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| Author | : Erin Hurley |
| Publisher | : New Essays on Canadian Theatre |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Drama |
| ISBN | : 9781770912168 |
A collection of essays by seasoned and emerging scholars that take the emotional temperature of Canadian performances.
| Author | : Charlotta Palmstierna Einarsson |
| Publisher | : Ibidem Press |
| Total Pages | : 199 |
| Release | : 2017 |
| Genre | : Art |
| ISBN | : 9783838210681 |
Combining phenomenological analysis and affect theory, this book takes stock of the various ways in which the body in Samuel Beckett's drama participates in the affective ecology of performance. If the post-human innovation up until the present has worked to decentre the 'human', by rendering notions of thinking, experience, and affect impersonal and by developing new models of expression and communication, then this innovation seems to be already underway in Beckett's theatre of affect where the assault against language is made possible through the thematising of the body as a mode of encountering presence. The corporeal turn in Beckett's drama therefore has far-reaching implications for the production of meaning in his work.
| Author | : August Wilson |
| Publisher | : Theatre Communications Grou |
| Total Pages | : 54 |
| Release | : 2001 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781559361873 |
August Wilson's radical and provocative call to arms.
| Author | : Jean I. Marsden |
| Publisher | : Cambridge University Press |
| Total Pages | : 237 |
| Release | : 2019-06-27 |
| Genre | : Drama |
| ISBN | : 1108476139 |
Engaging account of theatregoing in the later eighteenth century that explores how audiences responded emotionally to the performances.
| Author | : Farah Karim Cooper |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 317 |
| Release | : 2015-01-05 |
| Genre | : Drama |
| ISBN | : 1408157055 |
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.
| Author | : Szabolcs Musca |
| Publisher | : Intellect (UK) |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Community theater |
| ISBN | : 9781789380767 |
Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.
| Author | : Farah Karim Cooper |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 317 |
| Release | : 2015-01-05 |
| Genre | : Drama |
| ISBN | : 1408174642 |
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.
| Author | : Jean I. Marsden |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2019-06-27 |
| Genre | : Drama |
| ISBN | : 1108754406 |
Theatre and theatregoing was central to the cultural life of later eighteenth-century Britain. In this engaging work, Jean I. Marsden explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Using first-hand accounts, reviews, and illustrations to complement the drama of the era, Marsden examines why both critics and audiences elevated the theatre above the pulpit and how they experienced the plays and performances that they witnessed. Tears and even fainting fits were a common reaction to powerful productions, and playwrights sought to harness this emotion. The book explores this intersection of text, performance, and affect in a series of case studies of plays exploring British liberty, empire and the evils of antisemitism. With a focus on emotional response, Theatres of Feeling delivers a new approach to dramatic literature and performance, one that moves beyond more limited studies of text or performance.
| Author | : Laura Cull Ó Maoilearca |
| Publisher | : Springer |
| Total Pages | : 291 |
| Release | : 2012-10-10 |
| Genre | : Performing Arts |
| ISBN | : 1137291915 |
Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Deleuze's philosophy for theatre and performance. Drawing from Goat Island, Butoh, Artaud and Kaprow, as well from Deleuze, Bergson and Laruelle, the book conceives performance as a way of thinking immanence.
| Author | : Peta Tait |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 200 |
| Release | : 2021-01-14 |
| Genre | : Performing Arts |
| ISBN | : 1350030872 |
Theory for Theatre Studies: Emotion explores how emotion is communicated in drama, theatre, and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, Brecht and Caryl Churchill, theatre reveals and, informs but also warns about the emotions. The term 'emotion' encompasses the emotions, emotional feelings, affect and mood, and the book explores how these concepts are embodied and experienced within theatrical practice and explained in theory. Since emotion is artistically staged, its composition and impact can be described and analysed in relation to interdisciplinary approaches. Readers are encouraged to consider how emotion is dramatically, aurally, and visually developed to create innovative performance. Case studies include: Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsen's A Doll's House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic, and The Wooster Group. By way of these detailed case studies, readers will appreciate new methodologies and approaches for their own exploration of 'emotion' as a performance component. Online resources to accompany this book are available at https://www.bloomsbury.com/theory-for-theatre-studies-emotion-9781350030848/.
