The Grand Spectacle
Author | : Steven E. Woodworth |
Publisher | : McWhiney Foundation Press |
Total Pages | : 132 |
Release | : 1997-09-01 |
Genre | : |
ISBN | : 9781886661196 |
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Author | : Steven E. Woodworth |
Publisher | : McWhiney Foundation Press |
Total Pages | : 132 |
Release | : 1997-09-01 |
Genre | : |
ISBN | : 9781886661196 |
Author | : Steven E. Woodworth |
Publisher | : State House Press |
Total Pages | : 144 |
Release | : 1999 |
Genre | : History |
ISBN | : |
In the summer of 1863, Federal forces scored major victories at Gettysburg and Vicksburg, turning the tide of war in favor of the Union. President Lincoln and his advisors now focused attention on the small town of Chattanooga, Tennessee. The important railroad center offered a gateway to the Confederate heartland. But just as complete victory in the West appeared imminent, General Braxton Bragg's reinforced Rebel army struck back at Chickamauga, driving the Federal invaders into Chattanooga, where they were soon besieged. A desperate Lincoln now turned to the hero of Vicksburg, General U. S. Grant, who directed the relief of the beleaguered garrison and, with the help of reinforcements from Virginia and Mississippi, turned a possible disaster into a stunning victory--a victory that opened the door to the Deep South and sealed the Confederacy's doom. In this picturesque setting along the Tennessee River, as Federal troops scaled the heights of Lookout Mountain and Missionary Ridge, one Confederate general beheld a scene "grand and imposing in the extreme." Here Lincoln found the winning combination, the men who would lead his armies to ultimate victory--Grant, William T. Sherman, and Philip Sheridan. For the Confederates, who invested such hope and so many resources, the disaster at Chattanooga would be a dark chapter, as veteran troops broke and ran before the Federal onslaught. It was a body blow from which the Army of Tennessee, and indeed the Confederacy, would never recover.
Author | : Tiffany M. Webber |
Publisher | : |
Total Pages | : |
Release | : 2015-08-01 |
Genre | : |
ISBN | : 9781320500838 |
Author | : Jennifer Nevile |
Publisher | : Indiana University Press |
Total Pages | : 394 |
Release | : 2008-06-25 |
Genre | : History |
ISBN | : 025321985X |
From the mid-13th to the mid-18th century the ability to dance was an important social skill for both men and women. Dance performances were an integral part of court ceremonies and festivals and, in the 17th and 18th centuries, of commercial theatrical productions. Whether at court or in the public theater danced spectacles were multimedia events that required close collaboration among artists, musicians, designers, engineers, and architects as well as choreographers. In order to fully understand these practices, it is necessary to move beyond a consideration of dance alone, and to examine it in its social context. This original collection brings together the work of 12 scholars from the disciplines of dance and music history. Their work presents a picture of dance in society from the late medieval period to the middle of the 18th century and demonstrates how dance practices during this period participated in the intellectual, artistic, and political cultures of their day.
Author | : |
Publisher | : |
Total Pages | : 460 |
Release | : 1869 |
Genre | : Missions |
ISBN | : |
Author | : Guy Debord |
Publisher | : Bread and Circuses Publishing |
Total Pages | : 164 |
Release | : 2012-10-01 |
Genre | : Political Science |
ISBN | : 1617508306 |
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
Author | : Murray Jacob Edelman |
Publisher | : Chicago : University of Chicago Press |
Total Pages | : 137 |
Release | : 1988 |
Genre | : Communication in politics |
ISBN | : 9780226183978 |
Thanks to the ready availability of political news today, informed citizens can protect and promote their own interests and the public interest more effectively. Or can they? Murray Edelman argues against this conventional interpretation of politics, one that takes for granted that we live in a world of facts and that people react rationally to the facts they know. In doing so, he explores in detail the ways in which the conspicuous aspects of the political scene are interpretations that systematically buttress established inequalities and interpretations already dominant political ideologies.
Author | : |
Publisher | : |
Total Pages | : 732 |
Release | : 1869 |
Genre | : Disciples of Christ |
ISBN | : |
Author | : Douglas Kellner |
Publisher | : Rowman & Littlefield |
Total Pages | : 268 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780742521032 |
The battle for the White House following the election of November 7, 2000, was one of the major media spectacles in American history. From the uncertainty of election night to Al Gore's concession to George W. Bush's acceptance of the mantle of president-elect, Douglas Kellner demonstrates why the media was culpable in the theft of the presidency, ultimately bringing to power one of the most right wing administrations in American history. By applying critical social theory, cultural studies, and media criticism to buttress his arguments, Kellner concludes that Election 2000 reveals a crisis in contemporary American democracy. A final chapter critically dissects the first 100 days of the Bush presidency, which is emerging as one of the most reactionary in history.
Author | : Douglas Kellner |
Publisher | : Routledge |
Total Pages | : 207 |
Release | : 2003-08-29 |
Genre | : Social Science |
ISBN | : 1134493959 |
During the mid-1990s, the O.J. Simpson murder trial dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to this fascinating new book, the Simpson case was just one example of what the author calls 'media spectacle' - a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display. Through the analysis of several such media spectacles - including Elvis, The X Files, Michael Jordan, and the Bill Clinton sex scandals - Doug Kellner draws out important insights into media, journalism, the public sphere and politics in an era of new technologies. In this excellent follow up to his best selling Media Culture, Kellner's fascinating new volume delivers an informative read for students of sociology, culture and media.