Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Theatre History Studies 2014 Vol 33 PDF full book. Access full book title Theatre History Studies 2014 Vol 33.
| Author | : Elizabeth Reitz Mullenix |
| Publisher | : University of Alabama Press |
| Total Pages | : 321 |
| Release | : 2014-12-15 |
| Genre | : Performing Arts |
| ISBN | : 0817358072 |
Theatre History Studies 2014, Volume 33, brings together an original collection of essays that explore a topic of growing interest--theatre and war.
| Author | : Sara Freeman |
| Publisher | : University of Alabama Press |
| Total Pages | : 392 |
| Release | : 2016-12-06 |
| Genre | : Performing Arts |
| ISBN | : 0817371109 |
Rosemarie K. Bank and Michal Kobialka, eds., Theatre/Performance Historiography: Time, Space, Matter / Reviewed by Danny Devlin
| Author | : Rhona Justice-Malloy |
| Publisher | : |
| Total Pages | : 178 |
| Release | : 2011 |
| Genre | : Theater |
| ISBN | : |
| Author | : Oliviero Frattolillo |
| Publisher | : Taylor & Francis |
| Total Pages | : 215 |
| Release | : 2023-07-14 |
| Genre | : History |
| ISBN | : 1000909670 |
This book is a political and cultural history of the early postwar Japan aiming at exploring how the perception and cultural values of everyday life in the country changed along with the rise of the kasutori culture. Such a process was closely tied with both a refusal of the samurai culture and the interwar debate on modernity, and it resulted in a decadent way of life, exemplified by intellectuals such as Sakaguchi Ango. It depicts a short-lived radical cultural and social alternative, one that forced people to rethink their relationship to the kokutai, modernity, social roles, daily practices, and the production of knowledge. The subjectivity and daily practices in those years were more important in shaping the cultural identities of the Japanese than the new public ideology of the nation. This challenges some Euro-American historical notions that the new private sphere has emerged in Japan as an effect of the country’s Americanization, rather than from within it. This work not only looks at the immediate aftermath of WWII from the perspective of Japan, but also tries to rethink Westernization in the light of its global appropriation. This volume is addressed to specialists of Japanese or Asian history, but it will also attract historians of the United States and readers from political and intellectual history, cultural studies, and historiography in general.
| Author | : Rhona Justice-Malloy |
| Publisher | : |
| Total Pages | : 257 |
| Release | : 2009 |
| Genre | : Theater |
| ISBN | : |
| Author | : Rhona Justice-Malloy |
| Publisher | : University of Alabama Press |
| Total Pages | : 269 |
| Release | : 2009-08-09 |
| Genre | : History |
| ISBN | : 0817355545 |
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The purpose of MATC is to unite people and organizations in their region with an interest in theatre and to promote the growth and development of all forms of theatre.
| Author | : Lisa Jackson-Schebetta |
| Publisher | : University Alabama Press |
| Total Pages | : 296 |
| Release | : 2020-12-15 |
| Genre | : Performing Arts |
| ISBN | : 0817371141 |
| Author | : Steve Tillis |
| Publisher | : Springer Nature |
| Total Pages | : 320 |
| Release | : 2020-09-19 |
| Genre | : Performing Arts |
| ISBN | : 3030483436 |
The future of theatre history studies requires consideration of theatre as a global phenomenon. The Challenge of World Theatre History offers the first full-scale argument for abandoning an obsolete and parochial Eurocentric approach to theatre history in favor of a more global perspective. This book exposes the fallacies that reinforce the conventional approach and defends the global perspective against possible objections. It moves beyond the conventional nation-based geography of theatre in favor of a regional geography and develops a new way to demarcate the periods of theatre history. Finally, the book outlines a history that recognizes the often-connected developments in theatre across Eurasia and around the world. It makes the case that world theatre history is necessary not only for itself, but for the powerful comparative and contextual insights it offers to all theatre scholars and students, whatever their special areas of interest.
| Author | : Sara Freeman |
| Publisher | : University Alabama Press |
| Total Pages | : 380 |
| Release | : 2018-12-18 |
| Genre | : Performing Arts |
| ISBN | : 9780817371128 |
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 37 STEFAN AQUILINA Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” VIVIAN APPLER “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon KRISTI GOOD Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress PETER A. CAMPBELL Staging Ajax’s Suicide: A Historiography BRIAN E. G. COOK Rousing Experiences: Theatre, Politics, and Change MEGAN LEWIS Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze PATRICIA GABORIK Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy ILINCA TODORUT AND ANTHONY SORGE To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring SHULAMITH LEV-ALADGEM Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today CHRISTINE WOODWORTH “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements LURANA DONNELS O’MALLEY “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism JULIET GUZZETTA The Lasting Theatre of Dario Fo and Franca Rame ASHLEY E. LUCAS Chavez Ravine: Culture Clash and the Political Project of Rewriting History NOE MONTEZ The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity
| Author | : Gianina Druta |
| Publisher | : transcript Verlag |
| Total Pages | : 325 |
| Release | : 2024-02-29 |
| Genre | : Performing Arts |
| ISBN | : 3839470188 |
While Ibsen's plays were seldom performed in Romania in the first half of the 20th century, historical sources highlight his strong impact on the national theatre practice. To address this contradiction, Gianina Druta approaches the reception of Ibsen in the Romanian theatre in the period 1894-1947, combining Digital Humanities and theatre historiography. This investigation of the European theatre culture and the way in which the foreign acting and staging traditions influenced the Romanian Ibsenites provides new insights into mechanisms of aesthetic transmission. Thus, this study presents a European theatre landscape whose unpredictability and uniqueness cannot be confined to essentialist interpretations.
