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| Author | : Robert Kavanagh |
| Publisher | : London : Zed Books ; Totowa, N.J. : US distributor, Biblio Distribution Center |
| Total Pages | : 237 |
| Release | : 1985 |
| Genre | : Theater |
| ISBN | : 9780862322823 |
A pioneering study of South African theatre under Apartheid, exploring the ways in which the stage became an arena for the battle against oppression.
| Author | : Robert Mshengu Kavanagh |
| Publisher | : |
| Total Pages | : 237 |
| Release | : 1987 |
| Genre | : |
| ISBN | : |
| Author | : Robert Mshengu Kavanagh |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 265 |
| Release | : 2017-06-15 |
| Genre | : Performing Arts |
| ISBN | : 1783609796 |
In this book, South African performer and activist Robert Mshengu Kavanagh reveals the complex and conflicting interplay of class, nation and race in South African theatre under Apartheid. Evoking an era when theatre itself became a political battleground, Kavanagh displays how the struggle against Apartheid was played out on the stage as well as on the streets. Kavanagh's account spans three very different areas of South African theatre, with the author considering the merits and limitations of the multi-racial theatre projects created by white liberals; the popular commercial musicals staged for black audiences by emergent black entrepreneurs; and the efforts of the Black Consciousness Movement to forge a distinctly African form of revolutionary theatre in the 1970s. The result is a highly readable, pioneering study of the theatre at a time of unprecedented upheaval, diversity and innovation, with Kavanagh's cogent analysis demonstrating the subtle ways in which culture and the arts can become an effective means of challenging oppression.
| Author | : Elizabeth Gunner |
| Publisher | : Indiana University Press |
| Total Pages | : 308 |
| Release | : 1994 |
| Genre | : Drama |
| ISBN | : 9781868142149 |
This volume is a collection of essays that explore aspects of popular culture in South Africa, Zimbabwe and Zambia. These writings examine such topics as the degree of state control over theatre, the interaction - or lack of it - between high and popular culture, the struggle to define meaningful cultural forms in the wake of a dominating and exclusive colonial culture and the contribution of women. What emerges is a strong sense of regional concerns shared by the Southern African cultures under discussion, the contributors also give voice to crucial differences and debates on the nature of contemporary theatre and performance and the links with popular culture, politics and nation.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 318 |
| Release | : 2021-11-22 |
| Genre | : Literary Criticism |
| ISBN | : 9004484205 |
One of the most striking features of cultural life in South Africa has been the extent to which one area of cultural practice - theatre - has more than any other testified to the present condition of the country, now in transition between its colonial past and a decolonized future. But in what sense and how far does the critical force of theatre in South Africa as a mode of intervention continue? In the immediate post-election moment, theatre seemed to be pursuing an escapist, nostalgic route, relieved of its historical burden of protest and opposition. But, as the contributors to this volume show, new voices have been emerging, and a more complex politics of the theatre, involving feminist and gay initiatives, physical theatre, festival theatre and theatre-for-education, has become apparent. Both new and familiar players in South African theatre studies from around the world here respond to or anticipate the altered conditions of the country, while exploring the notion that theatre continues to 'intervene.' This broad focus enables a wide and stimulating range of approaches: contributors examine strategies of intervention among audiences, theatres, established and fledgling writers, canonical and new texts, traditional and innovative critical perspectives. The book concludes with four recent interviews with influential practitioners about the meaning and future of theatre in South Africa: Athol Fugard, Fatima Dike, Reza de Wet, and Janet Suzman.
| Author | : Robert Kavanagh |
| Publisher | : |
| Total Pages | : 237 |
| Release | : |
| Genre | : Electronic books |
| ISBN | : 9781350223615 |
A pioneering study of South African theatre under Apartheid, exploring the ways in which the stage became an arena for the battle against oppression.
