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Their Eyes Were Watching God

Their Eyes Were Watching God
Author: Zora Neale Hurston
Publisher:
Total Pages: 159
Release: 1937
Genre:
ISBN: 9780800074142

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Zora Neale Hurston's Their Eyes Were Watching God

Zora Neale Hurston's Their Eyes Were Watching God
Author: Cheryl A. Wall
Publisher: Oxford University Press, USA
Total Pages: 206
Release: 2000
Genre: African American women in literature
ISBN: 0195121732

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The rediscovery of Zora Neale Hurston's Their Eyes Were Watching God, first published in 1937 but subsequently out-of-print for decades, marks one of the most dramatic chapters in African-American literature and Women's Studies. Its popularity owes much to the lyricism of the prose, the pitch-perfect rendition of black vernacular English, and the memorable characters--most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century, this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues of language and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.


Their Eyes Were Watching God

Their Eyes Were Watching God
Author: Zora Neale Hurston
Publisher: DigiCat
Total Pages: 167
Release: 2022-08-01
Genre: Fiction
ISBN:

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DigiCat Publishing presents to you this special edition of "Their Eyes Were Watching God" by Zora Neale Hurston. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.


New Essays on Their Eyes Were Watching God

New Essays on Their Eyes Were Watching God
Author: Michael Awkward
Publisher: Cambridge University Press
Total Pages: 144
Release: 1990
Genre: Literary Criticism
ISBN: 9780521387750

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An analysis of the literary values of Hurston's novel, as well as its reception--from largely dismissive reviews in 1937, through a revival of interest in the 1960s and its recent establishment as a major American novel.


A Teacher's Guide to Their Eyes Were Watching God

A Teacher's Guide to Their Eyes Were Watching God
Author: Zora Neale Hurston
Publisher: Harper Collins
Total Pages:
Release: 2014-06-24
Genre: Fiction
ISBN: 0062374265

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A leading novel in the canon of African American literature—this free teaching guide for Their Eyes Were Watching God by Zora Neale Hurston is designed to help you put the new Common Core State Standards into practice. “A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don’t know how to live properly.”—Zadie Smith One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African American literature.


Zora Neale Hurston, Haiti, and Their Eyes Were Watching God

Zora Neale Hurston, Haiti, and Their Eyes Were Watching God
Author: La Vinia Delois Jennings
Publisher: Northwestern University Press
Total Pages: 0
Release: 2013-08-31
Genre: Literary Criticism
ISBN: 9780810129085

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Zora Neale Hurston wrote her most famous novel, Their Eyes Were Watching God, while in Haiti on a trip funded by a Guggenheim fellowship to research the region’s transatlantic folk and religious culture; this work grounded what would become her ethnography Tell My Horse: Voodoo and Life in Haiti and Jamaica. The essays in Zora Neale Hurston, Haiti, and “Their Eyes Were Watching God” persuasively demonstrate that Hurston’s study of Haitian Voudoun informed the characterization, plotting, symbolism, and theme of her novel. Much in the way that Voudoun and its North American derivative Voodoo are syncretic religions, Hurston’s fiction enacts a syncretic, performative practice of reference, freely drawing upon Greco-Roman, Judeo-Christian, and Haitian Voudoun mythologies for its political, aesthetic, and philosophical underpinnings. Zora Neale Hurston, Haiti, and “Their Eyes Were Watching God” connects Hurston’s work more firmly to the cultural and religious flows of the African diaspora and to the literary practice by twentieth-century American writers of subscripting in their fictional texts symbols and beliefs drawn from West and Central African religions.


Understanding Zora Neale Hurston's Their Eyes Were Watching God

Understanding Zora Neale Hurston's Their Eyes Were Watching God
Author: Neal Lester
Publisher: Bloomsbury Publishing USA
Total Pages: 198
Release: 1999-10-30
Genre: Literary Criticism
ISBN: 0313090343

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Zora Neale Hurston's Their Eyes Were Watching God highlights the vitality of African American culture. This casebook demonstrates how African Americans fashioned themselves individually and collectively to combat racism, classism, and sexism. With provocative documents that contextualize the complex issues of the novel, Lester provides an excellent resource for students and teachers first approaching the excitement and cultural flavor that define Hurston's novels. The casebook is an encyclopedia of African American folk culture that simultaneously presents historical, political, and social commentary on the relationships between men and women and between blacks and whites in America. Documents include interviews with people living in the South at the time of the novel's publication, poetry, rap, folktales, and sermons. Also included are original materials on ebonics, minstrel songs, the blues tradition, the novel in theatrical and dance performance, and materials on Hurston's hometown of Eatonville, Florida.


