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| Author | : David Griffiths |
| Publisher | : Routledge |
| Total Pages | : 128 |
| Release | : 2005-07-08 |
| Genre | : Performing Arts |
| ISBN | : 1135304807 |
First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Jordan Fenton |
| Publisher | : Boydell & Brewer |
| Total Pages | : 397 |
| Release | : 2022 |
| Genre | : Masquerades |
| ISBN | : 1648250262 |
Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".
| Author | : Jordan Fenton |
| Publisher | : Boydell & Brewer |
| Total Pages | : 397 |
| Release | : 2022 |
| Genre | : Masquerades |
| ISBN | : 1648250262 |
Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".
| Author | : Augustine O. Onyeneke |
| Publisher | : |
| Total Pages | : 166 |
| Release | : 1987 |
| Genre | : Dance |
| ISBN | : |
| Author | : Kathy Adinma |
| Publisher | : Xlibris Corporation |
| Total Pages | : 26 |
| Release | : 2014-10-15 |
| Genre | : |
| ISBN | : 9781499069600 |
| Author | : George Onyeke |
| Publisher | : |
| Total Pages | : 292 |
| Release | : 1990 |
| Genre | : Christianity and culture |
| ISBN | : |
| Author | : S. Aderinto |
| Publisher | : Springer |
| Total Pages | : 359 |
| Release | : 2015-05-05 |
| Genre | : History |
| ISBN | : 1137492937 |
This book brings together the newest and the most innovative scholarship on Nigerian children—one of the least researched groups in African colonial history. It engages the changing conceptions of childhood, relating it to the broader themes about modernity, power, agency, and social transformation under imperial rule.
| Author | : Phillip B. Zarrilli |
| Publisher | : Routledge |
| Total Pages | : 416 |
| Release | : 2005-06-28 |
| Genre | : Performing Arts |
| ISBN | : 1134575432 |
Acting (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present. The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as: * how we think and talk about acting * acting and emotion * the actor's psychophysical process * the body and training * the actor in performance * non-Western and cross-cultural paradigms of the body, training and acting. Acting (Re)Considered is vital reading for all those interested in performance.
| Author | : Nwanna Nzewunwa |
| Publisher | : |
| Total Pages | : 542 |
| Release | : 1983 |
| Genre | : Festivals |
| ISBN | : |
| Author | : David Griffiths |
| Publisher | : Routledge |
| Total Pages | : 100 |
| Release | : 2014-06-03 |
| Genre | : Performing Arts |
| ISBN | : 1317972015 |
First Published in 1998. This is the second volume of Mask: A Release if Acting Resources, and David Griffiths provides a detailed and sensitive view of the Japanese Noh theatre: historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the rigorous practicalities of Noh training. The latter is given particular authority and insight because of the access Griffiths had to Noh actors in training and performance. Greatly enhanced with the author's illustrations, this volume gives one of the most accessible introductions to Noh that is available in English. Appended to the descriptive and analytic material is a short play, The Dove, written by Griffiths (and subsequently professionally performed) described as 'unashamedly' acknowledging its Noh influence. This one-woman price is a sensitive and evocative drama with subtle references to its cultural source. Is potential as an exercise in mask work is excellent.
