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Creative Music Composition

Creative Music Composition
Author: Margaret Lucy Wilkins
Publisher: Routledge
Total Pages: 293
Release: 2013-01-11
Genre: Music
ISBN: 1136092188

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Creative Music Composition is designed to be an introductory textbook for music students. "Creative composition"-composing in your own style, rather than in the style of a composer of the past-is embraced by music educators not only for composition students, but for beginning performers and music educators, and is often offered to all music students and non-music majors who wish to enhance their musical creativity. With 25 years of experience teaching fledgling composers, the author tackles the key ingredients that make for successful composition, including: stimulus to the musical imagination; discussion of a variety of current musical languages; analysis of many examples from contemporary scores; technical exercises; suggestions as to how to start a composition; structures; and examinations of works from particular genres. Wilkins covers several musical languages, from folk and popular to serialism; analyses various rhythmic forms; suggests approaches for composing for a variety of instruments, from traditional to electronic ones, as well as for the human voice; addresses the nuts and bolts of score preparation; and offers career advice. For all composition students-and for music students in general-Creative Music Composition offers a clear and concise introduction that will enable them to reach their personal goals.


The Young Composers

The Young Composers
Author: Lucille M Schultz
Publisher: SIU Press
Total Pages: 235
Release: 1999-04-28
Genre: Language Arts & Disciplines
ISBN: 0809390922

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Lucille M. Schultz's The Young Composers: Composition's Beginnings in Nineteenth-Century Schools is the first full-length history of school-based writing instruction. Schultz demonstrates that writing instruction in nineteenth-century American schools is much more important in the overall history of writing instruction than we have previously assumed. Drawing on primary materials that have not been considered in previous histories of writing instruction—little-known textbooks and student writing that includes prize-winning essays, journal entries, letters, and articles written for school newspapers—Schultz shows that in nineteenth-century American schools, the voices of the British rhetoricians that dominated college writing instruction were attenuated by the voice of the Swiss education reformer Johann Heinrich Pestalozzi. Partly through the influence of Pestalozzi's thought, writing instruction for children in schools became child-centered, not just a replica or imitation of writing instruction in the colleges. It was also in these nineteenth-century American schools that personal or experience-based writing began and where the democratization of writing was institutionalized. These schools prefigured some of our contemporary composition practices: free writing, peer editing, and the use of illustrations as writing prompts. It was in these schools, in fact, where composition instruction as we know it today began, Schultz argues. This book features a chapter on the agency of textbook iconography, which includes illustrations from nineteenth-century composition books as well as a cultural analysis of those illustrations. Schultz also includes a lengthy bibliography of nineteenth-century composition textbooks and student and school newspapers.


Musical Composition

Musical Composition
Author: Jack Jarrett
Publisher: Xlibris Corporation
Total Pages: 127
Release: 2016-04-29
Genre: Music
ISBN: 1514487640

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Students of composition who wish to acquire a comprehensive eclectic technique should find this book useful, particularly when read in conjunction with a systematic study of music literature.


Young Composers

Young Composers
Author: Herbert Eimert
Publisher:
Total Pages: 158
Release: 1960
Genre: Composers
ISBN:

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Contains articles of varying length on the following composers: Nono, Pousseur, Henze, Boulez, Nilsson, Klebe, Berio, Zimmermann, Maderna, Stockhausen. In an introductory article the general problems of present-day musical composition are considered, and many of the contributors also deal with these problems in the course of their articles. The 'Schönberg-and-no-farther' school of critics are also discussed; quotations from one of the latter are illuminatingly juxtaposed with quotations from an ultra-conservative critic. The volume contains numerous musical examples.


The Young Composers

The Young Composers
Author: Lucille M. Schultz
Publisher: SIU Press
Total Pages: 235
Release: 1999-04-28
Genre: Language Arts & Disciplines
ISBN: 0809322366

Download The Young Composers Book in PDF, ePub and Kindle

Lucille M. Schultz's The Young Composers: Composition's Beginnings in Nineteenth-Century Schools is the first full-length history of school-based writing instruction. Schultz demonstrates that writing instruction in nineteenth-century American schools is much more important in the overall history of writing instruction than we have previously assumed. Drawing on primary materials that have not been considered in previous histories of writing instruction—little-known textbooks and student writing that includes prize-winning essays, journal entries, letters, and articles written for school newspapers—Schultz shows that in nineteenth-century American schools, the voices of the British rhetoricians that dominated college writing instruction were attenuated by the voice of the Swiss education reformer Johann Heinrich Pestalozzi. Partly through the influence of Pestalozzi's thought, writing instruction for children in schools became child-centered, not just a replica or imitation of writing instruction in the colleges. It was also in these nineteenth-century American schools that personal or experience-based writing began and where the democratization of writing was institutionalized. These schools prefigured some of our contemporary composition practices: free writing, peer editing, and the use of illustrations as writing prompts. It was in these schools, in fact, where composition instruction as we know it today began, Schultz argues. This book features a chapter on the agency of textbook iconography, which includes illustrations from nineteenth-century composition books as well as a cultural analysis of those illustrations. Schultz also includes a lengthy bibliography of nineteenth-century composition textbooks and student and school newspapers.


Contemporary Music for Schools

Contemporary Music for Schools
Author: Contemporary Music Project for Creativity in Music Education
Publisher:
Total Pages: 106
Release: 1966
Genre: Composers
ISBN:

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