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Titian's Portraits through Aretino's Lens

Titian's Portraits through Aretino's Lens
Author:
Publisher: Penn State Press
Total Pages: 240
Release:
Genre: Art
ISBN: 9780271044255

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After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.


A Companion to Pietro Aretino

A Companion to Pietro Aretino
Author: Marco Faini
Publisher: BRILL
Total Pages: 622
Release: 2021-08-16
Genre: Literary Criticism
ISBN: 9004465197

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An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.


Aretino's Satyr

Aretino's Satyr
Author: Raymond B. Waddington
Publisher: University of Toronto Press
Total Pages: 372
Release: 2004-01-01
Genre: Literary Criticism
ISBN: 9780802088147

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Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.


Titian

Titian
Author: Mark Hudson
Publisher: Bloomsbury Publishing USA
Total Pages: 321
Release: 2010-10-01
Genre: Biography & Autobiography
ISBN: 080271966X

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Towards the end of his life Titian didn't finish his paintings. The elderly artist kept them in his studio, never quite completing them, as though wanting to endlessly postpone the moment of letting go. Created with the fingers as much as the brush, Titian's last paintings are imbued with a sense of final, desperate effort - a rawness and immediacy that weren't to be seen again in art for centuries. But what did Titian, who experienced as much in the way of material success as any artist before or since, mean by these works? Are they a harrowing, final testament or simply a collection of unfinished paintings? In the outbreak of plague that finally killed him, Titian's studio was looted, and many paintings taken. What happened to them is not known. This book is a quest - a journey through Titian's life and work, towards the physical and spiritual landscape of his last paintings. Looking at Titian's relationships with his artistic rivals, his patrons - including popes, kings and emperors - and his troubled dealings with his own family, the narrative moves from the artist's hometown in the Dolomites to the greatest churches and palaces of the age. Parallel with these physical travels is a journey through the paintings, following the glittering trajectory of Titian's life and career, the remorseless formal development that led to the breakthroughs of his last days. Titian: The Last Days is an exploratory history of the artist and his world that vividly recreates the atmosphere of sixteenth-century Venice and Europe, a narrative in which the search for the subject becomes part of the subject itself. The result is a brilliant and compelling study of one of Europe's greatest artists that is at once passionate, engaging and deeply personal.


Titian

Titian
Author: Tom Nichols
Publisher: Reaktion Books
Total Pages: 257
Release: 2013-11-15
Genre: Art
ISBN: 1780232276

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Titian is best known for paintings that embodied the tradition of the Venetian Renaissance—but how Venetian was the artist himself? In this study, Tom Nichols probes the tensions between the individualism of Titian’s work and the conservative mores of the city, showing how his art undermined the traditional self-suppressing approach to painting in Venice and reflected his engagement with the individualistic cultures emerging in the courts of early modern Europe. Ranging widely across Titian’s long career and varied works, Titian and the End of the Venetian Renaissance outlines his radical innovations to the traditional Venetian altarpiece; his transformation of portraits into artistic creations; and his meteoric breakout from the confines of artistic culture in Venice. Nichols explores how Titian challenged the city’s communal values with his competitive professional identity, contending that his intensely personalized way of painting resulted in a departure that effectively brought an end to the Renaissance tradition of painting. Packed with 170 illustrations, this groundbreaking book will change the way people look at Titian and Venetian art history.


Titian

Titian
Author: Georg Gronau
Publisher:
Total Pages: 456
Release: 1904
Genre: Art, High Renaissance
ISBN:

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Titian's Touch

Titian's Touch
Author: Maria H. Loh
Publisher: Reaktion Books
Total Pages: 289
Release: 2019-06-10
Genre: Art
ISBN: 1789141095

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At the end of his long, prolific life, Titian was rumored to paint directly on the canvas with his bare hands. He would slide his fingers across bright ridges of oil paint, loosening the colors, blending, blurring, and then bringing them together again. With nothing more than the stroke of a thumb or the flick of a nail, Titian’s touch brought the world to life. The clinking of glasses, the clanging of swords, and the cry of a woman’s grief. The sensation of hair brushing up against naked flesh, the sudden blush of unplanned desire, and the dry taste of fear in a lost, shadowy place. Titian’s art, Maria H. Loh argues in this exquisitely illustrated book, was and is a synesthetic experience. To see is at once to hear, to smell, to taste, and to touch. But while Titian was fully attached to the world around him, he also held the universe in his hands. Like a magician, he could conjure appearances out of thin air. Like a philosopher, his exploration into the very nature of things channelled and challenged the controversial ideas of his day. But as a painter, he created the world anew. Dogs, babies, rubies, and pearls. Falcons, flowers, gloves, and stone. Shepherds, mothers, gods, and men. Paint, canvas, blood, sweat, and tears. In a series of close visual investigations, Loh guides us through the lush, vibrant world of Titian’s touch.


Titian

Titian
Author: Joseph Archer Crowe
Publisher:
Total Pages: 582
Release: 1881
Genre: Painters
ISBN:

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The Viewer as Poet: The Renaissance Response to Art

The Viewer as Poet: The Renaissance Response to Art
Author:
Publisher: Penn State Press
Total Pages: 246
Release: 1994
Genre:
ISBN: 9780271042374

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In The Viewer as Poet, Norman Land provides the first comprehensive survey of ekphrasis in literature and art criticism from antiquity through the Renaissance. Land demonstrates, more fully than anyone has so far, that Renaissance art criticism assimilated the poetic tradition of ekphrasis while maintaining its function of analyzing works of art. Broadly speaking, the book shows that purely literary descriptions of art in poetry and prose contain a response like that found in art-critical ekphrasis. This is true in both antiquity and the Renaissance. The response to art in the elder Philostratus's Imagines, for example, is like that found in the descriptions of Apuleius and Lucian. Later Dante, Boccaccio, and Poliziano, among others, respond to imaginary works of art in their poetry in much the same way that Lorenzo Ghiberti, Aretino, and Vasari respond to real works in their writings. Land offers for the first time a synthetic description of the Renaissance response to, or experience of, art as embodied in literature, including art criticism. This book will form the basis for a deeper understanding of Renaissance art than we have now, for it provides not only a tool for viewing works of art as they were originally seen and experienced--that is, from a historical perspective--but also an outline of the tradition out of which modern writings about art grew.


Titian: His Life and Times

Titian: His Life and Times
Author: Joseph Archer Crowe
Publisher:
Total Pages: 610
Release: 1877
Genre:
ISBN:

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