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The Performance Tradition of the Medieval English University

The Performance Tradition of the Medieval English University
Author: Thomas Meacham
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 210
Release: 2020-01-20
Genre: History
ISBN: 1501513125

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This is a truly paradigm-shifting study that reads a key text in Latin Humanist studies as the culmination, rather than an early example, of a tradition in university drama. It persuasively argues against the common assumption that there was no "drama" in the medieval universities until the syllabus was influenced by humanist ideas, and posits a new way of reading the performative dimensions of fourteenth and fifteenth-century university education in, for example, Ciceronian tuition on epistolary delivery. David Bevington calls it "an impressively learned discussion" and commends the sophistication of its use of performativity theory.


Thomas Chaundler and Academic Drama

Thomas Chaundler and Academic Drama
Author: Thomas J. Meacham
Publisher:
Total Pages: 570
Release: 2012
Genre:
ISBN: 9781267689375

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Previous scholarship has claimed that university drama did not exist (at Oxford or Cambridge) before the Tudor period. To support this claim, scholars have repudiated medieval pedagogy, in particular, for being unable to generate the kinds of "exploratory" forms of inquiry that would later allow university drama to occur in the early sixteenth century through humanist pedagogy. I contend that medieval or scholastic pedagogy is capable of producing dynamic forms of entertainment and that a vibrant tradition of medieval university drama and performance did occur throughout the fourteenth and fifteenth centuries. This performance tradition has been unrecognized by scholars not only because of inaccurate assumptions about medieval pedagogy, but also because scholars have not considered the full range of medieval performance practices or "texts" beyond the traditional play text.


The Performance Tradition of the Medieval English University

The Performance Tradition of the Medieval English University
Author: Thomas Meacham
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 239
Release: 2020-01-20
Genre: History
ISBN: 1501512927

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This is a truly paradigm-shifting study that reads a key text in Latin Humanist studies as the culmination, rather than an early example, of a tradition in university drama. It persuasively argues against the common assumption that there was no "drama" in the medieval universities until the syllabus was influenced by humanist ideas, and posits a new way of reading the performative dimensions of fourteenth and fifteenth-century university education in, for example, Ciceronian tuition on epistolary delivery. David Bevington calls it "an impressively learned discussion" and commends the sophistication of its use of performativity theory.


Fifteenth-century English Drama

Fifteenth-century English Drama
Author: William Anthony Davenport
Publisher: Boydell & Brewer
Total Pages: 170
Release: 1982
Genre: Drama
ISBN: 9780859910910

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Davenport offers a reassessment of The Pride of Lifeand the Macro Plays and argues for a new grouping of plays.


Staging Scripture

Staging Scripture
Author:
Publisher: BRILL
Total Pages: 422
Release: 2016-04-18
Genre: Drama
ISBN: 9004313958

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Against a background which included revolutionary changes in religious belief, extensive enlargement of dramatic styles and the technological innovation of printing, this collection of essays about biblical drama offers innovative approaches to text and performance, while reviewing some well-established critical issues. The Bible in the fifteenth and sixteenth centuries appears in a complex of roles in relation to the drama: as an authority and centre of belief, a place of controversy, an emotional experience and, at times, a weapon. This collection brings into focus the new biblical learning, including the re-editing of biblical texts, as well as classical influences, and it gives a unique view of the relationship between the Bible and the drama at a critical time for both. Contributors are: Stephanie Allen, David Bevington, Philip Butterworth, Sarah Carpenter, Philip Crispin, Clifford Davidson, Elisabeth Dutton, Garrett P. J. Epp, Bob Godfrey, Peter Happé, James McBain, Roberta Mullini, Katie Normington, Margaret Rogerson, Charlotte Steenbrugge, Greg Walker, and Diana Wyatt.


Editing, Performance, Texts

Editing, Performance, Texts
Author: Jacqueline Jenkins
Publisher: Springer
Total Pages: 227
Release: 2014-06-24
Genre: Performing Arts
ISBN: 1137320117

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The essays in this volume challenge current 'givens' in medieval and early modern research around periodization and editorial practice. They showcase cutting-edge research practices and approaches in textual editing, and in manuscript and performance studies to produce new ways of reading and working for students and scholars.


Local Place and the Arthurian Tradition in England and Wales, 1400-1700

Local Place and the Arthurian Tradition in England and Wales, 1400-1700
Author: Mary Bateman
Publisher: Boydell & Brewer
Total Pages: 343
Release: 2023-11-21
Genre:
ISBN: 1843846586

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The first in-depth study of Arthurian places in late medieval and early modern England and Wales. Places have the power to suspend disbelief, even concerning unbelievable subjects. The many locations associated with King Arthur show this to be true, from Tintagel in Cornwall to Caerleon in Wales. But how and why did Arthurian sites come to proliferate across the English and Welsh landscape? What role did the medieval custodians of Arthurian abbeys, churches, cathedrals, and castles play in "placing" Arthur? How did visitors experience Arthur in situ, and how did their experiences permeate into wider Arthurian tradition? And why, in history and even today, have particular places proven so powerful in defending the impression of Arthur's reality? This book, the first in-depth study of Arthurian places in late medieval and early modern England and Wales, provides an answer to these questions. Beginning with an examination of on-site experiences of Arthur, at locations including Glastonbury, York, Dover, and Cirencester, it traces the impact that they had on visitors, among them John Hardyng, John Leland, William Camden, who subsequently used them as justification for the existence of Arthur in their writings. It shows how the local Arthur was manifested through textual and material culture: in chronicles, notebooks, and antiquarian works; in stained glass windows, earthworks, and display tablets. Via a careful piecing together of the evidence, the volume argues that a new history of Arthur begins to emerge: a local history.


The Corporeality of Clothing in Medieval Literature

The Corporeality of Clothing in Medieval Literature
Author: Sarah Brazil
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 245
Release: 2018-12-17
Genre: History
ISBN: 1580443583

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Every known society wears some form of clothing. It is central to how we experience our bodies and how we understand the sociocultural dimensions of our embodiment. It is also central to how we understand works of literature. In this innovative study, Brazil demonstrates how medieval writers use clothing to direct readers’ and spectators’ awareness to forms of embodiment. Offering insights into how poetic works, plays, and devotional treatises target readers’ kinesic intelligence—their ability to understand movements and gestures—Brazil demonstrates the theological implications of clothing, often evinced by how garments limit or facilitate the movements and postures of bodies in narratives. By bringing recent studies in the field of embodied cognition to bear on narrated and dramatized interactions between dress and body, this book offers new methodological tools to the study of clothing.


Medieval English Drama

Medieval English Drama
Author: Sidney E. Berger
Publisher: Routledge
Total Pages: 425
Release: 2019-07-05
Genre: Literary Criticism
ISBN: 0429514670

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Originally published in 1990, Medieval English Drama is an exhaustive bibliography of scholarship on medieval English drama. Each item has been annotated in the bibliography with considerable care; these annotations are descriptive rather than critical and give a clear synopsis of the content of each reference, the texts with which it deals, and a brief indication of its critical position. The bibliography is divided into two sections; editions and collections of plays, and critical works. The bibliography is exhaustive rather than selective and provides English annotations for foreign language works, as well as a list of reviews for most books. The book covers liturgical and folk drama, other forms of entertainment, and related material useful to researchers in the field. The book provides an update of sources not listed in Carl J. Stratman's comprehensive Bibliography of Medieval Drama published in 1972.