| Author | : Geoffrey Davis |
| Publisher | : Routledge |
| Total Pages | : 358 |
| Release | : 2020-04-27 |
| Genre | : Performing Arts |
| ISBN | : 1134362978 |
First Published in 1997. Can South African theatre continue to maintain its autonomy and exercise its critical role? Can one rethink form and find new content? Can a concept of post-protest theatre be developed? How might theatre contribute to post-apartheid soceity? These are just of the questions addressed in this book. The real and present difficulties South Africian theatre is facing, as well as possible future orientations, are clearly shown, at one of the most complex moments of political transition in the history of the South African society. The authors include contributions from playwrights, actors, visual artists, poets, directors, administrators, critics and theatre academics. Their comments and thoughts portray the active process of reflection and reappraisal, redefining their artistic and political aims, searching for new and vital theatrical forms.
| Author | : Martin Orkin |
| Publisher | : Manchester University Press |
| Total Pages | : 276 |
| Release | : 1991 |
| Genre | : Literature and state |
| ISBN | : 9780719025778 |
Drawing on recent post-structuralist and cultural materialist concepts, Orkin (English, Witwatersrand U., South Africa) examines how South African drama over the past several decades has constructed the subject and the landscape, presented the body, and sometimes sought to define a national culture. He considers both individual playwrights and theatre companies. Distributed in Anglo-America by St. Martin's. Paper edition (unseen), $16.95. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Belinda Bozzoli |
| Publisher | : Edinburgh University Press |
| Total Pages | : 336 |
| Release | : 2019-06-01 |
| Genre | : Alexandra (Johannesburg, South Africa) |
| ISBN | : 147446467X |
This is a compelling study of the origins and trajectory of a legendary black uprising against apartheid - the Alexandra Rebellion of 1986. Using insights from the literature on collective action and social movements, it delves deep into the rebellion's inner workings. It examines how the residents of Alexandra - a poverty-stricken, segregated township in Johannesburg - manipulated and overturned the meanings of space, time and power in their sequestered world; how they used political theatre to convey, stage and dramatise their struggle; and how young and old residents generated differing ideologies and tactics, giving rise to a distinct form of generational politics. Theatres of Struggle asks the reader to enter into the world of the rebels, and to confront the moral complexity and social duress they experienced as they invented new social forms and violently attacked old ones.
| Author | : Loren Kruger |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2019-11-28 |
| Genre | : Performing Arts |
| ISBN | : 1350008036 |
“Theatre is not part of our vocabulary”: Sipho Sepamla's provocation in 1981, the year of famous anti-apartheid play Woza Albert!, prompts the response, yes indeed, it is. A Century of South African Theatre demonstrates the impact of theatre and other performances-pageants, concerts, sketches, workshops, and performance art-over the last hundred years. Its coverage includes African responses to pro-British pageants celebrating white Union in 1910, such as the Emancipation Centenary of the abolition of British colonial slavery in 1934 organized by Griffiths Motsieloa and HIE Dhlomo, through anti-apartheid testimonial theatre by Athol Fugard, Maishe Maponya, Gcina Mhlophe, and many others, right up to the present dramatization of state capture, inequality and state violence in today's unevenly democratic society, where government has promised much but delivered little. Building on Loren Kruger's personal observations of forty years as well as her published research, A Century of South African Theatre provides theoretical coordinates from institution to public sphere to syncretism in performance in order to highlight South Africa's changing engagement with the world from the days of Empire, through the apartheid era to the multi-lateral and multi-lingual networks of the 21st century. The final chapters use the Constitution's injunction to improve wellbeing as a prompt to examine the dramaturgy of new problems, especially AIDS and domestic violence, as well as the better known performances in and around the Truth and Reconciliation Commission. Kruger critically evaluates internationally known theatre makers, including the signature collaborations between animator/designer William Kentridge, and Handspring Puppet Company, and highlights the local and transnational impact of major post-apartheid companies such as Magnet Theatre.
