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| Author | : Gordon Graham |
| Publisher | : Cambridge University Press |
| Total Pages | : 187 |
| Release | : 2017-09-07 |
| Genre | : Art |
| ISBN | : 1107132223 |
Systematically explores the affinity and the rivalry between art and religion, focusing at length on music, visual art, literature, and architecture in turn.
| Author | : Sydney Dobell |
| Publisher | : London, Smith, Elder & Company |
| Total Pages | : 374 |
| Release | : 1876 |
| Genre | : Art |
| ISBN | : |
| Author | : Sydney Dobell |
| Publisher | : Forgotten Books |
| Total Pages | : 364 |
| Release | : 2018-01-19 |
| Genre | : Self-Help |
| ISBN | : 9780483420472 |
Excerpt from Thoughts on Art, Philosophy, and Religion The following pages, which - (with the exception of Letters and critical notes more properly belonging to a Biography) - contain all the unpublished Prose writings of Mr. Dobell likely to be of general interest, embrace two comparatively finished Essays and numerous sug gestions or outlines for more elaborate treatment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
| Author | : Gordon Graham |
| Publisher | : Cambridge University Press |
| Total Pages | : 187 |
| Release | : 2017-09-07 |
| Genre | : Religion |
| ISBN | : 1108364128 |
At a time when religion and science are thought to be at loggerheads, art is widely hailed as religion's natural spiritual ally. Philosophy, Art, and Religion investigates the extent to which this is true. It charts the way in which modern conceptions of 'Art' often marginalize the sacred arts, construing choral and instrumental music, painting and iconography, poetry, drama, and architecture as 'applied' arts that necessarily fall short of the ideal of 'art for art's sake'. Drawing on both history of art and philosophical aesthetics, Graham sets out the historical context in which the arts came to free themselves from religious patronage, in order to conceptualize the cultural context in which religious art currently finds itself. The book then relocates religious art within the aesthetics of everyday life. Subsequent chapters systematically explore each of the sacred arts, using a wide range of illustrative examples to uncover the ways in which artworks can illuminate religious faith, and religious content can lend artworks a deeper dimension.
| Author | : Sydney Thompson Dobell |
| Publisher | : |
| Total Pages | : 339 |
| Release | : 1876 |
| Genre | : |
| ISBN | : |
| Author | : Georg Wilhelm Friedrich Hegel |
| Publisher | : Hackett Publishing |
| Total Pages | : 358 |
| Release | : 1997-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780872203709 |
A reprint, with new Introduction, of the Harper Torch edition of 1970. The famous introductory lectures collected in this volume represent the distillation of Hegel's mature views on the three most important activities of spirit, and have the further advantage, shared by his lectures in general, of being more comprehensible than those works of his published during his lifetime. A new Introduction, Select Bibliography, Analytical Table of Contents, and the restoration in the section headings of the outline of Hegel's lectures make this new edition particularly useful and welcome.
| Author | : Sydney Dobell |
| Publisher | : |
| Total Pages | : 339 |
| Release | : 1876 |
| Genre | : |
| ISBN | : |
| Author | : Devin Zane Shaw |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 188 |
| Release | : 2010-12-09 |
| Genre | : Philosophy |
| ISBN | : 1441193693 |
Schelling is often thought to be a protean thinker whose work is difficult to approach or interpret. Devin Zane Shaw shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810. Schelling's philosophy of art is the 'keystone' of the system; it unifies his idea of freedom and his philosophy of nature. Schelling's idea of freedom is developed through a critique of the formalism of Kant's and Fichte's practical philosophies, and his nature-philosophy is developed to show how subjectivity and objectivity emerge from a common source in nature. The philosophy of art plays a dual role in the system. First, Schelling argues that artistic activity produces through the artwork a sensible realization of the ideas of philosophy. Second, he argues that artistic production creates the possibility of a new mythology that can overcome the socio-political divisions that structure the relationships between individuals and society. Shaw's careful analysis shows how art, for Schelling, is the highest expression of human freedom.
| Author | : Gordon Graham |
| Publisher | : Routledge |
| Total Pages | : 248 |
| Release | : 2006-09-07 |
| Genre | : Philosophy |
| ISBN | : 1134563671 |
A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated.
| Author | : Charles Taliaferro |
| Publisher | : Cambridge University Press |
| Total Pages | : 191 |
| Release | : 2021-04-08 |
| Genre | : Religion |
| ISBN | : 1108576311 |
In this volume, Charles Taliaferro and Jil Evans promote aesthetic personalism by examining three domains of aesthetics - the philosophy of beauty, aesthetic experience, and philosophy of art - through the lens of Judaism, Christianity, Islam, theistic Hinduism, and the all-seeing Compassionate Buddha. These religious traditions assume an inclusive, overarching God's eye, or ideal point of view, that can create an emancipatory appreciation of beauty and goodness. This appreciation also recognizes the reality and value of the aesthetic experience of persons and deepens the experience of art works. The authors also explore and contrast the invisibility of persons and God. The belief that God or the sacred is invisible does not mean God or the sacred cannot be experienced through visual and other sensory or unique modes. Conversely, the assumption that human persons are thoroughly visible, or observable in all respects, ignores how racism and other forms of bias render persons invisible to others.
