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| Author | : Gilles Deleuze |
| Publisher | : U of Minnesota Press |
| Total Pages | : 366 |
| Release | : 1986 |
| Genre | : Performing Arts |
| ISBN | : 9780816616770 |
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
| Author | : Deborah Jowitt |
| Publisher | : Univ of California Press |
| Total Pages | : 436 |
| Release | : 1989-01-01 |
| Genre | : Performing Arts |
| ISBN | : 9780520066274 |
"If dance itself is a way of making ideas both visual and visceral, Deborah Jowitt has discovered a literary voice in Time and the Dancing Image in which nineteenth- and twentieth-century thought, in its relation to theatrical dancing, becomes sensuous."--Sally Banes, Cornell University "The most vivid and immediately accessible serious dance book ever written. Anyone from a neophyte to an aficionado will be challenged, enlightened and delighted by Jowitt's clever juxtapositions."--Allen Robertson, Dance Editor, Time Out, London "In this brilliant book Deborah Jowitt has given us a fresh approach to dance history and criticism. Instead of seeing dance in the usual way--isolated in a windowless room, with mirrored walls--she looks to the society in which dance evolved. Using the ideas of contemporary artists and thinkers, she illuminates changing tastes--from the elegant, ethereal sylphs of the 1830s to the agonized characters in the dances today. For her reader, Ms. Jowitt opens both the eyes and the mind to the wonders of a many-faceted art."--Selma Jeanne Cohen, Editor, International Encyclopedia of Dance
| Author | : George Jaroszkiewicz |
| Publisher | : Oxford University Press |
| Total Pages | : 323 |
| Release | : 2016 |
| Genre | : Science |
| ISBN | : 0198718063 |
Provides a broad survey of many of these views, these Images of Time, covering historical, cultural, philosophical, biological, mathematical and physical Images of Time, including classical and quantum mechanics, special and general relativity and cosmology.
| Author | : Zeigam Azizov |
| Publisher | : Herbert von Halem Verlag |
| Total Pages | : 218 |
| Release | : 2020-04-23 |
| Genre | : Philosophy |
| ISBN | : 3869625171 |
The Time of the Image is a philosophical exploration of the notion of ›the image‹ and the relationship between the time and image. It includes the understanding of the image as a temporal object, the place of the thought combined with the mimetic faculty the result of which is the translation of fuzzy aggregates that gives rise to imitations as both artistic and political force of resistance and as a new image of thought. This thesis is a philosophical exploration of the image as technics of access to the world in the age of the proliferation. It poses the question of the understanding of the role of the image in the constitution of the subject. How does the proliferation of the image constitute the subject? The question emerges in the situation of the endless proliferation of images that poses this necessity of the distinction between images used in art and images circulated in the culture industry. The line of the argument emerges from the condition of the image being connected to time: they are temporal objects. The crucial relationship between the image and time provides the possibility for the constitution of the subject. This relationship is recorded in images as the ›recorded memory‹. Images are remnants of time and any constitution is the imitation of what is left out as ›a missing dimension of time‹. As a blend of philosophy, cultural theory, and contemporary art this book is based on the reading of Bernard Stiegler's notion that ›technics precedes thought‹, the human is the product of technics, which leaves the formation (trans-individuation) as an open process. It also involves the re-reading of Husserl's understanding of memory, the question of ›derushage‹ (the first assembly in the process of montage) and the new mimesis. Case studies of Harun Farocki's project entitled Workers Leaving the Factory and Chris Marker's film La Jetée are included to sustain the argument that in the hyper-real world of globalisation imitation became the main force of ›acting out‹.
| Author | : Carolyn Bailey Gill |
| Publisher | : Manchester University Press |
| Total Pages | : 236 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780719058141 |
This fascinating and innovative study explores the lives of people living in early modern Ireland through the books and printed ephemera which they bought, borrowed or stole from others. While the importance of books and printing in influencing the outlook of early modern people is well known, recent years have seen significant changes in our understanding of how writing and print shaped lives, and was in turn shaped by those who appropriated the written word. The author finds that a set of revolutions took place which transformed the lives of the Irish in unexpected ways, and that the rise of writing and the spread of print were central to an understanding of those changes which have previously only been understood to have been the result of conquest and colonisation. This is a book which will be read not only by those interested in the Irish past but by all those who are concerned with the impact of communications media on social change.
| Author | : Keith Moxey |
| Publisher | : Duke University Press |
| Total Pages | : 222 |
| Release | : 2013-06-17 |
| Genre | : Art |
| ISBN | : 0822353695 |
Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
| Author | : Richard V. Francaviglia |
| Publisher | : University of Iowa Press |
| Total Pages | : 252 |
| Release | : 1996-06-01 |
| Genre | : History |
| ISBN | : 1587290715 |
As an archetype for an entire class of places, Main Street has become one of America's most popular and idealized images. In Main Street Revisited, the first book to place the design of small downtowns in spatial and chronological context, Richard Francaviglia finds the sources of romanticized images of this archetype, including Walt Disney's Main Street USA, in towns as diverse as Marceline, Missouri, and Fort Collins, Colorado. Francaviglia interprets Main Street both as a real place and as an expression of collective assumptions, designs, and myths; his Main Streets are treasure troves of historic patterns. Using many historical and contemporary photographs and maps for his extensive fieldwork and research, he reveals a rich regional pattern of small-town development that serves as the basis for American community design. He underscores the significance of time in the development of Main Street's distinctive personality, focuses on the importance of space in the creation of place, and concentrates on popular images that have enshrined Main Street in the collective American consciousness.
| Author | : Gilles Deleuze |
| Publisher | : A&C Black |
| Total Pages | : 377 |
| Release | : 2013-12-19 |
| Genre | : Philosophy |
| ISBN | : 147251260X |
"The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--
| Author | : Erma Bombeck |
| Publisher | : Harper Collins |
| Total Pages | : 292 |
| Release | : 1992-12-05 |
| Genre | : Humor |
| ISBN | : 0061099813 |
"The author tells of her travel experiences around the world, addressing the questions of travelers everywhere." --
| Author | : David Deamer |
| Publisher | : Edinburgh University Press |
| Total Pages | : 400 |
| Release | : 2016-09-08 |
| Genre | : Performing Arts |
| ISBN | : 1474407706 |
Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.
