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| Author | : Raphael Samuel |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1985 |
| Genre | : Political plays |
| ISBN | : 9780710204165 |
This book examines how workers theatre movements intended their performances to be activist -- perceiving art as a weapon of struggle and enlightenment -- and an emancipatory act.
| Author | : Raphael Samuel |
| Publisher | : Routledge |
| Total Pages | : 303 |
| Release | : 2016-09-13 |
| Genre | : Drama |
| ISBN | : 1315445948 |
First published in 1985, this book examines how workers theatre movements intended their performances to be activist — perceiving art as a weapon of struggle and enlightenment — and an emancipatory act. An introductory study relates left-wing theatre groupings to the cultural narratives of contemporary British socialism. The progress of the Workers’ Theatre Movement (1928-1935) is traced from simple realism to the most brilliant phase of its Russian and German development alongside which the parallel movements in the United States are also examined. A number of crucial texts are reprints as well as stage notes and glimpses of the dramaturgical controversies which accompanied them.
| Author | : Raphael Samuel |
| Publisher | : London ; Boston : Routledge & Kegan Paul |
| Total Pages | : 392 |
| Release | : 1985 |
| Genre | : Performing Arts |
| ISBN | : |
This book examines how workers theatre movements intended their performances to be activist -- perceiving art as a weapon of struggle and enlightenment -- and an emancipatory act.
| Author | : Patrick J. Quinn |
| Publisher | : Susquehanna University Press |
| Total Pages | : 316 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : 9780945636908 |
The aim of Recharting the Thirties is to revitalize the awareness of the reading public with regard to eighteen writers whose books have been largely ignored by publishers and scholars since their major works first appeared in the thirties. The selection is not based on a political agenda, but encompasses a wide and divergent range of philosophies; clearly, the contrasts between Empson and Upward, or between Powell and Slater, indicated the wide-ranging vision of the period. Women writers of the period have largely been marginalized, and the writings of Sackville-West and Burdekin, for example, not only present distinct feminine voices of the period, but also illuminate how much good literature has been forgotten.
| Author | : Don Watson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 283 |
| Release | : 2023-12-28 |
| Genre | : Performing Arts |
| ISBN | : 135023205X |
This study of British amateur theatre in the inter-war period examines five different but interwoven examples of the belief, common in theatrical and educational circles at the time, that amateur drama had a purpose beyond recreation. Amateur theatre was at the height of its popularity as a cultural practice between the wars, so that by 1939 more British people had practical experience of putting on plays than at any time before or since. Providing an original account of the use of drama in adult education projects in deprived areas, and of amateur theatre in government-funded centres for the unemployed in the 1930s, it discusses repertoires, participation by working- class people and pioneering techniques of play-making. Amateur drama festivals and competitions were intended to raise standards and educate audiences. This book assesses their effect on play-making, and the use of innovative one-act plays to express contentious material, as well as looking at the Left Book Club Theatre Guild as an attempt to align the amateur theatre movement with anti-fascist and anti-war movements. A chapter on the Second World War rectifies the neglect of amateur theatre in war-time cultural studies, arguing that it was present and important in every aspect of war-time life. Don Watson builds on current scholarship and makes use of archival sources, local newspapers, unpublished scripts and the records of organizations not usually associated with the theatre. His work explores the range and diversity of amateur drama between the wars and the contributions it made to British theatre.
| Author | : Jason Price |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 224 |
| Release | : 2016-09-05 |
| Genre | : Performing Arts |
| ISBN | : 1137550627 |
This book offers a concise history of popular theatre since the early twentieth century. Using key popular culture theories and critical perspectives, Jason Price analyses popular theatres across different cultural and political contexts, drawing on a diverse range of international artists and theatre-makers who have worked with popular forms, including Vsevolod Meyerhold, Blue Blouse, Bertolt Brecht, Erwin Piscator, the San Francisco Mime Troupe, the Bread and Puppet Theatre and more. As well as defining what 'popular' means in relation to performance and the audiences who watch it, the book considers some of the political frameworks and causes that popular theatre has been placed in service of, such as socialism, the New Left and the gay rights movement. It also addresses the uses of cabaret, puppetry and circus outside their native popular contexts, examining the role they play in avant-garde and experimental theatre practices. In doing so, Price encourages readers to look beyond popular theatre as a simple form of entertainment and to consider its potential as a form of political activism, as a community-builder, and as a valuable tool for artistic experimentation.
| Author | : J. Ellen Gainor |
| Publisher | : Routledge |
| Total Pages | : 284 |
| Release | : 2003-09-02 |
| Genre | : Performing Arts |
| ISBN | : 1134844301 |
Imperialism is a transnational and transhistorical phenomenon; it occurs neither in limited areas nor at one specific moment. In cultures from across the world theatrical performance has long been a site for both the representation and support of imperialism, and resistance and rebellion against it. Imperialism and Theatre is a groundbreaking collection which explores the questions of why and how the theatre was selected within imperial cultures for the representation of the concerns of both the colonizers and the colonized. Gathering together fifteen noted scholars and theatre practitioners, this collection spans global and historical boundaries and presents a uniquely comprehensive study of post-colonial drama. The essays engage in current theoretical issues while shifting the focus from the printed text to theatre as a cultural formation and locus of political force. A compelling and extremely timely work, Imperialism and Theatre reveals fascinating new dimensions to the post-colonial debate. Contributors: Nora Alter; Sudipto Chatterjee; Mary Karen Dahl; Alan Filewood; Donald H. Frischmann; Rhonda Garelick; Helen Gilbert; Michael Hays; Loren Kruger; Josephine Lee; Robert Eric Livingston; Julie S. Peters; Michael Quinn; Edward Said; Elaine Savory.
| Author | : Claire Cochrane |
| Publisher | : Taylor & Francis |
| Total Pages | : 588 |
| Release | : 2024-10-08 |
| Genre | : Performing Arts |
| ISBN | : 104011461X |
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period. This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, and identity; fixity and mobility; bodies in performance; the materiality of theatre and communities of theatre. This approach highlights the synergies, convergences, and divergences of the theatre landscape in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time. This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers, and scholars across theatre and performance studies, cultural studies, and twentieth-century history.
| Author | : Richard Drain |
| Publisher | : Routledge |
| Total Pages | : 406 |
| Release | : 2002-09-11 |
| Genre | : Art |
| ISBN | : 1134864752 |
A diverse selection of original texts on theatre by its most creative practitioners – actors, writers, directors and designers. Contributors include Jarry, Ionescu, Shaw, Brecht, Strindberg, Stanislawski, Lorca, Brook, Soyinka, Boal and Barba.
| Author | : Lara Shalson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 101 |
| Release | : 2017-08-25 |
| Genre | : Performing Arts |
| ISBN | : 135031627X |
How does protest engage with theatre? What does theatre have to gain from protest? Theatre and protest are often closely interlinked in the contemporary cultural and political landscape, and the line between protest and performance is often difficult to draw. Yet this relationship is also beset with doubts about theatre's capacity to intervene in the social world. This fresh and insightful text thinks through the intersections and tensions between theatre and protest. Exploring the cross-fertilization of international theatre and protest across the 12th and 21st centuries, Lara Shalson illuminates how and why these two are mutually influencing and enriching forms.