Mrs. Spring Fragrance

Mrs. Spring Fragrance
Author: Sui Sin Far
Publisher: Graphic Arts Books
Total Pages: 175
Release: 2021-02-23
Genre: Fiction
ISBN: 1513276867

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Mrs. Spring Fragrance (1912) is a collection of short stories by Sui Sin Far. Inspired by her experience living among Chinese Americans in San Francisco and Seattle, Mrs. Spring Fragrance is considered one of the earliest works of fiction published in the United States by a woman of Chinese heritage. In “The Inferior Woman,” Mrs. Spring Fragrance encounters her neighbors, the Carmans, as they try to find someone to marry their son. While Mrs. Carman wants him to marry into a family of higher social standing, her son is in love with a local girl who works as a legal secretary. Known by Mrs. Carman as the “Inferior Woman,” she has risen through hard work and perseverance to achieve her position at the law firm. Sympathetic toward her neighbor’s son, Mrs. Spring Fragrance advocates on his behalf. “In the Land of the Free” is the story of a Chinese immigrant who is separated from her young son upon arrival due to insufficient paperwork. Exploring the struggles of this woman to reclaim her son, Sui Sin Far exposes the discrimination and hardships faced by Chinese Americans due to the Chinese Exclusion Act, illuminating the byzantine and restrictive immigration policies which sadly continue under a different guise in modern America. With a beautifully designed cover and professionally typeset manuscript, this edition of Sui Sin Far’s Mrs. Spring Fragrance is a classic of Chinese American literature reimagined for modern readers.


Every Tub Must Sit on Its Own Bottom

Every Tub Must Sit on Its Own Bottom
Author: Deborah G. Plant
Publisher: University of Illinois Press
Total Pages: 232
Release: 1995
Genre: African American philosophy
ISBN: 9780252021831

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In a ground-breaking study of Zora Neale Hurston, Deborah Plant takes issue with current notions of Hurston as a feminist and earlier impressions of her as an intellectual lightweight who disregarded serious issues of race in American culture. Instead, Plant calls Hurston a "writer of resistance" who challenged the politics of domination both in her life and in her work. One of the great geniuses of the Harlem Renaissance, Hurston stands out as a strong voice for African American women. Her anthropological inquiries as well as her evocative prose provide today's readers with a rich history of African American folk culture - a folk culture through which Hurston expressed her personal and political strategy of resistance and self-empowerment. Through readings of Hurston's fiction and autobiographical writings, Plant offers one of the first book-length discussions of Hurston's personal philosophy of individualism and self-reliance. From a discussion of Hurston's preacher father and influential mother, whose guiding philosophy is reflected in the title of this book, to the influence of Spinoza and Nietzsche, Plant puts into perspective the driving forces behind Hurston's powerful prose.


The Caretaker

The Caretaker
Author: Doon Arbus
Publisher: New Directions Publishing
Total Pages: 129
Release: 2020-09-15
Genre: Fiction
ISBN: 0811229505

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A lush, disorienting novel, The Caretaker takes no prisoners as it explores the perils of devotion and the potentially lethal charisma of things Following the death of a renowned and eccentric collector—the author of Stuff, a seminal philosophical work on the art of accumulation—the fate of the privately endowed museum he cherished falls to a peripatetic stranger who had been his fervent admirer. In his new role as caretaker of The Society for the Preservation of the Legacy of Dr. Charles Morgan, this restive man, in service to an absent master, at last finds his calling. The peculiar institution over which he presides is dedicated to the annihilation of hierarchy: peerless antiquities commune happily with the ignored, the discarded, the undervalued and the valueless. What transpires as the caretaker assumes dominion over this reliquary of voiceless objects and over its visitors is told in a manner at once obsessive and matter-of-fact, and in language both cocooning and expansive. A wry and haunting tale, The Caretaker, like the interplanetary crystal that is one of the museum’s treasures, is rare, glistening, and of a compacted inwardness. Kafka or Shirley Jackson may come to mind, and The Caretaker may conjure up various genres—parables, ghost stories, locked-room mysteries—but Doon Arbus draws her phosphorescent water from no other writer’s well.