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| Author | : Jane Rosenberg |
| Publisher | : Thames & Hudson |
| Total Pages | : 160 |
| Release | : 1996-01 |
| Genre | : Fiction |
| ISBN | : 9780500278734 |
An illustrated retelling of the plots of fifteen well-known operas.
| Author | : Phil G. Goulding |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 1999-08-31 |
| Genre | : Music |
| ISBN | : 0449005666 |
In Ticket to the Opera, Phil G. Goulding finally makes the magic and mystique of opera accessible to all. Here he offers a complete operatic education, including history, definitions of key musical terms, opera lore and gossip, portraits of famous singers and the roles they immortalized, as well as pithy introductions to the greatest operas of Europe and America and their composers. The book's centerpiece is what Goulding terms "the collection"--85 classics, among them Aida, The Marriage of Figaro, Carmen, and Madama Butterfly, that have been packing the world's opera houses for years. This entertaining, meticulously researched book also includes a fascinating chapter on American opera from George Gershwin's Porgy and Bess to Philip Glass's Einstein on the Beach and a discussion of the gems of twentieth-century opera featuring works like Leos Janácek's The Cunning Little Vixen, Alban Berg's Lulu, and Serge Prokofiev's The Love for Three Oranges. Whether you're a curious neophyte, a music lover interested in branching out, or an aficionado eager to compare notes with a brilliant fellow opera buff, you'll prize Ticket to the Opera as an essential volume in your music library.
| Author | : Tess Weaver |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 36 |
| Release | : 2002 |
| Genre | : Juvenile Fiction |
| ISBN | : 9780618096350 |
When the opera diva Madame SoSo gets laryngitis, her singing cat Alma fills in for her.
| Author | : Nancy Yunhwa Rao |
| Publisher | : University of Illinois Press |
| Total Pages | : 434 |
| Release | : 2017-01-11 |
| Genre | : Performing Arts |
| ISBN | : 0252099001 |
Awards: Irving Lowens Award, Society for American Music (SAM), 2019 Music in American Culture Award, American Musicological Society (AMS), 2018 Certificate of Merit for Best Historical Research in Recorded Country, Folk, Roots, or World Music, Association for Recorded Sound Collections (ARSC), 2018 Outstanding Achievement in Humanities and Cultural Studies: Media, Visual, and Performance Studies, Association for Asian American Studies (AAAS), 2019 The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre–World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.
| Author | : |
| Publisher | : |
| Total Pages | : 520 |
| Release | : 1979 |
| Genre | : Music |
| ISBN | : |
Arranged chronologically with an index of operas and a separate index of composers, librettists and literary sources.
| Author | : Claudio E. Benzecry |
| Publisher | : University of Chicago Press |
| Total Pages | : 267 |
| Release | : 2011-07-15 |
| Genre | : Music |
| ISBN | : 0226043428 |
Though some dismiss opera as old-fashioned, it shows no sign of disappearing from the world's stage. So why do audiences continue to flock to it? Opera lovers are an intense lot, Benzecry discovers in his look at the fanatics who haunt the legendary Colón Opera House in Buenos Aires.
| Author | : Naomi Andre |
| Publisher | : University of Illinois Press |
| Total Pages | : 386 |
| Release | : 2018-05-04 |
| Genre | : Music |
| ISBN | : 0252050614 |
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
| Author | : Michael Ewans |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 352 |
| Release | : 2016-02-25 |
| Genre | : Drama |
| ISBN | : 1474239099 |
In Performing Opera: A Practical Guide for Singers and Directors Michael Ewans provides a detailed and practical workbook to performing many of the most commonly produced operas. Drawing on examples from twenty-four operas ranging in period from Gluck and Mozart to Britten and Tippett, it illustrates exactly how opera functions as dramatic form. Grounded in close analyses of performances of thirty scenes and five whole operas by first-rate singers and celebrated directors, Performing Opera provides readers with an appreciation of the unique challenges and skills required by performers and directors. It will assist them in their own performance and equip them with detailed knowledge of works most commonly featured in the repertoire. In the first part of the book the analysis progresses from scenes in which the singers are silent, via arias and monologues, duets and confrontations, up to ensembles. Wider issues are subsequently addressed: encounters with offstage events, encounters with the numinous, characterization, and the sense of inevitability in tragic opera.
| Author | : Fred Plotkin |
| Publisher | : Hachette UK |
| Total Pages | : 512 |
| Release | : 2013-07-16 |
| Genre | : Music |
| ISBN | : 1401306004 |
Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.
| Author | : Henry Sutherland Edwards |
| Publisher | : |
| Total Pages | : 348 |
| Release | : 1862 |
| Genre | : History |
| ISBN | : |
History of the Opera From Its Origin in Italy to the Present Time. With Anecdotes of the Most Celebrated Composers and Vocalists of Europe Volume 1
