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The Theory and Practice of Color

The Theory and Practice of Color
Author: Bonnie E. Snow
Publisher:
Total Pages: 106
Release: 1920
Genre: Color
ISBN:

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A treatise on the appreciation and "enjoyment of color" in everyday life, published for the "average man," as opposed to the physicist, the chemist, or the artist, to whom many previous color books appealed.


Theory and Practice of Color

Theory and Practice of Color
Author: Frans Gerritsen
Publisher: Van Nostrand Reinhold Company
Total Pages: 184
Release: 1975
Genre: Art
ISBN:

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The Book of Color

The Book of Color
Author: José María Parramón
Publisher: Watson-Guptill Publications
Total Pages: 172
Release: 1993
Genre: Art
ISBN:

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Everything artists need to know about an important and popular subject. Designed as a complete resource, this book considers every aspect of color: historical, physical, perceptual, aesthetic, and practical. With its numerous step-by-step sequences and illustrations of theory in practice, this guide has everything artists need to gain a mastery of the subject. 400 full-color illustrations.


Theory and Practice of Color

Theory and Practice of Color
Author: Frans Gerritsen
Publisher:
Total Pages:
Release: 1974
Genre:
ISBN: 9780442226459

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Color Theory Made Easy

Color Theory Made Easy
Author: Jim Ames
Publisher: Watson-Guptill
Total Pages: 124
Release: 1996
Genre: Art
ISBN:

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Traditional color theory can be confusing to artists, especially when they try to use inaccurate color wheels as guides to mixing their colors. Now, Color Theory Made Easy presents an alternative approach that cuts through the tangle of established but contradictory concepts that gives artists a universal theory that really applies to their work. Most artists have been taught that red, blue, and yellow are the primary colors hues that cannot be created from any combination of other colors. However, as a result of years of study, author and artist Jim Ames has concluded that the true primary colors are cyan (a greenish blue), magenta (a violet red), and a yellow that does not learn toward either cyan or magenta. In Color Theory Made Easy, Ames explains the importance of these three colors as the basis for all our thinking about color. Using friendly, clear language and colorful diagrams, the author lays the foundation in Chapter 1 for applying his color theory in art. He shows that all colors in nature are composed of varying percentages of cyan, magenta, and yellow. Chapter 2 builds on this with a survey of the pigment colors artists actually use. Here the author offers an essential education concerning paint selection, and he lists currently available tube colors that are the most accurate in terms of the true primaries. The final chapter explores color mixing principles based on cyan, magenta, and yellow, and applies these principles through a series of watercolor demonstrations. In this illuminating book, Jim Ames has broken new ground and given us a workable color theory that is both simple and indispensable."


Playing with Color

Playing with Color
Author: Richard Mehl
Publisher: Rockport Publishers
Total Pages: 192
Release: 2013-02-01
Genre: Art
ISBN: 1610586417

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Playing with Color is a highly accessible, fun approach to learning color application and principles. This hands-on book begins with an introduction to the philosophy of learning through the process of play. It then leads to a series of experimental design projects with an emphasis on color, providing the reader with a “toolkit� of ideas and skills. The awareness and sensitivity to form, color, material and craft gained through these visual experiments will increase the designer’s confidence in their personal and professional design work. This book can be used in the classroom or independently, and readers can go directly to exercises that appeal to them.


Color and Meaning

Color and Meaning
Author: Marcia B. Hall
Publisher:
Total Pages: 288
Release: 1994
Genre: Architecture
ISBN: 9780521457330

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Recent restoration campaigns, particularly to the Sistine Chapel, have focused attention on the importance of colour in our experience of paintings, but until recently it has been neglected by art historians. The author believes that the work of art can only be fully appreciated when it is regarded as the product of both the artist's hand and mind. This study utilizes the traditional sources, such as contemporary theoretical writings and iconographical analysis, but in addition draws on the scientific findings of the conservation laboratories. This is a new body of data assembled in large part since World War II, which art historians are only beginning to exploit to fill out the history of technique. Rather than writing merely a history of technique, however, the author has integrated this material with traditional approaches to cultural history. She undertakes to examine twenty major paintings of the period from Giotto to Tintoretto to elucidate how colour and technique contribute to their meaning. She gives us then, the first modern consideration of Renaissance paintings both as physical objects and as monuments of cultural history.


Designer's Color Manual

Designer's Color Manual
Author: Tom Fraser
Publisher: Chronicle Books
Total Pages: 232
Release: 2004-07-08
Genre: Design
ISBN: 9780811842105

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The eye, the camera's lens, and the computer screen all treat color differently. This important addition to the designer's reference library helps resolve the differences among the numerous media that contemporary designers work with every day. Comprehensive in scope, it brings together key elements of color theory, practice, and application, addressing a wide range of issues specific to graphic design in both print and digital media. Beyond step-by-step techniques for managing color in modern graphic design practice, Designer's Color Manual also addresses topics which help designers understand color in a variety of disciplines, looking at historical color systems, color in art, and the psychology of color, among dozens of other topics. Author and designer Tom Fraser also takes other graphics-related practices into account -- interior design, digital rendering, packaging and merchandise design -- aiding the designer in mastering the far-reaching effects of color in almost any project. Heavily illustrated with over 1,000 color images, Designer's Color Manual addresses an area that's been gray for too long in the full-color world of contemporary design.