Theories Of Color Perception PDF Download

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Webvision

Webvision
Author: Helga Kolb
Publisher:
Total Pages:
Release: 2007
Genre:
ISBN:

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Form without Matter

Form without Matter
Author: Mark Eli Kalderon
Publisher: OUP Oxford
Total Pages: 233
Release: 2015-01-29
Genre: Philosophy
ISBN: 0191027731

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Mark Eli Kalderon presents an original study in the philosophy of perception written in the medium of historiography. He considers the phenomenology and metaphysics of sensory presentation through the examination of an ancient aporia. Specifically, he argues that a puzzle about perception at a distance is behind Empedocles' theory of vision. Empedocles conceives of perception as a mode of material assimilation, but this raises a puzzle about color vision, since color vision seems to present colors that inhere in distant objects. But if the colors inhere in distant objects how can they be taken in by the organ of sight and so be palpable to sense? Aristotle purports to resolve this puzzle in his definition of perception as the assimilation of sensible form without the matter of the perceived particular. Aristotle explicitly criticizes Empedocles, though he is keen to retain the idea that perception is a mode of assimilation, if not a material mode. Aristotle's notorious definition has long puzzled commentators. Kalderon shows how, read in light of Empedoclean puzzlement about the sensory presentation of remote objects, Aristotle's definition of perception can be better understood. Moreover, when so read, the resulting conception of perception is both attractive and defensible.


Theory and Practice of Color

Theory and Practice of Color
Author: Frans Gerritsen
Publisher: Van Nostrand Reinhold Company
Total Pages: 196
Release: 1975
Genre: Art
ISBN:

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Procedures for Testing Color Vision

Procedures for Testing Color Vision
Author:
Publisher: National Academies Press
Total Pages: 128
Release: 1981-01-01
Genre: Color vision
ISBN:

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Theories of Color-perception

Theories of Color-perception
Author: Swan Moses Burnett
Publisher:
Total Pages: 40
Release: 1884
Genre: Color vision
ISBN:

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Color Perception in Art

Color Perception in Art
Author: Faber Birren
Publisher: Schiffer Publishing
Total Pages: 96
Release: 1986
Genre: Art
ISBN:

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The relationship of visual perception to color expression in art is presented here in clear detail. Photographs of representative paintings, explanatory line drawings, and abstract, geometric color plates supplement the text.


A Naïve Realist Theory of Colour

A Naïve Realist Theory of Colour
Author: Keith Allen
Publisher: Oxford University Press
Total Pages: 215
Release: 2016
Genre: Philosophy
ISBN: 0198755368

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A Naive Realist Theory of Colour defends the view that colours are mind-independent properties of things in the environment. Keith Allen argues that a naive realist theory of colour best explains how colours appear to perceiving subjects, and that this view is not undermined by our modern scientific understanding of the world.


Colour And Colour Theories

Colour And Colour Theories
Author: Christine Ladd-Franklin
Publisher: Routledge
Total Pages: 226
Release: 2013-07-04
Genre: Medical
ISBN: 1136307176

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This is Volume VIII of twenty-one in a collection on Cognitive Psychology. Originally published in 1929, the topic of this book, then, is the Ladd-Franklin theory of colour. Dr. Ladd-Franklin has been the first (and is still too nearly the only) physiologist to consider colour always in the light of the development of the colour-sense. This aspect of the subject is frequently reproduced in the present volume.


On Vision and Colors; Color Sphere

On Vision and Colors; Color Sphere
Author: Arthur Schopenhauer
Publisher: Chronicle Books
Total Pages: 168
Release: 2012-03-20
Genre: Design
ISBN: 1616890053

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During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci's Trattato della Pittura were written and published in Germany: Arthur Schopenhauer's On Vision and Colors and Philipp Otto Runge's Color Sphere. For Schopenhauer, vision is wholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge's Color Sphere and essay "The Duality of Color" contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a "mathematical figure of various philosophical reflections." By bringing these two visionary color theories together within a broad theoretical context—philosophy, art, architecture, and design—this volume uncovers their enduring influence on our own perception of color and the visual world around us.