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| Author | : Jimmy Guterman |
| Publisher | : Citadel Press |
| Total Pages | : 0 |
| Release | : 1991 |
| Genre | : Music |
| ISBN | : 9780806512310 |
A collection of rock's fifty worst singles and albums
| Author | : Jimmy Guterman |
| Publisher | : Citadel Press |
| Total Pages | : |
| Release | : 1991-06-01 |
| Genre | : |
| ISBN | : 9780806599656 |
| Author | : Jimmy Guterman |
| Publisher | : |
| Total Pages | : 223 |
| Release | : 1991 |
| Genre | : Rock music |
| ISBN | : 9780863695872 |
This is a guide to the worst of rock music throughout its history. It contains detailed criticisms of the 50 worst albums, 50 worst singles, and special sections including the worst Dylan cover versions and the worst Elvis tributes.
| Author | : Jimmy Guterman |
| Publisher | : Citadel Press |
| Total Pages | : |
| Release | : 1992-05-01 |
| Genre | : |
| ISBN | : 9780806599632 |
The coauthor of The Worst Rock 'n' Roll of All Time has some welcome good news: Great rock is alive and well. And in his new book, veteran rock critic Jimmy Guterman shares his choices--and his ocnvincing reasons behind choosing them. Illustrated with photos, album covers and drawings throughout.
| Author | : Dave Marsh |
| Publisher | : Simon and Schuster |
| Total Pages | : 626 |
| Release | : 1994-11 |
| Genre | : Music |
| ISBN | : 0671787004 |
Dave Marsh has been an editor and columnist at Creem and Rolling Stone. His books include Born to Run, Behind Blue Eyes: The Story of the Who, Glory Days, and Louie Louie. This virtual Methusaleh of rock critics currently serves as a music critic at Playboy and as editor of Rock and Rap Confidential.
| Author | : Darryl W Bullock |
| Publisher | : Bristol Green Publishing |
| Total Pages | : 260 |
| Release | : 2015-02-04 |
| Genre | : Music |
| ISBN | : 148262446X |
An affectionate look at some of the worst recordings ever made, The World’s Worst Records tells the extraordinary but true stories behind some of the most appalling audio crimes ever committed. Extensively researched, and featuring music by major stars, ‘outsider’ artists and almost forgotten singers and songwriters, read about how Elvis Presley came to record a rock ‘n’ roll version of the nursery rhyme Old Macdonald; discover the truth behind actor Peter Wyngarde’s one attempt at pop immortality; meet the beautifully bonkers Florence Foster Jenkins – possibly the most deluded singer in history; fi nd out which Paul McCartney record is most hated world over. Puzzle over why 60’s flower-power icon Donovan would record a song about the toilet habits of astronauts.
| Author | : Eilon Paz |
| Publisher | : Ten Speed Press |
| Total Pages | : 577 |
| Release | : 2015-09-15 |
| Genre | : Music |
| ISBN | : 1607748703 |
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
| Author | : Frank Hoffmann |
| Publisher | : Routledge |
| Total Pages | : 446 |
| Release | : 2015-12-22 |
| Genre | : Music |
| ISBN | : 1317940407 |
From “Who Put the Bomp (in the Bomp, Bomp, Bomp)?” to a list of all song titles containing the word “werewolf,” Rock Music in American Popular Culture II: More Rock ’n’Roll Resources continues where 1995’s Volume I left off. Using references and illustrations drawn from contemporary lyrics and supported by historical and sociological research on popular cultural subjects, this collection of insightful essays and reviews assesses the involvement of musical imagery in personal issues, in social and political matters, and in key socialization activities. From marriage and sex to public schools and youth culture, readers discover how popular culture can be used to explore American values. As Authors B. Lee Cooper and Wayne S. Haney prove that integrated popular culture is the product of commercial interaction with public interest and values rather than a random phenomena, they entertainingly and knowledgeably cover such topics as: answer songs--interchanges involving social events and lyrical commentaries as explored in response recordings horror films--translations and transformations of literary images and motion picture figures into popular song characters and tales public schools--images of formal educational practices and informal learning processes in popular song lyrics sex--suggestive tales and censorship challenges within the popular music realm war--examinations of persistent military and home front themes featured in wartime recordings Rock Music in American Popular Culture II: More Rock ‘n’Roll Resources is nontechnical, written in a clear and concise fashion, and explores each topic thoroughly, with ample discographic and bibliographic resources provided for additional research. Arranged alphabetically for quick and easy reference to specific topics, the book is equally enjoyable to read straight through. Rock music fans, teachers, popular culture professors, music instructors, public librarians, sound recording archivists, sociologists, social critics, and journalists can all learn something, as the book shows them the cross-pollination of music and social life in the United States.
| Author | : Steven L. Hamelman |
| Publisher | : University of Georgia Press |
| Total Pages | : 292 |
| Release | : 2004 |
| Genre | : Music |
| ISBN | : 9780820325873 |
Trash has been blowing across the rock'n'roll landscape since the first amplified guitar riff tore through American mass culture. Throwaway tunes, wasted fans, crappy reviews, junk bins of remaindered albums: much of rock's quintessence is handily conveyed in terms of disposability and impermanence. Steven L. Hamelman sums up these rubbishy affinities as rock's "trash trope." Trash is an obvious physical presence on the rock scene -- think of Woodstock's littered pastures or the many hotel rooms redecorated by the Who. More intriguingly, Hamelman says, trash is the catalyst for a powerful mode of rock composition and criticism. It is, for instance, both cause and effect when performers like the Ramones or Beck at once critique junk culture and revel in it. But Is It Garbage? spills over with challenging insights into how rock's creators, critics, and consumers transform, and are transformed by, trash as a fact and a concept. In the music's preoccupation with its own trashiness readers will perceive a wellspring of rock innovation and inspiration -- one largely overlooked and little understood until now.
| Author | : John J. Sheinbaum |
| Publisher | : University of Chicago Press |
| Total Pages | : 305 |
| Release | : 2018-11-29 |
| Genre | : Music |
| ISBN | : 022659338X |
Over the past two centuries Western culture has largely valorized a particular kind of “good” music—highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original—and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately.
