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Thomas Hardy’s Philosophical Influences in his Poetry

Thomas Hardy’s Philosophical Influences in his Poetry
Author: Indu Prabha Pathak
Publisher: GRIN Verlag
Total Pages: 142
Release: 2018-09-17
Genre: Literary Criticism
ISBN: 3668799520

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Doctoral Thesis / Dissertation from the year 2013 in the subject English - Literature, Works, , course: Ph.D., language: English, abstract: Thomas Hardy the reputed novelist, poet, playwright and story writer has made his presence felt in the literary arena in an emphatic manner. The aim of this study is to draw a new light in his poetic oeuvre to illuminate those aspects of his vision which were hitherto less known. He is primarily known as a novelist par excellence producing a bulk of masterpiece novels in English. At the same time he has written almost 900 lyrics which stand as a testimony to his poetic genius. In the words of Donald Davies, “In British Poetry of the last fifty years the most far reaching influence, for good and ill has been not Yeats, still less Eliot or Pound, not Lawrence, but Hardy.” (Davies 3) Poetry always remained very close to his heart. He primarily conceived himself as a poet. He himself confessed it: In fiction he felt, he was merely “holding his own”; poetry he said was the more individual part of his literary fruitage. He took up novel writing because he could not earn his livelihood as a poet and he returned to poetry as he had earned income from his novels. He agrees with Leslie Stephen who believes that: “The ultimate aim of the poet is to touch our hearts by showing his own.” (Qtd. in Harvey 228) Hardy started writing poetry at the age of 55. At the end of 1898 he published his first volume Wessex Poems which gained mixed critical reception. Friends like Swinburne and Leslie Stephens gave it a warm response. But at the same it produced acrimony in his married life that resulted in his estrangement with wife Emma to that extent that they lived apart with no children in the same house. Three years after the appearance of Wessex Poems Hardy was ready to publish his second volume of verses which he named as Poems of the Past and the Present (1901) containing 99 poems. The first group of poems was titled as War Poems which established him as the first major “War poet” of the 20th century. The poems were written in the context of Boer war and it’s aftereffects. The collection received a better response as compared to the previous one. [...]


Thomas Hardy: The Poetry of Perception

Thomas Hardy: The Poetry of Perception
Author: Tom Paulin
Publisher: Springer
Total Pages: 232
Release: 1986-03-17
Genre: Literary Criticism
ISBN: 1349181455

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The Pattern of Hardy's Poetry

The Pattern of Hardy's Poetry
Author: Samuel Hynes
Publisher: UNC Press Books
Total Pages: 170
Release: 2018-07-25
Genre: Poetry
ISBN: 1469650185

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The pattern in Hardy's poetry is the eternal conflict between irreconcilables that was, for him, the first principle, and indeed the only principle, of universal order. Hynes analyzes this pattern as it is manifested in the philosophical context of the poems, their structure, diction, and imagery. Originally published in 1961. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.


Time's Laughingstock's and Other Verses

Time's Laughingstock's and Other Verses
Author: Thomas Hardy
Publisher: BoD - Books on Demand
Total Pages: 100
Release: 2024-02-24
Genre: Poetry
ISBN:

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"Time's Laughingstocks and Other Verses" by Thomas Hardy is a collection of poems that showcases the renowned English author's poetic prowess. In this anthology, Hardy explores a diverse range of themes, including love, nature, time, and the human condition. The title poem, "Time's Laughingstocks," is emblematic of Hardy's keen sense of irony and his contemplative perspective on the passage of time. Throughout the collection, readers can expect Hardy's characteristic use of vivid imagery, poignant reflections, and a deep engagement with the complexities of life. The verses may reveal Hardy's philosophical musings on fate, mortality, and the inevitability of change. "Time's Laughingstocks and Other Verses" adds another dimension to Thomas Hardy's literary legacy, showcasing his ability to convey profound emotions and observations through the medium of poetry. It remains a valuable collection for those appreciative of Hardy's prose and poetry alike.


The Expression of Things

The Expression of Things
Author: John Hughes
Publisher: Liverpool University Press
Total Pages: 233
Release: 2020-07-31
Genre: Literary Criticism
ISBN: 1837641544

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John Hughes explores Hardy's claim that his art sought to intensify the expression of things through three main sections on music, the body, and voice. These offer intersecting and mutually informing discussions of the central drama of inexpression and expressivity in Hardys work, as it affects the various personae of the text, including the reader. Throughout, the book draws on themes in the work of Gilles Deleuze and Stanley Cavell to reveal how Hardys fiction and poetry express and represent the affective and physical conditions of mind, and their conflicts with social fictions of identity. The first main section on music incorporates three chapters that examine how Hardys writing stages musical experience as an expression of human desire and individuality at odds with the constraints of rationality, Victorian fiction form, and social convention. Intricate and extensive readings are linked also to larger contextual and theoretical issues in order to show how music as a theme and motif highlights the kinds of creativity and ethical cruxes that characterise Hardys work throughout his career. The second section on embodiment and sensation shows how close attention to Hardys writing on the topics of facial and bodily expression (and affectivity) reveal much about the sources of his inspiration, and its philosophical conditions and implications. The third section on voice offers three chapters, each of which centrally employs a close metrical reading of an important Hardy poem within its larger biographical and inter-textual contexts. These readings demonstrate how fundamental were Hardys innovations in meter to the power and originality of his work, and to its expressive treatment of his abiding preoccupations with love, grief, childhood, and the loss of faith.


Thomas Hardy's Universe

Thomas Hardy's Universe
Author: Ernest Brennecke
Publisher:
Total Pages: 168
Release: 1966
Genre: Philosophy in literature
ISBN:

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Thomas Hardy and His God

Thomas Hardy and His God
Author: Deborah Collins
Publisher: Springer
Total Pages: 196
Release: 1990-06-18
Genre: Literary Criticism
ISBN: 1349113654

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Through a study of his verse and fiction the author attempts to present Hardy's seemingly conflicting views about the nature of God and His relationship with man. Also included is an assimilation of the philosophical influences on Hardy's writing, including Schopenhauer and Comte.


Thomas Hardy's Universe

Thomas Hardy's Universe
Author: Ernest Brennecke
Publisher: Forgotten Books
Total Pages: 156
Release: 2017-07-12
Genre: Philosophy
ISBN: 9780259511878

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Excerpt from Thomas Hardy's Universe: A Study of a Poet's Mind Without criticizing Hardy's philosophy as one would criticize, say, Spinoza's, conceiving it as a system really warranted to lift the burthen of the mystery, dissecting it, and examining each detail with the bright and merciless instruments of a rigid induction and deduction, one may without great qualms yield to the temptation of observing, broadly, how the tentative and unadjusted scheme of the greatest living English poet fits in with those of such thinkers, also vocal to tragedy, who have chosen to eschew imaginative writing and to expose their attitudes more strictly in accordance with the laws of logic. If, i'ndeed, one may attempt to come to grips with the intellectual content of Hardy (and surely one may l - a more exhilarating mental sport can scarcely be imagined), it is as impossible to succeed in such an attempt without indicating parallelisms from philosophers as it is to discuss his art without pointing out literary parallels. In particular, it is quite impossible, from the first, to ignore Schopen hauer, - and before one has proceeded very far, Schopenhauer is found to have usurped practically the whole discussion. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.