Theater And Nation In Eighteenth Century Germany PDF Download
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Author | : Michael J. Sosulski |
Publisher | : Routledge |
Total Pages | : 194 |
Release | : 2017-03-02 |
Genre | : Literary Criticism |
ISBN | : 1351880152 |
Download Theater and Nation in Eighteenth-Century Germany Book in PDF, ePub and Kindle
In 1767, more than a century before Germany was incorporated as a modern nation-state, the city of Hamburg chartered the first Deutsches Nationaltheater. What can it have meant for a German playhouse to have been a national theater, and what did that imply about the way these theaters operated? Michael Sosulski contends that the idea of German nationhood not only existed prior to the Napoleonic Wars but was decisive in shaping cultural production in the last third of the eighteenth century, operating not on the level of popular consciousness but instead within representational practices and institutions. Grounding his study in a Foucauldian understanding of emergent technologies of the self, Sosulski connects the increasing performance of body discipline by professional actors, soldiers, and schoolchildren to the growing interest in German national identity. The idea of a German cultural nation gradually emerged as a conceptual force through the work of an influential series of literary intellectuals and advocates of a national theater, including G. E. Lessing and Friedrich Schiller. Sosulski combines fresh readings of canonical and lesser-known dramas, with analysis of eighteenth-century theories of nationhood and evolving acting theories, to show that the very lack of a strong national consciousness in the late eighteenth century actually spurred the emergence of the German Nationaltheater, which were conceived in the spirit of the Enlightenment as educational institutions. Since for Germans, nationality was a performed identity, theater emerged as an ideal space in which to imagine that nation.
Author | : Elizabeth Coen |
Publisher | : |
Total Pages | : 177 |
Release | : 2016 |
Genre | : |
ISBN | : |
Download Staging Theater to Realize a Nation Book in PDF, ePub and Kindle
University of Washington Abstract Staging Theater to Realize a Nation: The Development of German National Theater in the 18th Century Elizabeth Coen Chair of the Supervisory Committee: Dr. Odai Johnson School of Drama This dissertation examines the invention and promotion of German national theater in Prussia, Austria, and the German states of the Holy Roman Empire between 1767 and 1797 to demonstrate how theatrical performance and rituals of theater-going were integral to the formation of German national identity and the burgeoning desire to constitute a German nation-state. I present four case studies that examine the guiding principles and repertoires of three German national theaters: The Hamburg National Theater, the Court and National Theater of Vienna, and the Mannheim National Theater. I also analyze discursive material such as journals, play texts, and correspondence to interrogate how these national institutions served the political aspirations of a diverse population of bourgeois critics, theater practitioners, and German princes. My findings suggest that each theater promoted a different geopolitical configuration of an imagined German nation-state, challenging scholars’ assertions that these theaters represented an apolitical cultural project. This dissertation demonstrates that German national theaters not only reflected, but also promoted a “future Germany” that espoused the principles of both republicanism and autocracy, a tension that influenced the politics of unification in the nineteenth century. The German national theater movement of the eighteenth century also offers a critical starting point for studies of imperial nationalism in German performance.
