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| Author | : Laurence Senelick |
| Publisher | : Cambridge University Press |
| Total Pages | : 516 |
| Release | : 1991-01-25 |
| Genre | : Drama |
| ISBN | : 9780521244466 |
Chronicles the emergence of a national feeling in the theatres of Northern and Eastern Europe from the mid-eighteenth to the late nineteenth centuries.
| Author | : |
| Publisher | : |
| Total Pages | : 5023 |
| Release | : 2009 |
| Genre | : Theater |
| ISBN | : 9780521747127 |
| Author | : Phillip B. Zarrilli |
| Publisher | : Taylor & Francis |
| Total Pages | : 656 |
| Release | : 2010 |
| Genre | : Performing Arts |
| ISBN | : 0415462231 |
Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
| Author | : George W. Brandt |
| Publisher | : Cambridge University Press |
| Total Pages | : 592 |
| Release | : 1993-05-27 |
| Genre | : Drama |
| ISBN | : 9780521233835 |
This is the third volume to be published in the series Theatre in Europe. This book makes available for the first time an overview of a significant segment of European theatre history and, with few exceptions, none of the documents presented have been published in English before. Gathered from a rich variety of sources, including imperial and municipal edicts, contracts, architectural descriptions, playbills, stage directions and actors' memoirs among others, the book sheds light on one of the most fascinating areas of cultural life in the German- and Dutch-speaking countries. Explanatory passages put these documents into their historical context, and numerous illustrations bring the material even more vividly to life. Also included is the source location for each document and a substantial bibliography.
| Author | : Nadine Holdsworth |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 87 |
| Release | : 2010-06-30 |
| Genre | : Performing Arts |
| ISBN | : 1350316296 |
How has theatre engaged with the nation-state and helped to formulate national identities? What impact have migration and globalisation had on the relationship between theatre and nation? Theatre & Nation explores how theatre institutions, playwrights, theatre-makers and performance artists engage with the nation, nationalism and national identity in their work. The book argues that theatrical representations of the nation are constantly in flux and that the way theatre engages with the nation changes according to different geographical, political, economic, social and cultural circumstances. Foreword by Nicholas Hytner.
| Author | : Nicholas Rzhevsky |
| Publisher | : Cambridge University Press |
| Total Pages | : 525 |
| Release | : 1999-02-25 |
| Genre | : Literary Criticism |
| ISBN | : 1139825275 |
Russia is a dominant force in the world, whose culture has been shaped by its unique position on the margins of both East and West. As Russia faces new cultural challenges from outside its national boundaries, this volume introduces Russian culture in all its rich diversity, including the historical conditions that helped shape it and the arts that express its highest achievements. Newly commissioned essays by leading scholars explore language, religion, geography, ideological structures, folk ethos and popular culture, literature, music, theatre, art, and film. A chronology and guides to further reading are also provided. The Companion offers both historical orientation for the central processes of Russian culture and introductory surveys of the arts in their modern context. Overall, the volume reveals, for students, academic researchers and all those interested in Russia, the dilemmas, strengths, and complexities of the Russian cultural experience.
| Author | : Mechele Leon |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 289 |
| Release | : 2019-08-08 |
| Genre | : History |
| ISBN | : 1350135445 |
French philosopher Jean-Jacques Rousseau wrote, 'the general effect of the theatre is to strengthen the national character to augment the national inclinations, and to give a new energy to all the passions'. During the Enlightenment, the advancement of radical ideas along with the emergence of the bourgeois class contributed to a renewed interest in theatre's efficacy, informed by philosophy yet on behalf of politics. While the 18th century saw a growing desire to define the unique and specific features of a nation's drama, and audiences demanded more realistic portrayals of humanity, theatre is also implicated in this age of revolutions. A Cultural History of Theatre in the Age of Enlightenment examines these intersections, informed by the writings of key 18th-century philosophers. Richly illustrated with 45 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
| Author | : Marilena Zaroulia |
| Publisher | : Springer |
| Total Pages | : 274 |
| Release | : 2015-07-27 |
| Genre | : Performing Arts |
| ISBN | : 1137379375 |
Discussing crises through diverse examples, including the UK's National Theatre, public art installations, Occupy LSX, repatriation ceremonies and performances of the everyday, this book asks how performance captures and resists what is considered (politically, ideologically, culturally or socially) 'inside' or 'outside' Europe.
| Author | : Frederick J. Marker |
| Publisher | : Cambridge University Press |
| Total Pages | : 408 |
| Release | : 1996-09-28 |
| Genre | : Drama |
| ISBN | : 9780521392372 |
A balanced and authoritative account of the theatrical history of all three Scandinavian countries.
| Author | : Paul Du Quenoy |
| Publisher | : Penn State Press |
| Total Pages | : 306 |
| Release | : 2010-11 |
| Genre | : Performing Arts |
| ISBN | : 0271048077 |
"Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era"--Provided by publisher.
