved from papers presented at the Second International Thornton Wilder Conference, held at Salve Regina University in Newport, Rhode Island, in June 2015. They examine Wilder’s work as both playwright and novelist, focusing upon how he drew on the collaborative mode of creativity required in the theatre, when writing both drama and fiction. The book’s authors use the term “collaboration” in its broadest sense, at times in response to Wilder’s critics who faulted him for “borrowing” from other, earlier, literary works rather than recognizing these “borrowings” as central to the artistic process of collaboration. In exploring Wilder’s collaborative efforts of different kinds, the essays not only consider how Wilder worked with and revised earlier literary texts and the ideas central to those texts, but also analyze how Wilder worked with and inspired other creative individuals and how recent productions of Wilder’s plays, both in the US and abroad, have been the products of unique forms of collaboration.


Drama and the Postmodern

Drama and the Postmodern
Author:
Publisher: Cambria Press
Total Pages: 394
Release:
Genre:
ISBN: 162196938X

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Towards a Poetics of Creative Writing

Towards a Poetics of Creative Writing
Author: Dominique Hecq
Publisher: Multilingual Matters
Total Pages: 256
Release: 2015
Genre: Language Arts & Disciplines
ISBN: 1783093226

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This book offers an in-depth study of the poetics of creative writing as a subject in the dramatically changing context of practice as research, taking into account the importance of the subjectivity of the writer as researcher. It explores creative writing and theory while offering critical antecedents, theoretical directions and creative interchanges. The book narrows the focus on psychoanalysis, particularly with regard to Lacan and creative practice, and demonstrates that creative writing is research in its own right. The poetics at stake neither denotes the study or the techniques of poetry, but rather the means by which writers formulate and discuss attitudes to their work.


Poetics and Politics

Poetics and Politics
Author: Toni Bernhart
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 288
Release: 2018-08-21
Genre: Language Arts & Disciplines
ISBN: 3110536692

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Far from teleological historiography, the pan-European perspective on Early Modern drama offered in this volume provides answers to why, how, where and when the given phenomena of theatre appear in history. Using theories of circulation and other concepts of exchange, transfer and movement, the authors analyze the development and differentiation of European secular and religious drama, within the disciplinary framework of comparative literature and the history of literature and concepts. Within this frame, aspects of major interest are the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational dispositions within the artefacts or genres they belong to, as well as strategies of functionalization in the context of a given part of the cultural net. Contributions cover a broad range of topics, including poetics of Early Modern Drama; political, institutional and social practices; history of themes and motifs (Stoffgeschichte); history of genres/cross-fertilization between genres; textual traditions and distribution of texts; questions of originality and authorship; theories of circulation and net structures in Drama Studies.