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Time Detectives : Bringing the Past to Life

Time Detectives : Bringing the Past to Life
Author: Scholastic Canada, Limited
Publisher: Markham, Ont. : Scholastic
Total Pages: 48
Release: 1999-01-01
Genre: Readers (Elementary)
ISBN: 9781552681374

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Time Detectives

Time Detectives
Author: Brian Fagan
Publisher: Simon and Schuster
Total Pages: 304
Release: 1996-03-15
Genre: Philosophy
ISBN: 0684818280

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Reports on some notable archaeological finds of recent years. The author describes how today's archaeologists use science and technology to recapture the past, for instance, by studying ancient diets from bone collagen and reconstructing lost landscapes from fossilized seeds and grains.


Time Detectives

Time Detectives
Author:
Publisher:
Total Pages: 76
Release: 1996
Genre: Archaeology
ISBN: 9780590547703

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Time Detectives

Time Detectives
Author:
Publisher:
Total Pages: 0
Release: 1996
Genre: Language arts (Elementary)
ISBN: 9780590548069

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Time Detectives

Time Detectives
Author: Scholastic Inc
Publisher:
Total Pages: 128
Release: 1996
Genre: Language arts (Elementary)
ISBN: 9780590548069

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The Figure of the Detective

The Figure of the Detective
Author: Charles Brownson
Publisher: McFarland
Total Pages: 217
Release: 2014-01-16
Genre: Literary Criticism
ISBN: 0786477695

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This book begins with a history of the detective genre, coextensive with the novel itself, identifying the attitudes and institutions needed for the genre to emerge in its mature form around 1880. The theory of the genre is laid out along with its central theme of the getting and deployment of knowledge. Sherlock Holmes, the English Classic stories and their inheritors are examined in light of this theme and the balance of two forms of knowledge used in fictional detection--cool or rational, and warm or emotional. The evolution of the genre formula is driven by changes in the social climate in which it is embedded. These changes explain the decay of the English Classic and its replacement by noir, hardboiled and spy stories, to end in the cul-de-sac of the thriller and the nostalgic Neo-Classic. Possible new forms of the detective story are suggested.


Library of the World's Best Mystery and Detective Stories: French-Italian-Spanish-Latin: Maupassant, Mille, Adam, Erckmann-Chatrian, Balzac, Voltaire, Alarcon, Capuana, Apulcius, Pliny, the Younger

Library of the World's Best Mystery and Detective Stories: French-Italian-Spanish-Latin: Maupassant, Mille, Adam, Erckmann-Chatrian, Balzac, Voltaire, Alarcon, Capuana, Apulcius, Pliny, the Younger
Author: Julian Hawthorne
Publisher:
Total Pages: 318
Release: 1908
Genre: Detective and mystery stories
ISBN:

Download Library of the World's Best Mystery and Detective Stories: French-Italian-Spanish-Latin: Maupassant, Mille, Adam, Erckmann-Chatrian, Balzac, Voltaire, Alarcon, Capuana, Apulcius, Pliny, the Younger Book in PDF, ePub and Kindle


A Gentleman's Murder

A Gentleman's Murder
Author: Christopher Huang
Publisher: Inkshares
Total Pages: 352
Release: 2018-07-31
Genre: Fiction
ISBN: 1942645953

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Featuring a half-Chinese detective protagonist, A GENTLEMAN'S MURDER is a must for those who love mysteries and reads like a Christie-esque whodunit with a modern eye toward the historical treatment of Chinese veterans and post-war racism.


Choice in Charles Dickens's Later Novels

Choice in Charles Dickens's Later Novels
Author: Keith Easley
Publisher: BRILL
Total Pages: 300
Release: 2023-06-19
Genre: Literary Criticism
ISBN: 9004543724

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We read the book, and the book is reading us. In his later novels, Charles Dickens uses the interaction between characters and their audiences within the fiction to dramatise his growing understanding of the pivotal role of spectatorship and choice in a more democratic society. Egotists of all stripes, intent on bending the world to their singular will, would appropriate the power of spectatorship by taking command of the detachment necessary for choice. Dickens’s pluralistic art of sameness and difference redefines that detachment, and liberates choice both inside and outside the novels, for the relationship between characters and their audiences within the narratives actually inscribes our own relationship with them in the performance of reading, a reflective doubling of the fiction upon the reader across time with moral consequences for our spectatorship of our own lives.