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Time and Narrative, Volume 1

Time and Narrative, Volume 1
Author: Paul Ricoeur
Publisher: University of Chicago Press
Total Pages: 292
Release: 1990-09-15
Genre: History
ISBN: 9780226713328

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In the first two volumes of this work, Paul Ricoeur examined the relations between time and narrative in historical writing, fiction and theories of literature. This final volume, a comprehensive reexamination and synthesis of the ideas developed in volumes 1 and 2, stands as Ricoeur's most complete and satisfying presentation of his own philosophy.


Time and Narrative, Volume 2

Time and Narrative, Volume 2
Author: Paul Ricoeur
Publisher: University of Chicago Press
Total Pages: 220
Release: 1984
Genre: History
ISBN: 9780226713342

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In the first two volumes of this work, Paul Ricoeur examined the relations between time and narrative in historical writing, fiction and theories of literature. This final volume, a comprehensive reexamination and synthesis of the ideas developed in volumes 1 and 2, stands as Ricoeur's most complete and satisfying presentation of his own philosophy.


Ricoeur on Time and Narrative

Ricoeur on Time and Narrative
Author: William C. Dowling
Publisher: University of Notre Dame Pess
Total Pages: 136
Release: 2011-10-30
Genre: Literary Criticism
ISBN: 0268077975

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“The object of this book,” writes William C. Dowling in his preface, “is to make the key concepts of Paul Ricoeur’s Time and Narrative available to readers who might have felt bewildered by the twists and turns of its argument.” The sources of puzzlement are, he notes, many. For some, it is Ricoeur’s famously indirect style of presentation, in which the polarities of argument and exegesis seem so often and so suddenly to have reversed themselves. For others, it is the extraordinary intellectual range of Ricoeur’s argument, drawing on traditions as distant from each other as Heideggerian existentialism, French structuralism, and Anglo-American analytic philosophy. Yet beneath the labyrinthian surface of Ricoeur’s Temps et récit, Dowling reveals a single extended argument that, though developed unsystematically, is meant to be understood in systematic terms. Ricoeur on Time and Narrative presents that argument in clear and concise terms, in a way that will be enlightening both to readers new to Ricoeur and those who may have felt themselves adrift in the complexities of Temps et récit, Ricoeur’s last major philosophical work. Dowling divides his discussion into six chapters, all closely involved with specific arguments in Temps et récit: on mimesis, time, narrativity, semantics of action, poetics of history, and poetics of fiction. Additionally, Dowling provides a preface that lays out the French intellectual context of Ricoeur's philosophical method. An appendix presents his English translation of a personal interview in which Ricoeur, having completed Time and Narrative, looks back over his long career as an internationally renowned philosopher. Ricoeur on Time and Narrative communicates to readers the intellectual excitement of following Ricoeur’s dismantling of established theories and arguments—Aristotle and Augustine and Husserl on time, Frye and Greimas on narrative structure, Arthur Danto and Louis O. Mink on the nature of historical explanation—while coming to see how, under the pressure of Ricoeur’s analysis, these ideas are reconstituted and revealed in a new set of relations to one another.


Oneself as Another

Oneself as Another
Author: Paul Ricœur
Publisher: University of Chicago Press
Total Pages: 212
Release: 1992
Genre: Philosophy
ISBN: 9780226713298

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Self that require solicitude, he indicates the direction from the self to the other and clarifies moral problems that appear to founder on the issue of identity. His identification of the nonpersonal concept of the self with the concept of the other thus exposes the key to the Moral Law. Oneself as Another expands on the Gifford Lectures that Ricoeur gave in Edinburgh in 1986 and published in French in 1990. It will be widely discussed among philosophers, literary.


On Paul Ricoeur

On Paul Ricoeur
Author: David Wood
Publisher: Routledge
Total Pages: 224
Release: 2002-11
Genre: History
ISBN: 113490570X

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A collection of essays, including three pieces by Ricoeur himself, examining this subject. Ricoeur's study of the intertwining of time and narrative proposes and examines the possibility that narrative could remedy a fatal deficiency in any purely phenomenological approach.


Time and Narrative

Time and Narrative
Author: Paul Ricoeur
Publisher: Chicago : University of Chicago Press
Total Pages: 266
Release: 1984
Genre: Literary Criticism
ISBN: 9780226713311

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Discusses the conflict between subjective time and historical time, looks at how fiction and historical writings create a model of temporal experience, and considers the question of sense and reference


Memory, History, Forgetting

Memory, History, Forgetting
Author: Paul Ricoeur
Publisher: University of Chicago Press
Total Pages: 662
Release: 2009-01-01
Genre: Philosophy
ISBN: 0226713466

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Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's Memory, History, Forgetting examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative. Memory, History, Forgetting, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora. A momentous achievement in the career of one of the most significant philosophers of our age, Memory, History, Forgetting provides the crucial link between Ricoeur's Time and Narrative and Oneself as Another and his recent reflections on ethics and the problems of responsibility and representation. “His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events. . . . It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—Library Journal “Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— New York Times Book Review


Time, Narrative, and History

Time, Narrative, and History
Author: David Carr
Publisher: Indiana University Press
Total Pages: 204
Release: 1991-02-22
Genre: Philosophy
ISBN: 9780253113900

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"For description and defense of the narrative configurations of everyday life, and of the practical and social character of those narratives, there is no better treatment than Time, Narrative, and History.... a clear, judicious, and truthful account, provocative from beginning to end." -- Journal of the British Society for Phenomenology "... a superior work of philosophy that tells a unique and insightful story about narrative." -- Quarterly Journal of Speech


Film Narratology

Film Narratology
Author: Peter Verstraten
Publisher: University of Toronto Press
Total Pages: 273
Release: 2009-01-01
Genre: Performing Arts
ISBN: 0802095054

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In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scène, cinematography, and editing.


The Civil War: A Narrative

The Civil War: A Narrative
Author: Shelby Foote
Publisher: Vintage
Total Pages: 852
Release: 2011-01-26
Genre: History
ISBN: 0307744671

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This first volume of Shelby Foote's classic narrative of the Civil War opens with Jefferson Davis’s farewell to the United Senate and ends on the bloody battlefields of Antietam and Perryville, as the full, horrible scope of America’s great war becomes clear. Exhaustively researched and masterfully written, Foote’s epic account of the Civil War unfolds like a classic novel. Includes maps throughout. "Here, for a certainty, is one of the great historical narratives…a unique and brilliant achievement, one that must be firmly placed in the ranks of the masters."—Van Allen Bradley, Chicago Daily News "A stunning book full of color, life, character and a new atmosphere of the Civil War, and at the same time a narrative of unflagging power. Eloquent proof that an historian should be a writer above all else." —Burke Davis "To read this great narrative is to love the nation—to love it through the living knowledge of its mortal division. Whitman, who ultimately knew and loved the bravery and frailty of the soldiers, observed that the real Civil War would never be written and perhaps should not be. For me, Shelby Foote has written it.... This work was done to last forever." —James M. Cox, Southern Review