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Theatre Symposium, Vol. 23

Theatre Symposium, Vol. 23
Author: David S. Thompson
Publisher: University of Alabama Press
Total Pages: 144
Release: 2015-10-15
Genre: Performing Arts
ISBN: 0817370102

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The essays in volume 23 of Theatre Symposium offer a rich exploration of depictions of youth in works of theatre as well as the role youth play in the creation and performance of drama.


Theatre Symposium, Vol 27

Theatre Symposium, Vol 27
Author: Sarah Elizabeth McCarroll
Publisher:
Total Pages: 123
Release: 2019
Genre: Theater
ISBN: 9780817392499

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Theatre Symposium, Vol. 28

Theatre Symposium, Vol. 28
Author: Andrew Gibb
Publisher: University Alabama Press
Total Pages: 126
Release: 2020-11-10
Genre: Performing Arts
ISBN: 0817370153

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Peer-reviewed journal of theater history and scholarship published annually by the Southeastern Theatre Conference (SETC)


Theatre Symposium, Vol. 30

Theatre Symposium, Vol. 30
Author: Chase Bringardner
Publisher: University of Alabama Press
Total Pages: 128
Release: 2023-05-09
Genre: Performing Arts
ISBN: 081737017X

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Illustrates how theatre's engagement with politics changes over time


Theatre Symposium, Vol. 18

Theatre Symposium, Vol. 18
Author: J K Curry
Publisher: University of Alabama Press
Total Pages: 152
Release: 2010-10-15
Genre: Performing Arts
ISBN: 0817370056

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Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. The contributors illuminate many aspects of this largely ignored yet crucial part of the theatre.


Theatre Symposium, Vol. 16

Theatre Symposium, Vol. 16
Author: Jay Malarcher
Publisher: University of Alabama Press
Total Pages: 139
Release: 2008-09-14
Genre: Performing Arts
ISBN: 0817355103

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Comedy Tonight! in Volume 16 of the annual journal Theatre Symposium illustrate well the range of material that falls under the heading "comedy" as it is played on stage.


Theatre Symposium, Vol. 20

Theatre Symposium, Vol. 20
Author: Edward Bert Wallace
Publisher: University of Alabama Press
Total Pages: 128
Release: 2012-09-17
Genre: Performing Arts
ISBN: 0817370072

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The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of Victorian audiences, and historical attempts to create ideal audiences. Edited by E. Bert Wallace, this latest publication from the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. Contributors To Volume 20 Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Marty


Theatre Symposium, Vol. 24

Theatre Symposium, Vol. 24
Author: Arnab Banerji
Publisher: University of Alabama Press
Total Pages: 144
Release: 2016-07-19
Genre: Architecture
ISBN: 0817370110

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At a time when so many options exist for access to theatrical entertainments, it is no surprise that theatre practitioners and scholars are often preoccupied with the role of the audience. While space undoubtedly impacts the rehearsal and production processes, its greater significance seems to rest in the impact a specific location has on the audience. This volume delves into issues of theatre and space, traversing traditional theatre spaces such as the African Grove Theater discussed by Gregory Carr, Tony Gunn's examination of Edward Gorey's theatrical designs, and George Pate's reflections on Beckett's stage directors. Also highlighted are some decidedly innovative spaces, like those described by J. K. Curry in her examination of "Theatre for One" and modern uses of medieval sacred spaces as detailed by Carla Lahey. Whether positive or negative in scope, meanings generated within theatre spaces are impacted by the cultural context from which they emerge--the ways in which space is conceived, scrutinized, and experiences. As a result, the relationship between space, theatre, and audience is diverse, complex, and ever changing in practice.