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Four Quartets

Four Quartets
Author: T. S. Eliot
Publisher: HarperCollins
Total Pages: 65
Release: 2014-03-10
Genre: Poetry
ISBN: 0547539703

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The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.


Redeeming Time

Redeeming Time
Author: Kenneth Paul Kramer
Publisher: Cowley Publications
Total Pages: 332
Release: 2007-05-15
Genre: Literary Criticism
ISBN: 1461635888

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This exploration of T. S. Eliot's last major poem, Four Quartets, examines the poem’s potential to transform readers’ faith journeys. Kramer shows that the power of Four Quartets is its ability to create a dynamic interaction between the poem and the reader that promotes a genuine connection with the natural world, with others, and with the Divine.


T. S. Eliot, Anti-Semitism, and Literary Form

T. S. Eliot, Anti-Semitism, and Literary Form
Author: Anthony Julius
Publisher: CUP Archive
Total Pages: 324
Release: 1995
Genre: Literary Criticism
ISBN: 9780521586733

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Julius's critically acclaimed study (looking both at the detail of Eliot's deployment of anti-Semitic discourse and at the role it played in his greater literary undertaking) has provoked a reassessment of Eliot's work among poets, scholars, critics and readers, which will invigorate debate for some time to come.


Dove Descending

Dove Descending
Author: Thomas Howard
Publisher: Sapienta Classics
Total Pages: 156
Release: 2006
Genre: Literary Criticism
ISBN:

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T.S. Eliot is widely considered the most important and most influential poet of the 20th century. Many consider Four Quartets to be the finest of his poems and his greatest achievement. In this masterful journey into the beauties and depths of Eliot's masterpiece, the bestselling author, professor and critic Thomas Howard unravels the complexities of the sublime poem with such adept adroitness that even its most difficult passages spring to life. During his long years as a professor teaching English and Literature, Howard taught this poem often, and developed what he calls "a reading" approach to the concepts of this masterpiee to render its meaning more lucid for the reader. Therefore, this is not a "scholarly" work, but rather the brilliant insights of a master teacher and writer whose understanding of this profound poem and his deep love for the writing of Eliot are shared here for the great benefit of the reader.


Time and T.S. Eliot

Time and T.S. Eliot
Author: Jitendra Kumar Sharma
Publisher: Vantage Press
Total Pages: 234
Release: 1985
Genre: Literary Criticism
ISBN:

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Time in the Poetry of T. S. Eliot

Time in the Poetry of T. S. Eliot
Author: Nancy K. Gish
Publisher: Springer
Total Pages: 158
Release: 1981-06-18
Genre: Literary Criticism
ISBN: 1349054801

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The Dry Salvages

The Dry Salvages
Author: Thomas Stearns Eliot
Publisher: London : Faber and Faber
Total Pages: 15
Release: 1941
Genre:
ISBN:

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Poems

Poems
Author: Thomas Stearns Eliot
Publisher:
Total Pages: 72
Release: 1920
Genre:
ISBN:

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A collection of poems, some of which had first appeared in Poetry, Blas, Others, The Little Review, and Arts and Letters.


T. S. Eliot’s Ariel Poems

T. S. Eliot’s Ariel Poems
Author: Anna Budziak
Publisher: Routledge
Total Pages: 236
Release: 2021-09-06
Genre: Literary Criticism
ISBN: 1000432068

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T. S. Eliot once stated that the supreme poet "in writing himself, writes his time". In saying that, he honoured Dante and Shakespeare, but this pithy remark fittingly characterises his own work, including The Ariel Poems, with which he promptly and pointedly responded to the problems of his times. Published with unwavering regularity, a poem a year, the Ariels were composed in the period when Eliot was mainly writing prose; and, like his prose, they reverberated with diverse contemporary issues ranging from the revision of the Book of Common Prayer to the translations of Heidegger to the questions of leadership and populism. In order to highlight the poems' historical specificity, this study seeks to outline the constellations of thought connecting Eliot’s poetry and prose. In addition, it attempts to expose the Ariels’ shared arc of meaning, an unobtrusive incarnational metaphor determining the perspective from which they propose an unorthodox understanding of the epoch— an underlying pattern of thought bringing them together into a conceptually discrete set. This is the first study that both universalizes and historicises the series, striving to disclose the regular without suppressing the random. Approaching the series as a system of orderly disorder, the notion very much at home with chaos theory, it suggests new intellectual contexts, offering interpretations that are either fresh, or significantly reangled.


T. S. Eliot, France, and the Mind of Europe

T. S. Eliot, France, and the Mind of Europe
Author: Jayme Stayer
Publisher: Cambridge Scholars Publishing
Total Pages: 270
Release: 2015-09-18
Genre: Literary Criticism
ISBN: 1443883433

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In late 1910, after graduating from Harvard with a master’s degree in philosophy, the young T. S. Eliot headed across the Atlantic for a year of life and study in France, a country whose poets had already deeply affected his sensibility. His short year there was to change him even more decisively, as he rubbed up against the artistic, philosophical, psychological and political currents of early-century Paris. The absorbent mind of Eliot – as shaped by what he later termed “the mind of Europe” – was a node in this interlocking grid of influences. As there is no understanding T. S. Eliot without considering the impact of French art and thought on his development, this volume serves both as a centennial commemoration of Eliot’s year in Paris and as a reconsideration of the role of France and, more widely, Europe, as they bore on his growth as an artist and critic. Most scholarship on Eliot and France has focused on Eliot’s relationship to the nineteenth-century Symbolists and to the philosophy of Henri Bergson. This old frame of reference is broken apart in favor of a much wider field that still takes Paris as its center but reaches across national borders. The volume is divided into two overlapping sections: the first, “Eliot and France,” focuses on French authors and trends that shaped Eliot and on the personal experiences in Paris that are legible in his artistic development. The second section, “Eliot and Europe,” situates Eliot in a broader matrix, including Anglo-French literary theory, evolutionary sociology, and German influences. Contributors include several highly respected names in the field of modernist studies – including Jean-Michel Rabaté, Jewel Spears Brooker, and Joyce Wexler – as well as a number of well-established Eliot scholars. Reflecting multiple perspectives, this volume does not offer a single, revisionist take on French and European influence in Eliot’s work. Rather, it circles back to familiar territory, deepening and complicating the accepted narratives. It also opens up new veins of inquiry from unexpected sources and understudied phenomena, drawing on the recently published letters and essays that are currently remapping the field of Eliot studies.