Theatre Symposium Vol 18 PDF Download
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| Author | : J K Curry |
| Publisher | : University of Alabama Press |
| Total Pages | : 152 |
| Release | : 2010-10-15 |
| Genre | : Performing Arts |
| ISBN | : 0817370056 |
Download Theatre Symposium, Vol. 18 Book in PDF, ePub and Kindle
Stage properties are an often-ignored aspect of theatrical productions, in part because their usage is meant to be seamlessly integrated into the performance instead of a focal point for the audience. The contributors illuminate many aspects of this largely ignored yet crucial part of the theatre.
| Author | : Southeastern Theatre Conference (U.S.) |
| Publisher | : |
| Total Pages | : 131 |
| Release | : 2001 |
| Genre | : Drama |
| ISBN | : 9780817386948 |
Download Theatre and Politics in the Twentieth Century Book in PDF, ePub and Kindle
| Author | : Andrew Gibb |
| Publisher | : University of Alabama Press |
| Total Pages | : 175 |
| Release | : 2022-04-05 |
| Genre | : Performing Arts |
| ISBN | : 0817370161 |
Download Theatre Symposium, Vol. 29 Book in PDF, ePub and Kindle
Papers solicited from the presenters for the cancelled 2020 Southeastern Theatre Conference.
| Author | : David S. Thompson |
| Publisher | : University of Alabama Press |
| Total Pages | : 144 |
| Release | : 2015-10-15 |
| Genre | : Performing Arts |
| ISBN | : 0817370102 |
Download Theatre Symposium, Vol. 23 Book in PDF, ePub and Kindle
The essays in volume 23 of Theatre Symposium offer a rich exploration of depictions of youth in works of theatre as well as the role youth play in the creation and performance of drama.
| Author | : Edward Bert Wallace |
| Publisher | : University of Alabama Press |
| Total Pages | : 128 |
| Release | : 2012-09-17 |
| Genre | : Performing Arts |
| ISBN | : 0817370072 |
Download Theatre Symposium, Vol. 20 Book in PDF, ePub and Kindle
The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of Victorian audiences, and historical attempts to create ideal audiences. Edited by E. Bert Wallace, this latest publication from the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. Contributors To Volume 20 Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Marty
| Author | : [Anonymus AC02238415] |
| Publisher | : |
| Total Pages | : |
| Release | : 1995 |
| Genre | : |
| ISBN | : 9789994401291 |
Download Theatre symposium : a journal of the Southeastern Theatre Conference Book in PDF, ePub and Kindle
| Author | : Andrew Gibb |
| Publisher | : University Alabama Press |
| Total Pages | : 126 |
| Release | : 2020-11-10 |
| Genre | : Performing Arts |
| ISBN | : 0817370153 |
Download Theatre Symposium, Vol. 28 Book in PDF, ePub and Kindle
Peer-reviewed journal of theater history and scholarship published annually by the Southeastern Theatre Conference (SETC)
| Author | : Edward Bert Wallace |
| Publisher | : University of Alabama Press |
| Total Pages | : 146 |
| Release | : 2013-12-31 |
| Genre | : Art |
| ISBN | : 0817370080 |
Download Theatre Symposium, Vol. 21 Book in PDF, ePub and Kindle
Volume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual. Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. Ritual, Religion, and Theatre, volume 21 of the annual journal Theatre Symposium, presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance. The essays in this volume discuss the stage presence of the spiritual meme; ritual performance and spirituality in The Living Theatre; theatricality, themes, and theology in James Weldon Johnson’s God’s Trombones; Jordan Harrison’s Act a Lady and the ritual of queerness; Gerpla and national identity in Iceland; confession in Hamlet and Measure for Measure; Christian liturgical drama; Muslim theatre and performance; cave rituals and the Brain’s Theatre; and other, more general issues. Edited by E. Bert Wallace, this latest publication by the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. CONTRIBUTORS Cohen Ambrose / David Callaghan / Gregory S. Carr Matt DiCintio / William Doan / Tom F. Driver / Steve Earnest Jennifer Flaherty / Charles A. Gillespie / Thomas L. King Justin Kosec / Mark Pizzato / Kate Stratton
| Author | : M. Scott Phillips |
| Publisher | : University of Alabama Press |
| Total Pages | : 140 |
| Release | : 2007-09-23 |
| Genre | : Performing Arts |
| ISBN | : 0817354573 |
Download Theatre Symposium, Vol. 15 Book in PDF, ePub and Kindle
The essays gathered together in Volume 15 of the annual journal Theatre Symposium investigate how, historically, the theatre has been perceived both as a source of moral anxiety and as an instrument of moral and social reform. Essays consider, among other subjects, ethnographic depictions of the savage “other” in Buffalo Bill’s engagement at the Columbian Exposition of 1893; the so-called “Moral Reform Melodrama” in the nineteenth century; charity theatricals and the ways they negotiated standards of middle-class respectability; the figure of the courtesan as a barometer of late nineteenth and early twentieth-century moral and sexual discourse; Aphra Behn’s subversion of Restoration patriarchal sexual norms in The Feigned Courtesans; and the controversy surrounding one production of Tony Kushner Angels in America, during which officials at one of the nation’s more prominent liberal arts colleges attempted to censor the production, a chilling reminder that academic and artistic freedom cannot be taken for granted in today’s polarized moral and political atmosphere.
| Author | : Chase Bringardner |
| Publisher | : University of Alabama Press |
| Total Pages | : 155 |
| Release | : 2024-06-21 |
| Genre | : Performing Arts |
| ISBN | : 0817370188 |
Download Theatre Symposium, Vol. 31 Book in PDF, ePub and Kindle
A new issue of the longstanding theatre journal, documenting conversations that traverse disciplinary boundaries The essays in the thirty-first volume of Theatre Symposium traverse disciplinary boundaries to explore what constitutes the "popular" in theater and performance in an increasingly frenetic and mediated landscape. Amid the current resurgence of populist discourse and the enduring impact of popular culture, this volume explores what is considered popular, how that determination gets made, and who makes it. The answers to these questions shape the structures and systems of performance in an interaction that is reciprocal, intricate, and multifaceted. Productions often succeed or fail based on their ability to align with what is popular--sometimes productively, sometimes clumsily, sometimes brazenly, and sometimes tragically. In our current moment, what constitutes the popular profoundly affects the real world politically, economically, and socially. Controversies about the electoral college system hinge on the primacy of the "popular" vote. Streaming services daily update lists of their most popular content and base future decisions on opaque measures of popularity. Social media platforms broadcast popular content across the globe, triggering new products, social activism, and political revolutions. The contributors to this volume engage with a range of contemporary and historical examples and argue with clarity and acuity the interplay of performance and the popular. Theatre and performance deeply engage with the popular at every level--from audience response to box office revenue. The variety of methodologies and sites of inquiry showcased in this volume demonstrates the breadth and depth of the popular and the importance of such work to understanding our present moment onstage and off. CONTRIBUTORS Mysia Anderson / Chase Bringardner / Elizabeth M. Cizmar / Chelsea Curto / Janet M. Davis / Tom Fish / Kyla Kazuschyk / Sarah McCarroll / Eleanor Owicki / Sunny Stalter-Pace / Chelsea Taylor / Chris Woodworth