Author | : Michael Joseph Sosulski |
Publisher | : |
Total Pages | : 444 |
Release | : 1999 |
Genre | : Acting |
ISBN | : |
Download Body, Text, and Nation Book in PDF, ePub and Kindle
Author | : Wendy Sutherland |
Publisher | : Taylor & Francis |
Total Pages | : 277 |
Release | : 2017-05-15 |
Genre | : Literary Criticism |
ISBN | : 131705086X |
Download Staging Blackness and Performing Whiteness in Eighteenth-Century German Drama Book in PDF, ePub and Kindle
Focusing on eighteenth-century cultural productions, Wendy Sutherland examines how representations of race in philosophy, anthropology, aesthetics, drama, and court painting influenced the construction of a white bourgeois German self. Sutherland positions her work within the framework of the transatlantic slave trade, showing that slavery, colonialism, and the triangular trade between Europe, West Africa, and the Caribbean function as the global stage on which German bourgeois dramas by Friedrich Wilhelm Ziegler, Ernst Lorenz Rathlef, and Theodor Körner (and a novella by Heinrich von Kleist on which Körner's play was based) were performed against a backdrop of philosophical and anthropological influences. Plays had an important role in educating the rising bourgeois class in morality, Sutherland argues, with fathers and daughters offered as exemplary moral figures in contrast to the depraved aristocracy. At the same time, black female protagonists in nontraditional dramas represent the boundaries of physical beauty and marriage eligibility while also complicating ideas of moral beauty embodied in the concept of the beautiful soul. Her book offers convincing evidence that the eighteenth-century German stage grappled with the representation of blackness during the Age of Goethe, even though the German states were neither colonial powers nor direct participants in the slave trade.
Author | : John Alexander Kelly |
Publisher | : Octagon Press, Limited |
Total Pages | : 200 |
Release | : 1978 |
Genre | : Literary Criticism |
ISBN | : |
Download German Visitors to English Theaters in the Eighteenth Century Book in PDF, ePub and Kindle
Author | : Austin Glatthorn |
Publisher | : Cambridge University Press |
Total Pages | : 391 |
Release | : 2022-07-07 |
Genre | : Music |
ISBN | : 1009079948 |
Download Music Theatre and the Holy Roman Empire Book in PDF, ePub and Kindle
Packed full of new archival evidence that reveals the interconnected world of music theatre during the 'Classical era', this interdisciplinary study investigates key locations, genres, music, and musicians. Austin Glatthorn explores the extent to which the Holy Roman Empire delineated and networked a cultural entity that found expression through music for the German stage. He maps an extensive network of Central European theatres; reconstructs the repertoire they shared; and explores how print media, personal correspondence, and their dissemination shaped and regulated this music. He then investigates the development of German melodrama and examines how articulations of the Holy Roman Empire on the musical stage expressed imperial belonging. Glatthorn engages with the most recent historical interpretations of the Holy Roman Empire and offers quantitative, empirical analysis of repertoire supported by conventional close readings to illustrate a shared culture of music theatre that transcended traditional boundaries in music scholarship.
Author | : Martin Nedbal |
Publisher | : Routledge |
Total Pages | : 285 |
Release | : 2016-09-13 |
Genre | : Music |
ISBN | : 1317094085 |
Download Morality and Viennese Opera in the Age of Mozart and Beethoven Book in PDF, ePub and Kindle
This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.
Author | : L. James |
Publisher | : Springer |
Total Pages | : 375 |
Release | : 2013-10-31 |
Genre | : History |
ISBN | : 1137313730 |
Download Witnessing the Revolutionary and Napoleonic Wars in German Central Europe Book in PDF, ePub and Kindle
Drawing on a wide range of primary sources, this volume argues that although the Revolutionary and Napoleonic Wars are often understood as laying the foundations for total war, many eyewitnesses continued to draw upon older interpretative frameworks to make sense of the armed struggle and attendant political and social upheaval.
Author | : Simon Williams |
Publisher | : Cambridge University Press |
Total Pages | : 264 |
Release | : 2004-11-11 |
Genre | : Drama |
ISBN | : 9780521611930 |
Download Shakespeare on the German Stage: Volume 1, 1586-1914 Book in PDF, ePub and Kindle
Professor Williams focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism.
Author | : Margaret Eleanor Menninger |
Publisher | : BRILL |
Total Pages | : 396 |
Release | : 2022-03-21 |
Genre | : History |
ISBN | : 9004507809 |
Download A Serious Matter and True Joy Book in PDF, ePub and Kindle
We tend to accept that German cities and states run their own cultural institutions (concert halls, theatres, museums). This book shows how this now “self-evident” fact became a reality in the course of the long nineteenth century.