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Tonality in Modern Music (Classic Reprint)

Tonality in Modern Music (Classic Reprint)
Author: Rudolph Reti
Publisher: Forgotten Books
Total Pages: 196
Release: 2017-07-27
Genre: Music
ISBN: 9780282630751

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Excerpt from Tonality in Modern Music The following study was written within a few months. But its content developed as the result of almost a life time's search. Thus a few words about the idea which motivated the search may be justified. This book is meant as a plea and stimulation for that part of the contemporary compositional endeavour which is outspokenly modern in style, perhaps even radically modern, yet at the same time attempts to retain and renew the vitality of expression and human appeal that always characterized great music. In this sense the book may find itself somewhat in opposition to compositional manifesta tions derived from the concept of atonality and some tech niques affiliated with it. But it will also, and perhaps even more strongly, be in Opposition to those contrary tenden cies that seek a solution in aesthetic eclecticism, in the necessarily futile attempt to fill old shells with artistic life. Instead, the book will set up an artistic goal of its own, neither tied to the rigidity of a new structural scheme, nor directed towards musical formations of the past. Though, therefore, the impulse behind the following deductions is an aesthetic and spiritual one, the presentation of this im pulse may often inevitably assume a technical character. However, the reader will understand that the technical terms are merely formulations through which ln the musi eiau's vernacular the artistic and human ideas, which are the real issue in this study, can be more accurately de scribed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Tonality in Modern Music

Tonality in Modern Music
Author: Rudolph Reti
Publisher: New York : Collier Books
Total Pages: 200
Release: 1962
Genre: Atonality
ISBN:

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Originally appeared under the title : Tonality, atonality, pantonality.


TONALITY IN MODERN MUSIC

TONALITY IN MODERN MUSIC
Author: RUDOLPH. RETI
Publisher:
Total Pages: 0
Release: 2018
Genre:
ISBN: 9781033360910

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A Primer of Modern Musical Tonality

A Primer of Modern Musical Tonality
Author: J. H. Cornell
Publisher: Forgotten Books
Total Pages: 108
Release: 2016-09-30
Genre: Music
ISBN: 9781333796907

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Excerpt from A Primer of Modern Musical Tonality: Intended for Self-Study, as an Introduction to the Study of Harmony By a double vibration is meant the complete excursion - say of a sound ing string - backwards and forwards, just as the movement of a pendulum to the right and back to the left, or vice-versa, constitutes a complete or double oscillation. The word vibration is used by English-speaking writers in the complete sense by the French and Germans, however. Generally in the sense of a single vibration. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Tonality in Modern Music

Tonality in Modern Music
Author: Rudolph 1885-1957 Reti
Publisher: Hassell Street Press
Total Pages: 202
Release: 2021-09-09
Genre:
ISBN: 9781013731167

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


A Generative Theory of Tonal Music, reissue, with a new preface

A Generative Theory of Tonal Music, reissue, with a new preface
Author: Fred Lerdahl
Publisher: MIT Press
Total Pages: 385
Release: 1996-06-03
Genre: Music
ISBN: 026262107X

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A search for a grammar of music with the aid of generative linguistics. This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.


The Languages of Western Tonality

The Languages of Western Tonality
Author: Eytan Agmon
Publisher: Springer Science & Business Media
Total Pages: 295
Release: 2013-11-29
Genre: Computers
ISBN: 3642395872

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Tonal music, from a historical perspective, is far from homogenous; yet an enduring feature is a background "diatonic" system of exactly seven notes orderable cyclically by fifth. What is the source of the durability of the diatonic system, the octave of which is representable in terms of two particular integers, namely 12 and 7? And how is this durability consistent with the equally remarkable variety of musical styles — or languages — that the history of Western tonal music has taught us exist? This book is an attempt to answer these questions. Using mathematical tools to describe and explain the Western musical system as a highly sophisticated communication system, this theoretical, historical, and cognitive study is unprecedented in scope and depth. The author engages in intense dialogue with 1000 years of music-theoretical thinking, offering answers to some of the most enduring questions concerning Western tonality. The book is divided into two main parts, both governed by the communicative premise. Part I studies proto-tonality, the background system of notes prior to the selection of a privileged note known as "final." After some preliminaries that concern consonance and chromaticism, Part II begins with the notion "mode." A mode is "dyadic" or "triadic," depending on its "nucleus." Further, a "key" is a special type of "semi-key" which is a special type of mode. Different combinations of these categories account for tonal variety. Ninth-century music, for example, is a tonal language of dyadic modes, while seventeenth-century music is a language of triadic semi-keys. While portions of the book are characterized by abstraction and formal rigor, more suitable for expert readers, it will also be of value to anyone intrigued by the tonal phenomenon at large, including music theorists, musicologists, and music-cognition researchers. The content is supported by a general index, a list of definitions, a list of notation used, and two appendices providing the basic mathematical background.


Historical Dictionary of Modern and Contemporary Classical Music

Historical Dictionary of Modern and Contemporary Classical Music
Author: Nicole V. Gagné
Publisher: Scarecrow Press
Total Pages: 394
Release: 2011-09-16
Genre: Music
ISBN: 081087962X

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In the last decade of the 19th century, modernist sensibilities reached a critical mass and emerged more frequently in music as composers began employing dissonance, polyrhythm, atonality, and densities. Conversely, many 20th-century composers eschewed modernist devices and wrote accessible works in a tonal idiom, which drew chiefly on classical, romantic, and folk models. Then the postmodern sensibility followed, with its enthusiasm for the unprecedented availability of virtually every type of music, and it engendered numerous sub-groups, including multiculturalism, minimalism, multimedia, and free improvisation. Historical Dictionary of Modern and Contemporary Classical Music focuses on modernist and postmodern classical music worldwide from 1890 to the present. This is done through a chronology, an introductory essay, an extensive bibliography, and over 400 cross-referenced dictionary entries, with more than 60 entries explaining the methods, styles, and acoustic and electronic media peculiar to new music, and over 350 entries giving essential information on the lives and work of the people who have composed and performed that music. Those entries also include pop, jazz, and rock composer/musicians whose work either overlaps the realm of classical music or else is so radical within its own field that it merits discussion in this context. This book is a must for anyone, musician or non-musician, student or professional, who seeks to research and learn more about any significant aspect of modern and contemporary classical music worldwide.


Tonal Pitch Space

Tonal Pitch Space
Author: Fred Lerdahl
Publisher: Oxford University Press
Total Pages: 430
Release: 2004-12-09
Genre: Music
ISBN: 0195346378

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Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists.