Theatre Communications
Author | : |
Publisher | : |
Total Pages | : 24 |
Release | : 1982 |
Genre | : Theater |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 24 |
Release | : 1982 |
Genre | : Theater |
ISBN | : |
Author | : |
Publisher | : Cambria Press |
Total Pages | : 256 |
Release | : |
Genre | : |
ISBN | : 1621969606 |
Author | : |
Publisher | : |
Total Pages | : 450 |
Release | : 1983 |
Genre | : Theater |
ISBN | : |
Author | : T. Nellhaus |
Publisher | : Springer |
Total Pages | : 242 |
Release | : 2010-06-21 |
Genre | : Performing Arts |
ISBN | : 0230107958 |
From oral culture, through the advent of literacy, to the introduction of printing, to the development of electronic media, communication structures have radically altered culture in profound ways. As the first book to take a critical realist approach to culture, Theatre, Communication, Critical Realism examines theatre and its history through the interaction of society s structures, agents, and discourses. Tobin Nellhaus shows that communication structure - a culture s use and development of speech, handwriting, printing, and electronics - explains much about why, when, and how theatre has transformed.
Author | : August Wilson |
Publisher | : Theatre Communications Grou |
Total Pages | : 54 |
Release | : 2001 |
Genre | : Biography & Autobiography |
ISBN | : 9781559361873 |
August Wilson's radical and provocative call to arms.
Author | : Theatre Communications Group. Conference |
Publisher | : |
Total Pages | : 121 |
Release | : 1978 |
Genre | : Theater |
ISBN | : |
Author | : Stephanie Coen |
Publisher | : |
Total Pages | : 184 |
Release | : 2003 |
Genre | : Drama |
ISBN | : |
Audition monologues selected from plays first published in American theatre magazine since 1985.
Author | : Lee Brewer Jones |
Publisher | : Bloomsbury Publishing |
Total Pages | : 209 |
Release | : 2023-06-15 |
Genre | : Performing Arts |
ISBN | : 1350251739 |
In this volume, Lee Brewer Jones examines Paula Vogel as both a playwright and renowned teacher, analyzing texts and early reviews of Vogel's major plays-including Indecent, Desdemona, How I Learned to Drive, and The Baltimore Waltz-before turning attention to her influence upon other major American playwrights, including Sarah Ruhl, Lynn Nottage, and Quiara Alegría Hudes. Chapters explore Vogel's plays in chronological order, consider her early influences and offer detailed accounts of her work in performance. Enriched by an interview with Lynn Nottage and essays from scholars Ana Fernández-Caparrós and Amy Muse, this is a vibrant exploration of Paula Vogel as a major American playwright. By the time Paula Vogel made her Broadway debut with her 2017 Rebecca Taichman collaboration Indecent, she was already an accomplished playwright, with a Pulitzer Prize for How I Learned to Drive (1998) and two Obie Awards. She had also enjoyed a brilliant career as a professor at Brown and Yale with students such as Sarah Ruhl, a MacArthur Genius Grant winner, Pulitzer Prize winners Nilo Cruz, Quiara Alegría Hudes, and the only woman to win two Pulitzers for Drama, Lynn Nottage. Vogel's theatre draws upon Russian Formalist Viktor Shklovsky and uses devices such as defamiliarization and negative empathy to challenge conventional definitions of protagonists and antagonists.
Author | : |
Publisher | : |
Total Pages | : 1300 |
Release | : 1989 |
Genre | : Periodicals |
ISBN | : |
A union list of serials commencing publication after Dec. 31, 1949.
Author | : J. Frieze |
Publisher | : Springer |
Total Pages | : 223 |
Release | : 2009-10-16 |
Genre | : Performing Arts |
ISBN | : 0230245706 |
Reading a range of work from the US and UK over the last two decades, this is an innovative study of theatre's growing obsession with technologies and effects of naming. How does theatre reflect, and intervene in, naming practices across domains such as philosophy, computing, journalism, anthropology, advertising, military training, and genetics?