THERE IS NO TIME FOR LOVE CHARLIE BROWN.
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Release | : 1974 |
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Release | : 1974 |
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Author | : Charles Monroe Schulz |
Publisher | : |
Total Pages | : 94 |
Release | : 1974 |
Genre | : Brown, Charlie (Fictitious character) |
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Author | : Charles Monroe Schulz |
Publisher | : Random House Books for Young Readers |
Total Pages | : 48 |
Release | : 1974 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780394830483 |
Charlie Brown's efforts to get an A on his field trip report are misguided but successful.
Author | : Blake Scott Ball |
Publisher | : Oxford University Press |
Total Pages | : 320 |
Release | : 2021-05-04 |
Genre | : History |
ISBN | : 0190090480 |
Despite--or because of--its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang. In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table. Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America. Charlie Brown's America covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang.
Author | : Charles M. Schulz |
Publisher | : HarperCollins |
Total Pages | : 130 |
Release | : 1981 |
Genre | : Love |
ISBN | : 9780001953192 |
Author | : Charles M. Schulz |
Publisher | : Simon and Schuster |
Total Pages | : 32 |
Release | : 2015-05-05 |
Genre | : Juvenile Fiction |
ISBN | : 1481436066 |
Preparing for his first day of school, an anxious Charlie Brown searches for the confidence to stop fretting and have a great year. Simultaneous and eBook.
Author | : George W. Woolery |
Publisher | : Metuchen, N.J. : Scarecrow Press |
Total Pages | : 582 |
Release | : 1989 |
Genre | : Performing Arts |
ISBN | : |
Surveys 434 films including the popular favorites, classics, and special TV-movie presentations. With 103 illustrations.
Author | : Charles Monroe Schulz |
Publisher | : New York ; Toronto : Scholastic Book Services |
Total Pages | : 68 |
Release | : 1970 |
Genre | : Juvenile Fiction |
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Linus describes the summer camp activities that made vacation seem too short.
Author | : Jeffrey H. Loria |
Publisher | : Fawcett Books |
Total Pages | : 160 |
Release | : 1975-08-01 |
Genre | : |
ISBN | : 9780449226964 |
Author | : Derrick Bang |
Publisher | : McFarland |
Total Pages | : 479 |
Release | : 2024-05-01 |
Genre | : Biography & Autobiography |
ISBN | : 1476652236 |
Although Vince Guaraldi's playful jazz piano themes for the early Peanuts animated television specials are well known, the composer himself remains largely unheralded. More than merely "the Peanuts guy," Guaraldi cut his jazz teeth as a member of combos fronted by Cal Tjader and Woody Herman, and garnered Top 40 fame with his Grammy Award-winning hit "Cast Your Fate to the Wind." This career study, extensively updated, gives Guaraldi long-overdue recognition, chronicling his years as a sideman; his attraction to the emerging bossa nova sound of the late 1950s; his collaboration with Brazilian guitarist Bola Sete; his development of the Grace Cathedral Jazz Mass; his selection as the fellow to put the jazz swing in Charlie Brown's step; and his emergence as a respected veteran in the declining Northern California jazz club scene of the 1970s. Ironically, his place in the jazz universe has grown exponentially since this book's initial 2012 publication, and this second edition acknowledges such honors and features a wealth of new material.