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| Author | : Abigail G. Mullen |
| Publisher | : JHU Press |
| Total Pages | : 251 |
| Release | : 2024-08-06 |
| Genre | : History |
| ISBN | : 1421449269 |
"This work provides a new history of the First Barbary War, a conflict that, in its political and diplomatic aspects, planted the seeds for the United States' ascent to a global superpower"--
| Author | : Christopher J. Gilbert |
| Publisher | : Penn State Press |
| Total Pages | : 262 |
| Release | : 2021-05-27 |
| Genre | : Literary Criticism |
| ISBN | : 027108992X |
According to the popular maxim, a nation at war reveals its true character. In this incisive work, Chris Gilbert examines the long history of US war politics through the lens of political cartoons to provide new, unique insights into American cultural identity. Tracing the comic representation of American values from the First World War to the War on Terror, Gilbert explores the power of humor in caricature to expose both the folly in jingoistic virtues and the sometimes-strange fortune in nationalistic vices. He examines the artwork of four exemplary American cartoonists—James Montgomery Flagg, Dr. Seuss, Ollie Harrington, and Ann Telnaes—to craft a trenchant image of Americanism. These examinations animate the rhetorical, and indeed comic, force of icons like Uncle Sam, national symbols like the American Eagle, political stooges like President Donald J. Trump, and more, as well as the power of political cartoons to comment on issues of race, class, and gender on the home front. Throughout, Gilbert portrays a US culture rooted in and riven by ideas of manifest destiny, patriotism, and democracy for all, yet plagued by ugly forms of nationalism, misogyny, racism, and violence. Rich with examples of hilarious and masterfully drawn caricatures from a diverse range of creators, this unflinching look at the evolution of our conflicted national character illustrates how American cartoonists use farce, mockery, and wit to put national character in the comic looking glass.
| Author | : Ernest Barker |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 1927 |
| Genre | : |
| ISBN | : |
| Author | : Richard Wildman |
| Publisher | : |
| Total Pages | : 482 |
| Release | : 1850 |
| Genre | : International law |
| ISBN | : |
| Author | : District of Columbia. Board of Trustees of Public Schools |
| Publisher | : |
| Total Pages | : 154 |
| Release | : 1865 |
| Genre | : Education |
| ISBN | : |
| Author | : William Tarn Pritchard |
| Publisher | : |
| Total Pages | : 776 |
| Release | : 1854 |
| Genre | : Admiralty |
| ISBN | : |
| Author | : United States. Supreme Court |
| Publisher | : |
| Total Pages | : 864 |
| Release | : 1882 |
| Genre | : Law reports, digests, etc |
| ISBN | : |
| Author | : Marina Gržinić |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 578 |
| Release | : 2019-11-25 |
| Genre | : Social Science |
| ISBN | : 1527543927 |
This volume gathers together reflections on racism and nationalism, empowerment and futurity. It focuses on collective amnesia in regards to traumatic events of the European past and the ways in which memory and history are presented for the future. The essays cover and oppose the seemingly disparate genocides committed during Belgian colonialism, Austrian antisemitism and turbo-nationalism in “Republika Srpska” (Bosnia and Herzegovina), implying by no means a homogenization of the experiences. What connects these historical situations is the fact that, despite available documents, to this very day, nation-states are built on practices of oblivion regarding their past. This volume is indispensable for theoreticians, philosophers, and historians, as well as the general public. It expresses the demand to critically question our inherited knowledge and to rethink the past for a new future of conviviality.
| Author | : Paul Peppis |
| Publisher | : Cambridge University Press |
| Total Pages | : 258 |
| Release | : 2000-02-10 |
| Genre | : History |
| ISBN | : 9780521662383 |
Accounts of the 'historical avant-garde' and of 'high modernism' often celebrate the former for its revolutionary aesthetics or denigrate the latter for its 'proto-fascist' politics. In Literature, Politics and the English Avant-Garde, Paul Peppis shows how neither interpretation explains the writings of avant-gardists in early twentieth-century England. Peppis reads texts by writers such as Ford Madox Ford, Wyndham Lewis, Dora Marsden, and Ezra Pound alongside English political discourse between the death of Victoria and the end of the Great War. He traces the impact of nation and empire on the avant-garde, arguing that Vorticism, England's foremost avant-garde movement, used nationalism to advance literature and avant-garde literature to advance empire. Peppis's study demonstrates that these ambitions were enabled by a period conception of nationality as an essence and construct. By recovering these neglected aspects of avant-garde politics, Peppis's book opens important avenues for assessing modernist politics after the war.
| Author | : José Honório Rodrigues |
| Publisher | : University of Texas Press |
| Total Pages | : 215 |
| Release | : 2014-09-10 |
| Genre | : History |
| ISBN | : 1477302905 |
Brazil has long been a country in search of its own meaning and mission. Early in their history Brazilians began to puzzle over their surroundings and their relation to them. The eighteenth century produced an entire school of nativistic writers who, with the advent of independence, became fiery nationalists, still pursuing introspective studies of their homeland. Throughout the nineteenth century, the intellectuals of Brazil determined to define their nation, its character, and its aspirations. In this now well-established tradition, José Honório Rodrigues confronts the questions of who and what the Brazilian is, what Brazil stands for, where it has been, and where it is going. This study, originally published in Portuguese as Aspirações nacionais, was especially timely at a period when strong feelings of nationalism led Brazilians to seek to define their own image, and when the revolution of rising expectations disposed them to determine what goals they were seeking and how far they were on the road to achieving them. In order to understand and explain his nation, Rodrigues poses two questions: what are the national characteristics, and what are the national aspirations? Both questions are complex, but the reader will find well-reasoned answers, with a wealth of information on growth and development and abundant statistics to substantiate these answers.
